Richard Thomas Underwood Collection

Monument to John Holland, Church of St Katherine by the Tower, Stepney, London, c1810. John Holland (1395-1447), 2nd Duke of Exeter, was a military commander during the Hundred Years War

Philippine Islands, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Philippine Islands. Piles raise these houses near Manila out of the stagnant water which is a breeding-ground for mosquitoes, early 19th century, (c1930s). From Geographical Magazine, Volume 5

Normandy, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Normandy. Rising out of the sea-bed, the Benedictine Abbey upon the granite rock of Mont St. Michel appears to be some fairy fantasy bound to the world of reality by the raised causeway

Peking, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Peking. By the side of the steps leading up to the palace of the late Empress-Dowager are two splendid dragons with arched backs, early 19th century, (c1930s). From Geographical Magazine, Volume 5

France, early 19th century, (c1930s). Artist: Richard Thomas Underwood
France. Perched on a needle point of volcanic rock the church of S. Michel d Aiguilhe is the glory of Le Puy in the Haute Loire, early 19th century, (c1930s). From Geographical Magazine, Volume 3

Rajputana, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Rajputana. From the royal stables within the palace of the Maharaja of Jaipur come stately elephants with solemn tread, early 19th century, (c1930s). From Geographical Magazine, Volume 5

Norway, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Norway. Among the peaks of the wild Horunger mountains about the hamlet of Tutegro, glaciers overhang the valley heads, early 19th century, (c1930s). From Geographical Magazine, Volume 5

Greece, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Greece. The Meteora Monasteries in Thessaly were founded high on the summit of pillar-like rocks in the turbulent fourteenth century, early 19th century, (c1930s). From Geographical Magazine, Volume 3

Tamworth Castle, 1799, (1922). Artist: Richard Thomas Underwood
Tamworth Castle, 1799. Tamworth Castle is a Norman castle, located next to the River Tame, in the town of Tamworth, Staffordshire, England

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Richard Thomas Underwood was a talented artist known for his exquisite works depicting various locations and historical landmarks. His attention to detail and skillful brushstrokes brought these places to life, capturing their essence in vivid colors. One of Underwood's notable creations is the Monument to John Holland, situated in the Church of St Katherine by the Tower in Stepney, London. This masterpiece showcases his ability to convey architectural beauty with precision and grace. In addition to his English subjects, Underwood also ventured into international territories. The Philippine Islands during the early 19th century became one of his inspirations, as seen in his artwork from the 1930s. Through delicate strokes, he transported viewers back in time to experience this captivating era. Normandy was another destination that fascinated Underwood. His paintings from the same period depict its charm and allure through landscapes that evoke a sense of tranquility and nostalgia. Underwood's artistic journey took him further eastward towards Peking (now Beijing) and Constantinople (now Istanbul). In both cities, he captured their unique cultures and architectural marvels during the early 19th century. These artworks serve as windows into history, allowing us a glimpse into these vibrant societies long ago. France also captivated Underwood's imagination during this period. His paintings showcase its romantic ambiance and timeless elegance that has enchanted visitors for centuries. Rajputana offered yet another source of inspiration for Underwood's creative genius. With rich colors and intricate details, he portrayed this region's regal heritage through stunning compositions that transport viewers directly into its royal past. Norway provided an entirely different landscape for exploration. Through sweeping brushstrokes filled with icy blues and snow-capped mountains, Underwood conveyed Norway's breathtaking natural beauty during the early 19th century. Greece held a special place in Richard Thomas Underwood's heart as well; it inspired some of his most captivating works from this era.