Romanticism Collection (#3)

Byron as he appeared after his daily ride at Pisa and Genoa, c1820s, (1911). Artist: Gaspar Netscher
Byron as he appeared after his daily ride at Pisa and Genoa, 1911. George Gordon Byron (1788-1824) commonly known as Lord Byron, was an English poet and a leading figure in the Romantic movement

Ulysses deriding Polyphemus, 1829. Artist: Turner, Joseph Mallord William (1775-1851)
Ulysses deriding Polyphemus, 1829. Found in the collection of the National Gallery, London

Salisbury Cathedral from the Bishops Garden, 1826. Artist: Constable, John (1776-1837)
Salisbury Cathedral from the Bishops Garden, 1826. Found in the collection of the Frick Collection, New York

Cenotaph to the Memory of Sir Joshua Reynolds, 1833-1835. Artist: Constable, John (1776-1837)
Cenotaph to the Memory of Sir Joshua Reynolds, 1833-1835. Found in the collection of the National Gallery, London

Armatoles near Athens, 1829. Artist: Hess, Peter von (1792?1871)
Armatoles near Athens, 1829. Found in the collection of the Staatliche Museen, Berlin

The Dove Sent Forth from the Ark, by Gustave Dore
THE DOVE SENT FORTH FROM THE ARK, BY GUSTAVE DORE. Dore, 1832 - 1883, French. Engraving for the Bible. 1870, Art, Artist, holy book, religion, religious, christianity, christian

Sketch in the Gardens at Aulnay, 1817 (w / c on paper)
XIR214276 Sketch in the Gardens at Aulnay, 1817 (w/c on paper) by Forbes, James (1749-1819); Musee de l Ile de France, Sceaux

The Tree of Crows, 1822 (oil on canvas)
XIR15999 The Tree of Crows, 1822 (oil on canvas) by Friedrich, Caspar David (1774-1840); 59x73.7 cm; Louvre, Paris, France; (add.info.: inspired by a Hun tumulus on the Baltic sea)

Doorway in Meissen, 1827. Artist: Friedrich, Caspar David (1774-1840)
Doorway in Meissen, 1827. Found in the collection of the Dresden State Art Collections

Stonehenge, 1835 (w / c on paper)
BAL9900 Stonehenge, 1835 (w/c on paper) by Constable, John (1776-1837); 38.7x59.1 cm; Victoria & Albert Museum, London, UK; English, out of copyright

Landscape in the Riesengebirge, 1810-11 (oil on canvas)
XIR78976 Landscape in the Riesengebirge, 1810-11 (oil on canvas) by Friedrich, Caspar David (1774-1840); 45x58.3 cm cm; Pushkin Museum, Moscow, Russia; German, out of copyright

Corsica, (Monaco?) c. 1830-35 (w / c on brown paper)
XYC203476 Corsica, (Monaco?) c.1830-35 (w/c on brown paper) by Turner, Joseph Mallord William (1775-1851); 13.8x18.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

PINGRET, Edouard (1788-1875). mid. mid. 19th c. Oil on paper. Romanticism. Oil. MEXICO. Mexico City. Banco Nacional de M鸩 co (National Bank of Mexico) Collection

CHURCH, Frederic Edwin (1826-1900). South American Landscape. Romanticism. Hudson River School. Oil on canvas

Portrait of Asensio Julià, 1798. Creator: Francisco Goya
Portrait of Asensio Julia, 1798.

Easter Morning, 1828. Creator: Caspar David Friedrich
Easter Morning, 1828.

Portrait of David Lyon, 1825. Creator: Thomas Lawrence
Portrait of David Lyon, 1825.

Horse Race, 1817. Creator: Theodore Gericault
Horse Race, 1817. The present study depicts an animated winning horse, its flanks covered by a green and gold cloth tied with its girth

The Artist's Wife In His Studio, c1795-99. Creator: Louis Leopold Boilly
The Artist's Wife In His Studio, c1795-99. A young woman, traditionally identified as Boilly's wife, examines a large portfolio amid the clutter of the artist's studio

Die Römischen Ansichten (Views of Rome)/ Ruine del Palazzo de'Cesari in Roma, 1810. Creator: Joseph Anton Koch
Die Romischen Ansichten (Views of Rome)/ Ruine del Palazzo de'Cesari in Roma, 1810. From a series of 20 etchings in the series Die Romischen Ansichten (Views of Rome)

Die Römischen Ansichten (Views of Rome)/ Subiaco, 1810. Creator: Joseph Anton Koch
Die Romischen Ansichten (Views of Rome)/ Subiaco, 1810. Seventh plate in the series 'Die Romischen Ansichten (Views of Rome)' and as the title implies

Die Römischen Ansichten (Views of Rome)/ Acquedotti sotto S. Bonaventura in Roma, 1810. Creator: Joseph Anton Koch
Die Romischen Ansichten (Views of Rome)/ Acquedotti sotto S. Bonaventura in Roma, 1810. From a series of 20 etchings in the series Die Romischen Ansichten (Views of Rome)

Die Römischen Ansichten (Views of Rome)/Rovine del Palazzo de Cesari, 1810. Creator: Joseph Anton Koch
Die Romischen Ansichten (Views of Rome)/Rovine del Palazzo de Cesari, 1810. From a series of 20 etchings in the series Die Romischen Ansichten (Views of Rome)

The Foot-Bridge, 1775. Creator: Hubert Robert
The Foot-Bridge, 1775.

