Rural Area Collection (#2)

Landscape, about 1760-1770 (Watercolour on paper)
7290975 Landscape, about 1760-1770 (Watercolour on paper) by Zuccarelli, Francesco (1702-88); 41.3x62.8 cm; Tyne & Wear Archives & Museums; (add.info.: Francesco Zuccarelli (1702-1788) Landscape

North Tyne, 1774 (Watercolour and pencil)
7290973 North Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x16 cm; Tyne & Wear Archives & Museums; (add.info.: William Beilby (1740- 1819) North Tyne

Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)
7290963 Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink) by Clausen, George (1852-1944); 34.5x48 cm; Tyne & Wear Archives & Museums; (add.info.: George Clausen (1852-1944) Hayfield

Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper)
7290958 Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper) by Evans, Bernard Walter (1848-1922); 41.4x76.1 cm; Tyne & Wear Archives & Museums; (add.info)

A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)
7290952 A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache) by Ghent, Peter (1856-1911); 60.8x91.8 cm; Tyne & Wear Archives & Museums; (add.info)

Durham Cathedral, 1795 (Watercolour)
7290950 Durham Cathedral, 1795 (Watercolour) by Girtin, Thomas (1775-1802); 26.5x39.6 cm; Tyne & Wear Archives & Museums; (add.info)

Lanercost Priory, 1850 (Watercolour and gouache)
7290946 Lanercost Priory, 1850 (Watercolour and gouache) by Fielding, Anthony Vandyke Copley (1787-1855); Tyne & Wear Archives & Museums; (add.info)

The Swineherd, 1872 (Gouache)
7290926 The Swineherd, 1872 (Gouache) by Watson, James Dawson (1832-92); 25.3x35.7 cm; Tyne & Wear Archives & Museums; (add.info.: John Dawson Watson (1832-1892) The Swineherd

Winter (painting on canvas)
885106 Winter (painting on canvas) by Martinelli, Vincenzo (1737-1807); Pinacoteca Nazionale, Bologna, Italy; (add.info.: by Vincenzo Martinelli (1737-1807))

Adam and Eve (painting on wood)
885094 Adam and Eve (painting on wood) by Bles, Herri met de (Civetta) (c.1510-p.1550); Pinacoteca Nazionale, Bologna, Italy; (add.info.: Herri met de Bles (Civetta) (c.1510-p.1550))

Four hours of the day: Morning, 1774 (oil on canvas)
904885 Four hours of the day: Morning, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

Idyll (painting)
904871 Idyll (painting) by Lely, Peter (1618-80); Musee des Beaux-Arts, Valenciennes, France; (add.info.: Peter or Pieter Lely (1618-80))

Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas)
904607 Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas) by Watelet, Louis-Etienne (1780-1866); 225 x 188 cm; Chateau de Versailles

A Slate Wharf, Brathay, 1810 (Watercolour)
7290976 A Slate Wharf, Brathay, 1810 (Watercolour) by Reinagle, Ramsay Richard (1775-1862); 47.3x67.2 cm; Tyne & Wear Archives & Museums; (add.info)

The Meeting of the Waters, 1850-1859 (Watercolour and gouache)
7290962 The Meeting of the Waters, 1850-1859 (Watercolour and gouache) by Cox, David (1783-1859); 61.1x87.4 cm; Tyne & Wear Archives & Museums; (add.info)

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

The Pine, 1926 (Watercolour and pencil)
7290943 The Pine, 1926 (Watercolour and pencil) by Nash, Paul (1889-1946); 54.4x38 cm; Tyne & Wear Archives & Museums; (add.info.: Paul Nash (1889-1946) The Pine

Willows, about 1927 (Watercolour and chalk)
7290942 Willows, about 1927 (Watercolour and chalk) by Nevinson, Christopher Richard Wynne (1889-1946); 25.3x35.8 cm; Tyne & Wear Archives & Museums; (add.info)

Warkworth, 1860 (Watercolour and gouache)
7290938 Warkworth, 1860 (Watercolour and gouache) by Richardson, Henry Burdon (fl.1828-72); 55.6x76.2 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Burdon Richardson (1826-1874) Warkworth

