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Rossetti Dante Gabriel 1828 1882 Collection

Dante Gabriel Rossetti (1828-1882) was a renowned English poet and painter, known for his Pre-Raphaelite style that captivated the art world during the Victorian era

Background imageRossetti Dante Gabriel 1828 1882 Collection: How They Met Themselves, 1864 (w/c & bodycolour on paper)

How They Met Themselves, 1864 (w/c & bodycolour on paper)
PNH468075 How They Met Themselves, 1864 (w/c & bodycolour on paper) by Rossetti, Dante Gabriel Charles (1828-82); 27.9x24.2 cm; Private Collection; (add.info)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Proserpine, 1878 (pencil & w/c)

Proserpine, 1878 (pencil & w/c)
7425766 Proserpine, 1878 (pencil & w/c) by Rossetti, Dante Gabriel Charles (1828-82); 77.5 x 37.5 cm; Private Collection; (add.info)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Dante Alighieri meets Beatrice, ca 1900 (postcard)

Dante Alighieri meets Beatrice, ca 1900 (postcard)
7422863 Dante Alighieri meets Beatrice, ca 1900 (postcard) by Rossetti, Dante Gabriel (1828-82) (after); (add.info.: Literature)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Fair Rosamund, 1861 (oil on canvas)

Fair Rosamund, 1861 (oil on canvas)
NGW184233 Fair Rosamund, 1861 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 51.9x41.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageRossetti Dante Gabriel 1828 1882 Collection: Regina Cordium: Alice Wilding, 1866 (oil on canvas)

Regina Cordium: Alice Wilding, 1866 (oil on canvas)
GLS219807 Regina Cordium: Alice Wilding, 1866 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 59.7x49.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageRossetti Dante Gabriel 1828 1882 Collection: Dante Meeting Beatrice, 1864 (w/c on board)

Dante Meeting Beatrice, 1864 (w/c on board)
MAN63036 Dante Meeting Beatrice, 1864 (w/c on board) by Rossetti, Dante Gabriel Charles (1828-82); 30.4x25.7 cm; Manchester Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: Study for the Blessed Damozel, 1876 (colour chalk on paper)

Study for the Blessed Damozel, 1876 (colour chalk on paper)
MAN63035 Study for the Blessed Damozel, 1876 (colour chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); 54.9x56.5 cm; Manchester Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: Joli Coeur, 1867 (oil on panel)

Joli Coeur, 1867 (oil on panel)
MAN62975 Joli Coeur, 1867 (oil on panel) by Rossetti, Dante Gabriel Charles (1828-82); 38.1x30.2 cm; Manchester Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: La Donna della Fiamma, 1870 (pastel & pencil on paper)

La Donna della Fiamma, 1870 (pastel & pencil on paper)
MAN63037 La Donna della Fiamma, 1870 (pastel & pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 86.4x66 cm; Manchester Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imageRossetti Dante Gabriel 1828 1882 Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford

Background imageRossetti Dante Gabriel 1828 1882 Collection: A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)

A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)
7394143 A Passover in the Household of Joseph and Zacharias, c.1850 (graphite and pen and black ink and grey wash on white paper) by Rossetti

Background imageRossetti Dante Gabriel 1828 1882 Collection: Louisa Ruth Herbert, 1858 (graphite on paper)

Louisa Ruth Herbert, 1858 (graphite on paper)
7394146 Louisa Ruth Herbert, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 50.8x43 cm; Ashmolean Museum, University of Oxford

Background imageRossetti Dante Gabriel 1828 1882 Collection: The Laboratory, 1849 (pen & ink and w/c on paper)

The Laboratory, 1849 (pen & ink and w/c on paper)
BIR107257 The Laboratory, 1849 (pen & ink and w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 19.3x24.4 cm; Birmingham Museums and Art Gallery; (add.info)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Morning Music, 1867 (coloured chalk on paper)

Morning Music, 1867 (coloured chalk on paper)
BIR189845 Morning Music, 1867 (coloured chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); Birmingham Museums and Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: Portrait of Charles Dante Rossetti, 19th century (print)

Portrait of Charles Dante Rossetti, 19th century (print)
5906252 Portrait of Charles Dante Rossetti, 19th century (print) by Rossetti, Dante Gabriel Charles (1828-82); Private Collection; (add.info.: Self-portrait when young.)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Dante Gabriel Rossetti-'Early Italian Poets, 1861 (print)

Dante Gabriel Rossetti-'Early Italian Poets, 1861 (print)
3773020 Dante Gabriel Rossetti-'Early Italian Poets, 1861 (print) by Rossetti, Dante Gabriel Charles (1828-82); (add.info.: The English poet)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246644 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageRossetti Dante Gabriel 1828 1882 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7247006 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageRossetti Dante Gabriel 1828 1882 Collection: Sir Lancelot's Vision, study for the fresco painting in the Oxford Union

