Robert Taylor Pritchett Collection

Peak and Barrier-Reef of Borabora, c1885, (1890). Artist: Robert Taylor Pritchett
Peak and Barrier-Reef of Borabora, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Whitsunday Island, c1885, (1890). Artist: Robert Taylor Pritchett
Whitsunday Island, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Ornithorhynchus Paradoxus, c1885, (1890). Artist: Robert Taylor Pritchett
Ornithorhynchus Paradoxus, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

The Queens Palace at Papeete, Tahiti, c1885, (1890). Artist: Robert Taylor Pritchett
The Queens Palace at Papeete, Tahiti, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Native of Australia, c1885, (1890). Artist: Robert Taylor Pritchett
Native of Australia, c1885 (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Travelling in the Andes, c1885, (1890). Artist: Robert Taylor Pritchett
Travelling in the Andes, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Fuegians and their Wigwams, c1885, (1890). Artist: Robert Taylor Pritchett
Fuegians and their Wigwams, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

The Puma, c1885, (1890). Artist: Robert Taylor Pritchett
The Puma, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

The Condor, c1885, (1890). Artist: Robert Taylor Pritchett
The Condor, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Herd of Cattle Crossing the Uruguay, c1885, (1890). Artist: Robert Taylor Pritchett
Herd of Cattle Crossing the Uruguay, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Buenos Ayres, c1885, (1890). Artist: Robert Taylor Pritchett
Buenos Ayres, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Bizcachas, c1885, (1890). Artist: Robert Taylor Pritchett
Bizcachas, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Skeleton of the Mylodon Darwinii, c1885, (1890). Artist: Robert Taylor Pritchett
Skeleton of the Mylodon Darwinii, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Throwing The Bolas, c1885, (1890). Artist: Robert Taylor Pritchett
Throwing The Bolas, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Skeleton of the Megatherium, c1885, (1890). Artist: Robert Taylor Pritchett
Skeleton of the Megatherium, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Vampire Bat, c1885, (1890). Artist: Robert Taylor Pritchett
Vampire Bat, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Brazilian Forest, c1885 (1890). Artist: Robert Taylor Pritchett
Brazilian Forest, c1885 (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Windsor at Sunrise, from the Brocas, 1880. Artist: Robert Taylor Pritchett
Windsor at Sunrise, from the Brocas, 1880. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams, published by Marcus Ward and Co, (London, 1880)

Old Windsor Lock, 1880. Artist: Robert Taylor Pritchett
Old Windsor Lock, 1880. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams, published by Marcus Ward and Co, (London, 1880)

Prince Consorts Mausoleum, 1880. Artist: Robert Taylor Pritchett
Prince Consorts Mausoleum, 1880. Frogmore Mausoleum, near Windsor Castle in Berkshire, was built by Queen Victoria to contain the remains of her husband, Prince Albert

Windsor, from Clewer, 1880. Artist: Robert Taylor Pritchett
Windsor, from Clewer, 1880. View of Windsor Castle, one of the Queens royal residences. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams

Putney Bridge and Church by Moonlight, 1880. Artist: Robert Taylor Pritchett
Putney Bridge and Church by Moonlight, 1880. View of the village of Putney, (now a suburb of London) on the River Thames. An illustration from Windsor Castle

Windmill on Wimbledon Common, 1880. Artist: Robert Taylor Pritchett
Windmill on Wimbledon Common, 1880. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams, published by Marcus Ward and Co, (London, 1880)

Chiswick, London, 1880. Artist: Robert Taylor Pritchett
Chiswick, London, 1880. View of the River Thames at Chiswick. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams, published by Marcus Ward and Co, (London, 1880)

Windsor, from the East Approach, 1880. Artist: Robert Taylor Pritchett
Windsor, from the East Approach, 1880. View of the River Thames with the royal residence in the distance. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams

Albert Memorial Chapel, Windsor, 1880. Artist: Robert Taylor Pritchett
Albert Memorial Chapel, Windsor, 1880. Prince Alberts tomb. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams, published by Marcus Ward and Co, (London, 1880)

The Waterloo Chamber, Windsor Castle, 1880. Artist: Robert Taylor Pritchett
The Waterloo Chamber, Windsor Castle, 1880. The room was built to celebrate the Battle of Waterloo, and to provide a fit setting for the portraits of all the principal personages involved in

The Throne Room, Windsor, 1880. Artist: Robert Taylor Pritchett
The Throne Room, Windsor, 1880. Interior of the royal residence. An illustration from Windsor Castle and the Water-Way Thither by W H Davenport Adams, published by Marcus Ward and Co, (London, 1880)

Prince Consorts Tomb, 1880. Artist: Robert Taylor Pritchett
Prince Consorts Tomb, 1880. The Royal Mausoleum at Frogmore near Windsor Castle in Berkshire, was built by Queen Victoria to contain the remains of her husband, Prince Albert

Entrance to Hampton Court Palace, 1880. Artist: Robert Taylor Pritchett
Entrance to Hampton Court Palace, 1880. The palace, once the home of King Henry VIII, is a famous tourist attraction now in Greater London

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Robert Taylor Pritchett, a talented artist of the late 19th century, captured the beauty and diversity of our world through his stunning artworks. In "Peak and Barrier-Reef of Borabora, " he transports us to the mesmerizing landscapes of this enchanting island, allowing us to immerse ourselves in its natural wonders. Similarly, in "Whitsunday Island, " Pritchett's brushstrokes bring to life the pristine beaches and crystal-clear waters that make this place a true paradise. But Pritchett's artistic genius didn't stop at landscapes; he also delved into the animal kingdom with pieces like "Ornithorhynchus Paradoxus. " Through meticulous detail and vibrant colors, he showcases the unique features of this fascinating creature. In "The Queens Palace at Papeete, Tahiti, " we are transported to an exotic land filled with rich culture and vibrant architecture. Pritchett's travels took him far beyond Oceania as well. With works like "Native of Australia" and "Travelling in the Andes, " he captures both indigenous cultures and breathtaking mountainous vistas from different corners of our globe. His attention to detail is evident in pieces such as "Fuegians and their Wigwams, " where every stroke brings these native people's way of life vividly before our eyes. Not limited by subject matter or geography, Pritchett also explored wildlife through his artistry. From majestic creatures like "The Puma" to awe-inspiring birds such as "The Condor, " his paintings allow us glimpses into nature's most magnificent creations. In addition to capturing scenes from nature, Pritchett depicted human activities too. In works like "Herd of Cattle Crossing the Uruguay" and "Buenos Ayres, " he portrays bustling cityscapes alongside rural scenes that reflect daily life during that era.