Interior of the Temple of Diana at Nimes, unknown date. Creator: Hubert Robert
Interior of the Temple of Diana at Nimes, unknown date. A series of figures including a traveller, a busy artist seated on a block of stone and various figures wearing classical tunics who

Arab Rider, 1854. Creator: Eugene Delacroix
Arab Rider, 1854.

The Schoenberg seen from Hoisernradalpe, 1833. Creator: Ferdinand Georg Waldmuller
The Schoenberg seen from Hoisernradalpe, 1833.

Bad Ischl, 1833. Creator: Ferdinand Georg Waldmuller
Bad Ischl, 1833.

A Calm Sea, 1748. Creator: Claude-Joseph Vernet
A Calm Sea, 1748.

A Stormy Sea, 1748. Creator: Claude-Joseph Vernet
A Stormy Sea, 1748.

El tío Paquete, 1819. Creator: Francisco Goya
El tio Paquete, 1819. Tio Paquete was a well known blind man in Madrid who was to be found in the area of the church of San Felipe el Real

Croix de Moulin des Planches, 1827. Creator: Richard Parkes Bonington
Croix de Moulin des Planches, 1827.

Le maréchal anglais (The English blacksmith). From 'Études de chevaux, Grands chevaux'..., 1822
Le marechal anglais (The English blacksmith). From 'Etudes de chevaux, Grands chevaux' (Studies of horses. Large horses'., 1822)

The Kiss, 1816. Creator: Theodore Gericault
The Kiss, 1816.

The Duke of Orleans showing his Lover, 1825. Creator: Eugene Delacroix
The Duke of Orleans showing his Lover, 1825. A passage in the Histoire des ducs de Borgogne by Barante describes how the Duke of Orleans displayed the naked body of his lover Mariette d'Enghien

Greenwood Lake, 1870. Creator: Jasper Francis Cropsey
Greenwood Lake, 1870.

The Parc des Lions at Port-Marly, 1872. Creator: Jean-Baptiste-Camille Corot
The Parc des Lions at Port-Marly, 1872.

Interior of the Church at Mantes, 1865. Creator: Jean-Baptiste-Camille Corot
Interior of the Church at Mantes, 1865.

Autumn, 1875. Creator: Frederic Edwin Church
Autumn, 1875.

Roman Ruins With Laundresses, c1777. Creator: Hubert Robert
Roman Ruins With Laundresses, c1777.

Laundress And Child, 1761. Creator: Hubert Robert
Laundress And Child, 1761.

Road By The Water, c1865-70. Creator: Jean-Baptiste-Camille Corot
Road By The Water, c1865-70. The villagers scattered along this sun-dappled road carry various bundles, their tasks appearing more leisurely than arduous.

Bathers Of The Borromean Isles, c1865-70. Creator: Jean-Baptiste-Camille Corot
Bathers Of The Borromean Isles, c1865-70. The Borromean Islands, on Lake Maggiore in Northern Italy, are famous for their isolation and natural beauty.

Young Woman In A Pink Skirt, c1845-50. Creator: Jean-Baptiste-Camille Corot
Young Woman In A Pink Skirt, c1845-50.

Dunkerque, Fishing Boats Tied To The Wharf, c1830. Creator: Jean-Baptiste-Camille Corot
Dunkerque, Fishing Boats Tied To The Wharf, c1830.

Louise Harduin, 1831. Creator: Jean-Baptiste-Camille Corot
Louise Harduin, 1831. Louise Harduin was fifteen years old when Corot painted her portrait. Staring directly out of the picture, she commands our attention

Harbour at sunset, 1820s. Creator: Richard Parkes Bonington
Harbour at sunset, 1820s. Showing numerous boats on calm waters bathed in the golden light of the setting sun. In the background is a cityscape with two prominent church buildings which recall his

Dedham Vale, 1805. Creator: John Constable
Dedham Vale, 1805.

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"Embracing the Beauty of Romanticism: A Journey Through Art" Step into a world where emotions run wild and imagination knows no bounds. Romanticism, an artistic movement that swept across Europe in the 18th and 19th centuries, captured the essence of human passion and longing for something beyond reality. From breathtaking landscapes to mythical creatures, let us delve into the captivating works that defined this era. One cannot help but be drawn to "Wanderer Above the Sea of Fog, " a masterpiece by Caspar David Friedrich. As we gaze upon the solitary figure standing atop a misty mountain peak, we are reminded of our own yearning for adventure and discovery. In contrast, Peter Nicolai Arbo's "The Wild Hunt of Odin" transports us to a realm where myth intertwines with reality. The frenzied chase led by Odin himself evokes both fear and fascination, reminding us of our primal instincts hidden within. JMW Turner's artistry takes center stage with pieces like "Whitby" and "A First Rate Taking in Stores. " His ability to capture light and atmosphere is unparalleled as he paints stormy seas crashing against rugged cliffs or naval ships engulfed in billowing clouds. These scenes evoke a sense of awe at nature's power while also reflecting on man's vulnerability amidst its might. John William Waterhouse enchants us with his portrayal of mermaids in his painting aptly titled "A Mermaid. " With her ethereal beauty intertwined with danger, she represents forbidden desires that lure even the most steadfast hearts into temptation. David Cox Sr. 's depiction of Ulverston Sands invites us to stroll along serene shores bathed in golden sunlight. The tranquility portrayed here allows one to escape from everyday worries and find solace in nature's embrace. Francisco Goya presents another facet through his work "Witches in Flight.