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Romain De Collection

Romeyn de Hooghe, a renowned artist and engraver from the late 17th to early 18th century, left an indelible mark on the art world with his captivating works

Background imageRomain De Collection: Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs).n.d

Background imageRomain De Collection: Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe

Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe
Le Feste des Trois Rois.n.d. Satire of James II, Prince James, and Louis XIV in Paris

Background imageRomain De Collection: L Europe Allarmee. n. d. Creator: Romeyn de Hooghe

L Europe Allarmee. n. d. Creator: Romeyn de Hooghe
L Europe Allarmee.n.d. Satire of Louis XIV, and James II

Background imageRomain De Collection: Panurge seconde. n. d. Creator: Romeyn de Hooghe

Panurge seconde. n. d. Creator: Romeyn de Hooghe
Panurge seconde.n.d. Queen Mary parting from James II, with Louis XIV

Background imageRomain De Collection: Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe

Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe
Qualis vir Talis Oratio.n.d. King James lies in bed vomiting reptiles with crowns, the Lord Mayor of London holds his nose with Aldermen and Bishops

Background imageRomain De Collection: Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe

Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe
Anticurius van Loevesteyn.n.d. John de Witt sits on a chair as Freedom descends on a cloud bearing the arms of William III

Background imageRomain De Collection: William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice

William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II, .n.d

Background imageRomain De Collection: The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

Background imageRomain De Collection: Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe

Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe
Detail of the Park at Enghien (right half), 1685

Background imageRomain De Collection: Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe

Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe
Portrait of Mary Stuart, .n.d

Background imageRomain De Collection: Entrance of William III into The Hague (Inhaling van S. K. Maj

Entrance of William III into The Hague (Inhaling van S. K. Maj
Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet vans Gravenhage / Reception de sa Majeste au pont du Westende) from Bidloo

Background imageRomain De Collection: Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century

Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century
Green fountain and coliseum at the Chateau D Enghien, Belgium, late 17th-early 18th century, (1903). Fontaine Et Colisee De Verdure, Chateau D Enghien (Belgique)

Background imageRomain De Collection: Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe

Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe
Peace Conference at Breda, .n.d



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Romeyn de Hooghe, a renowned artist and engraver from the late 17th to early 18th century, left an indelible mark on the art world with his captivating works. From political satires to historical events, de Hooghe's creations showcased his immense talent and unique perspective. One of his notable pieces is "Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest" which translates to "The one who falls first pays the musician last. " This artwork depicts a scene where individuals are engaged in a game of falling dominos, symbolizing the consequences that follow our actions. Another intriguing creation by de Hooghe is "Le Feste des Trois Rois, " showcasing a festive celebration of the Three Kings. The intricate details and vibrant colors transport viewers into this joyous occasion. "L'Europe Allarmee" portrays Europe in turmoil during uncertain times. De Hooghe skillfully captures the chaos and tension prevalent at that time through his meticulous engravings. In "Panurge seconde, " we witness de Hooghe's ability to bring fictional characters to life. Panurge, a character from Rabelais' novels, takes center stage as he embarks on yet another misadventure filled with humor and wit. De Hooghe also created portraits such as "Qualis vir Talis Oratio" depicting influential figures of his time. These detailed renderings showcase not only their physical appearance but also their personalities and status within society. Furthermore, de Hooghe's artistic prowess extended beyond portraiture; he captured significant historical moments like William III as Prince of Orange alongside previous Stadthouders William I and Maurice. Through these compositions, he immortalized important figures who shaped history. "The Epiphany of the New Antichrist" delves into religious themes while exploring eschatological concepts.