The Fishseller, about 1775-1800 (Watercolour and ink)
7290935 The Fishseller, about 1775-1800 (Watercolour and ink) by Rowlandson, Thomas (1756-1827); 17.4x24.7 cm; Tyne & Wear Archives & Museums; (add.info)

Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)
7290969 Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil) by Bennet, Mary Elizabeth (1785-1861); 15.1x10.6 cm; Tyne & Wear Archives & Museums; (add.info)

Yorkshire Moorland, 1942 (Watercolour)
7290965 Yorkshire Moorland, 1942 (Watercolour) by Campbell, Nesta Jennings (1876-1951); 20.2x20.7 cm; Tyne & Wear Archives & Museums; (add.info)

Four hours of the day: Night, 1774 (oil on canvas)
904886 Four hours of the day: Night, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

The gardener or the engagement (oil on canvas)
904883 The gardener or the engagement (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Roman tomb in the Roman countryside of the Via Appia (drawing)
904724 Roman tomb in the Roman countryside of the Via Appia (drawing) by Nicolle, Victor Jean (1754-1826); Musee des Beaux-Arts, Rouen, France; (add.info.: by Jean Victor Nicolle (1754-1826))

Landscape near Paris (painting)
904739 Landscape near Paris (painting) by Michel, Georges (1763-1843); Musee des Beaux-Arts, Lille, France; (add.info.: Georges Michel (1763-1843))

Lake at Appledale, 1884 (pastel on tan wove paper)
5862015 Lake at Appledale, 1884 (pastel on tan wove paper) by Palmer, Walter Launt (1854-1932); 38.7x54.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Walter Launt Palmer (1854-1932))

A Bridge in a Snowy Landscape, from the series A Collection of Japanese and Chinese Poems for Recitation, c
5859864 A Bridge in a Snowy Landscape, from the series A Collection of Japanese and Chinese Poems for Recitation, c.1842-43 (colour woodblock print; oban) by Hiroshige

Stagecoach climbing a hill, France (engraving)
1701230 Stagecoach climbing a hill, France (engraving) by Adam, Victor (1801-66) (after); (add.info.: Stagecoach climbing a hill, France : engraving after Victor Adam (1801-1866))

A Corner of Moret-sur-Loing, 1895 (pastel on paper)
5861046 A Corner of Moret-sur-Loing, 1895 (pastel on paper) by Sisley, Alfred (1839-99); 33.7--42.6 cm; The Art Institute of Chicago, IL, USA; (add.info.: Alfred Sisley (1839-99))

Minamoto no Yoshiie on horseback and a bird on a branch, c. 1825 (colour woodblock print; sheet from shikishiban)
5860872 Minamoto no Yoshiie on horseback and a bird on a branch, c.1825 (colour woodblock print; sheet from shikishiban hexaptych, surimono) by Shinsai

Full-Orbed Moon, 1901 (oil on canvas)
5859653 Full-Orbed Moon, 1901 (oil on canvas) by Davies, Arthur Bowen (1862-1928); 58.6--40 cm; The Art Institute of Chicago, IL, USA; (add.info.: Arthur B. Davies (1862-1928))

Figures Outside an Inn by the Town Walls in Summertime, 1635-76 (oil on panel)
7286013 Figures Outside an Inn by the Town Walls in Summertime, 1635-76 (oil on panel) by Molenaer, Claes (Nicolaes) (1630-76); 22x30 cm; Private Collection; (add.info)

Landscape, Woods (#13) c. 1880 (graphite on paper)
7276750 Landscape, Woods (#13) c. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 19.05x26.67 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic)

Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper)
7276738 Landscape with Log on the Beach (#40), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 15.24x24.77 cm; Amistad Research Center, New Orleans, LA

Landscape (#1) c. 1880s (graphite on paper)
7276734 Landscape (#1) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 16.51x24.13 cm; Amistad Research Center, New Orleans, LA, USA; (add.info.: An impressionistic, realist)

Newport, Rhode Island (#13B) c. 1880s (graphite on paper)
7276733 Newport, Rhode Island (#13B) c. 1880s (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.97x21.59 cm; Amistad Research Center, New Orleans, LA