Sir Lancelot's Vision, study for the fresco painting in the Oxford Union
7247011 Sir Lancelot's Vision, study for the fresco painting in the Oxford Union, 1857 (w/c and gouache over black chalk on paper) by Rossetti

Background imageRossetti Dante Gabriel 1828 1882 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246562 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageRossetti Dante Gabriel 1828 1882 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7250216 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageRossetti Dante Gabriel 1828 1882 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249864 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageRossetti Dante Gabriel 1828 1882 Collection: Great bookcase, 1859-62 (pine, carved, painted and gilded)

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249622 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageRossetti Dante Gabriel 1828 1882 Collection: Self Portrait (pencil & chalk on paper)

Self Portrait (pencil & chalk on paper)
1734185 Self Portrait (pencil & chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); (add.info.: Gabriel Charles Dante Rossetti (12 May 1828 - 9 April 1882)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Portrait of a Lady, 1870 (chalk on paper)

Portrait of a Lady, 1870 (chalk on paper)
7076534 Portrait of a Lady, 1870 (chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); Private Collection; English, out of copyright

Background imageRossetti Dante Gabriel 1828 1882 Collection: Portrait of Alexa Wilding, a study for The Bower Meadow, 1871 (chalk)

Portrait of Alexa Wilding, a study for The Bower Meadow, 1871 (chalk)
7085184 Portrait of Alexa Wilding, a study for The Bower Meadow, 1871 (chalk) by Rossetti, Dante Gabriel Charles (1828-82); 39.4x31.8 cm; Private Collection; English, out of copyright

Background imageRossetti Dante Gabriel 1828 1882 Collection: 'The Ghirlandata', painting by Dante Gabriel Rossetti, 1873

"The Ghirlandata", painting by Dante Gabriel Rossetti, 1873
AIS5347499 " The Ghirlandata", painting by Dante Gabriel Rossetti, 1873 by Rossetti, Dante Gabriel Charles (1828-82); Guildhall Art Gallery

Background imageRossetti Dante Gabriel 1828 1882 Collection: Caricature of John Everett Millais, c. 1851-53 (pen & ink and wash on paper)

Caricature of John Everett Millais, c. 1851-53 (pen & ink and wash on paper)
4065305 Caricature of John Everett Millais, c.1851-53 (pen & ink and wash on paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.9x11.1 cm; Birmingham Museums and Art Gallery; (add.info)

Background imageRossetti Dante Gabriel 1828 1882 Collection: Sir Galahad from Tennysons Poems, 1903 (wood engraving)

Sir Galahad from Tennysons Poems, 1903 (wood engraving)
437558 Sir Galahad from Tennysons Poems, 1903 (wood engraving) by Rossetti, Dante Gabriel (1828-82) (after); 9.4A--7.8 cm; Metropolitan Museum of Art, New York, USA; English, out of copyright

Background imageRossetti Dante Gabriel 1828 1882 Collection: Portrait of William Holman Hunt, 1853 (pencil over grey wash with scratching)

Portrait of William Holman Hunt, 1853 (pencil over grey wash with scratching)
3060054 Portrait of William Holman Hunt, 1853 (pencil over grey wash with scratching) by Rossetti, Dante Gabriel Charles (1828-82)




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Dante Gabriel Rossetti (1828-1882) was a renowned English poet and painter, known for his Pre-Raphaelite style that captivated the art world during the Victorian era. His works encompassed various subjects, from biblical scenes to romantic portraits, showcasing his immense talent and creativity. In "Regina Cordium: Alice Wilding" (1866), Rossetti portrays a stunning oil on canvas masterpiece that captures the ethereal beauty of Alice Wilding. The intricate details and delicate brushstrokes bring her to life, making her an enchanting muse for the artist. Another notable piece is "Dante Meeting Beatrice" (1864), where Rossetti beautifully depicts this iconic encounter in watercolor on board. The vibrant colors and meticulous composition convey the intensity of their connection, transporting viewers into Dante's poetic realm. Rossetti's skillful use of pencil and watercolor shines through in "Study of Guinevere for Sir Launcelot in the Queen's Chamber" (1857). This captivating artwork showcases his attention to detail as he explores Arthurian legends with exquisite precision. One cannot overlook "The Blessed Damozel, " a hauntingly beautiful study created in 1876 using color chalk on paper. This work reveals Rossetti's ability to capture emotions through delicate lines and soft hues, leaving viewers mesmerized by its melancholic allure. In "Joli Coeur" (1867), an oil painting on panel, Rossetti presents a striking portrait that exudes elegance and grace. The subject's piercing gaze draws us into her world while showcasing Rossetti's mastery of capturing human emotion. "The Laboratory" (1849) stands as one of Rossetti's earlier works but still demonstrates his exceptional talent with pen & ink and watercolor techniques. This dramatic scene immerses us in a tale filled with suspense and mystery.