Romeyn De Collection

Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs).n.d

Le Feste des Trois Rois. n. d. Creator: Romeyn de Hooghe
Le Feste des Trois Rois.n.d. Satire of James II, Prince James, and Louis XIV in Paris

L Europe Allarmee. n. d. Creator: Romeyn de Hooghe
L Europe Allarmee.n.d. Satire of Louis XIV, and James II

Panurge seconde. n. d. Creator: Romeyn de Hooghe
Panurge seconde.n.d. Queen Mary parting from James II, with Louis XIV

Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe
Qualis vir Talis Oratio.n.d. King James lies in bed vomiting reptiles with crowns, the Lord Mayor of London holds his nose with Aldermen and Bishops

Anticurius van Loevesteyn. n. d. Creator: Romeyn de Hooghe
Anticurius van Loevesteyn.n.d. John de Witt sits on a chair as Freedom descends on a cloud bearing the arms of William III

William III as Prince of Orange, with the four preceding Stadthouders, William I, Maurice, Frederick Hendrick, William II, .n.d

The Epiphany of the New Antichrist (L Epiphane du Nouveau Antichrist), 1689

Detail of the Park at Enghien (right half), 1685. Creator: Romeyn de Hooghe
Detail of the Park at Enghien (right half), 1685

Portrait of Mary Stuart, . n. d. n. d Creator: Romeyn de Hooghe
Portrait of Mary Stuart, .n.d

Entrance of William III into The Hague (Inhaling van S. K. Maj
Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet vans Gravenhage / Reception de sa Majeste au pont du Westende) from Bidloo

Green fountain and coliseum... Chateau D Enghien, Belgium, late 17th-early 18th century
Green fountain and coliseum at the Chateau D Enghien, Belgium, late 17th-early 18th century, (1903). Fontaine Et Colisee De Verdure, Chateau D Enghien (Belgique)

Het hoog-en lager-huys van Engelandt, 1689. Artist: Romeyn de Hooghe
Het hoog-en lager-huys van Engelandt, 1689. An interior view of Westminster Hall, London, with King William III seated on the throne

Royal Procession of King William III, 1688. Artist: Romeyn de Hooghe
King William III entering London, near St James, 18 December, 1688. Courtiers on foot and on horseback surround the King, some bowing before him, guns are fired and flags waved

Battle of the Texel, c1675. Artist: Romeyn de Hooghe
Battle of the Texel, c1675. The naval Battle of Texel took place on 21 August 1673 between the Dutch and the combined English and French fleets

Peace Conference at Breda, . n. d. n. d Creator: Romeyn de Hooghe
Peace Conference at Breda, .n.d

Arrival of William of Orange in England, 5 November 1688, (1903)
Arrival of William of Orange in England, 15-16 November 1688, (1903). A protestant, William of Orange (1650-1702) was invited by a conspiracy of English notables to depose the Catholic James II

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Romeyn de Hooghe was a versatile and talented artist whose works spanned various genres and subjects. His creations were not limited to one medium or style, but rather showcased his artistic prowess in different forms. One of his notable works is "Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, " which translates to "The first who falls pays the musician, the last. " This intriguing piece captures the essence of competition and its consequences. Another remarkable creation by Romeyn de Hooghe is "Le Feste des Trois Rois, " a celebration of the Three Kings. This artwork displays his ability to depict festive scenes with intricate details that transport viewers into another world. "L'Europe Allarmee" is yet another masterpiece by De Hooghe, showcasing his talent for political satire. Through this work, he cleverly portrays Europe's state of alarm during uncertain times. In "Panurge seconde, " De Hooghe presents an engaging narrative through visual storytelling. The intricately drawn characters come alive on paper as they navigate their adventures. De Hooghe's skill in portraiture shines through in "Portrait of Mary Stuart. " With meticulous attention to detail, he captures the essence and personality of this historical figure. "The Epiphany of the New Antichrist" delves into religious themes while showcasing De Hooghe's imagination and creativity. This thought-provoking piece invites viewers to contemplate deeper meanings within its symbolism. His landscape painting skills are evident in "Detail of the Park at Enghien. " Here, De Hooghe transports us into a serene natural setting filled with lush greenery and tranquility. Lastly, we have "Entrance of William III into The Hague, " which depicts an important historical event. Through this artwork, De Hooghe immortalizes significant moments in history for future generations to appreciate.