Landscape, Rowboat and Cows (#57) C. 1880 (graphite on paper)
7276731 Landscape, Rowboat and Cows (#57) C. 1880 (graphite on paper) by Bannister, Edward Mitchell (1833-1901); 13.97x22.86 cm; Amistad Research Center, New Orleans, LA

Woman Washing, c. 1934 (watercolor)
7276859 Woman Washing, c. 1934 (watercolor) by Johnson, Malvin Gray (1896-1934); 45.72x30.48 cm; Amistad Research Center, New Orleans, LA

Uncle Joe, 1934 (oil on canvas)
7276858 Uncle Joe, 1934 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 77.47x59.69 cm; Amistad Research Center, New Orleans, LA

Thinning Corn, 1934 (oil on canvas)
7276857 Thinning Corn, 1934 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 54.61x73.66 cm; Amistad Research Center, New Orleans, LA

Old Virginia Home, 1864 (oil on canvas)
5861084 Old Virginia Home, 1864 (oil on canvas) by Blythe, David Gilmour (1815-65); 52.7--73 cm; The Art Institute of Chicago, IL, USA; (add.info.: by David Gilmour Blythe (1815-65))

Seikenji Fuji, from the series Mirror of Stone Rubbings of Views of the Province (woodblock print; ishizuri-e)
5859824 Seikenji Fuji, from the series Mirror of Stone Rubbings of Views of the Province (woodblock print; ishizuri-e, harimaze) by Hiroshige

Autumn Moon at Ishiyama from the series Eight Views of Omi in Etching Style, 1799-1820 (color woodblock print)
5858823 Autumn Moon at Ishiyama from the series Eight Views of Omi in Etching Style, 1799-1820 (color woodblock print) by Hokusai

Illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub. 1934 (pochoir print)
3025982 Illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub. 1934 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

A View of Capodimonte in Naples: A Souvenir of the Grand Tour, 1800-50 (pen and black ink on laid paper)
7286022 A View of Capodimonte in Naples: A Souvenir of the Grand Tour, 1800-50 (pen and black ink on laid paper) by Senape

Landscape w / Dock, Sea and Beach (#18), c. 1880 (watercolor on paper)
7276745 Landscape w/Dock, Sea and Beach (#18), c. 1880 (watercolor on paper) by Bannister, Edward Mitchell (1833-1901); 13.02x24.77 cm; Amistad Research Center, New Orleans, LA

Portrait of a Man, 1763 (oil on canvas)
5860276 Portrait of a Man, 1763 (oil on canvas) by Devis, Arthur (1712-87); 76.5--64.1 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Arthur Devis (1712-87))

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"Captivating Rural Landscapes: A Glimpse into Tranquility" Immerse yourself in the serene beauty of rural areas through a collection of captivating artworks. "By The Sea, 1881" transports us to a peaceful coastal village, where waves gently caress the shore and seagulls soar above. Adrien Demont's "Don Quixote" painting takes us on an imaginative journey as we witness the iconic character's adventures amidst rustic surroundings. In "A Picturesque Cottage, Warwickshire, " delicate watercolors bring to life a charming countryside dwelling nestled among lush greenery. Meanwhile, "An Encounter on the Road" captures a fleeting moment between two travelers in an idyllic setting, their paths intersecting amidst rolling hills and vibrant foliage. The enchanting allure of nature is further revealed in "Church Pool, Bettws-y-coed, " where shimmering waters reflect the surrounding landscape with ethereal grace. In contrast, "The fury of a swan" lithograph showcases both the beauty and power found within these rural realms. Moving beyond artistry, we glimpse historical significance in Mussolini's depiction threshing wheat under the sun in Agro Pontino after centuries have passed – symbolizing resilience and connection to land. "Landscape with Cattle and Herdsman" invites us into pastoral scenes filled with grazing animals guided by their caretakers against breathtaking backdrops. Ben Nevis' majestic presence dominates his eponymous artwork while evoking awe-inspiring mountainous landscapes that captivate our imagination. Amidst this picturesque scenery lies St Mary's Church standing alone but resiliently rooted within its surroundings - depicted beautifully in watercolor strokes from 1900. Lastly, we are transported to North Tyne's Emmet Burn through intricate watercolor brushwork capturing its tranquil flow amid untouched wilderness.