Rural Life Collection (page 3)

A Cullercoats Garden Overlooking The Sea (oil on board)
7291004 A Cullercoats Garden Overlooking The Sea (oil on board) by Slater, John Falconar (1857-1937); 58x76 cm; Tyne & Wear Archives & Museums; (add.info.: John F)

Sand dunes on the Conwy (Oil on canvas)
7291003 Sand dunes on the Conwy (Oil on canvas) by Leader, Benjamin Williams (1831-1923); 41x61 cm; Tyne & Wear Archives & Museums; (add.info.: [TWCMS : 2013.528] painting - Benjamin W)

Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour)
7290949 Near Capel Currig, with a view of Mount Snowdon, Wales, about 1793-1830 (Watercolour) by Glover, John (1767-1849); 42.4x62.1 cm; Tyne & Wear Archives & Museums; (add.info)

The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board)
5859957 The Old Mill, 1866-70 (pastel, ink and chalk on paper laid down on board) by Millet, Jean-Francois (1814-75); 39.8--48.2 cm; The Art Institute of Chicago, IL

Ravine Near Biskra, 1890-1900 (oil on canvas)
5859645 Ravine Near Biskra, 1890-1900 (oil on canvas) by Huguet, Victor-Pierre (1835-1902); 37.8--46.2 cm; The Art Institute of Chicago, IL, USA; (add.info.: Victor Pierre Huguet (1835-1902))

Summer (oil on canvas)
885105 Summer (oil on canvas) by Martinelli, Vincenzo (1737-1807); Pinacoteca Nazionale, Bologna, Italy; (add.info.: by Vincenzo Martinelli (1737- 1807))

Village on the Island of Ischia, c. 1826 (oil on paper on canvas)
7295246 Village on the Island of Ischia, c.1826 (oil on paper on canvas) by Norblin de la Gourdaine, Sebastien-Louis-Guillaume (1796-1884); 27 x 32.8 cm; National Gallery of Art, Washington DC

Bill Point on the Tyne, 1774 (Watercolour and pencil)
7290972 Bill Point on the Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x17 cm; Tyne & Wear Archives & Museums; (add.info)

The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera)
7290954 The Thames at Barnes, about 1916-24 (Watercolour, glue and tempera) by Garside, Oswald (1879-1942); 49.6x65 cm; Tyne & Wear Archives & Museums; (add.info)

Window at Iden, 1927-29 (Watercolour)
7290944 Window at Iden, 1927-29 (Watercolour) by Nash, Paul (1889-1946); 30.5x23.4 cm; Tyne & Wear Archives & Museums; (add.info.: This watercolour shows the view from Nashs studio in Iden, Sussex)

On the Coquet, about 1902 (Watercolour)
7290927 On the Coquet, about 1902 (Watercolour) by Waterlow, Ernest Albert (1850-1919); 36.3x53.5 cm; Tyne & Wear Archives & Museums; (add.info.: Ernest Waterlow (1850-1919) On the Coquet

Ullswater, about 1842 (Watercolour and gouache)
7290937 Ullswater, about 1842 (Watercolour and gouache) by Richardson, Thomas Miles, II (1813-90); 50.8x84.1 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Miles Richardson junior, Ullswater)

Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898)
7273850 Vignette ex libris (ex-libris) by Aubrey Beardsley (1872-1898) by Beardsley, Aubrey (1872-98); Private Collection; (add.info)

Nude lying down (oil on canvas)
BRM349543 Nude lying down (oil on canvas) by Henner, Jean-Jacques (1829-1905); Private Collection; (add.info.: Nu couche; formerly in collection Brame & Lorenceau; )

A Military Convoy, 1516 (oil on cardboard)
904941 A Military Convoy, 1516 (oil on cardboard) by Meulen, Adam Frans van der (1632-90); 19x27 cm; Louvre, Paris, France; (add.info.: by Adam Frans van der Meulen (1632-90))

The Pretty Dove (oil on canvas)
904884 The Pretty Dove (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour)
7290977 Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour) by Oldfield, John (1789-1863); 19.1x28.7 cm; Tyne & Wear Archives & Museums; (add.info)

Morpeth Bridge, about 1802 (Ink and watercolour)
7290951 Morpeth Bridge, about 1802 (Ink and watercolour) by Girtin, Thomas (1775-1802); 32.1x52.9 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Girtin (1775-1802) Morpeth Bridge

The Bridge (pencil, watercolour on paper)
7290948 The Bridge (pencil, watercolour on paper) by Hodgkins, Frances (1869-1947); 46.7x53.4 cm; Tyne & Wear Archives & Museums; (add.info.: Frances Hodgkins (1869-1947) The Bridge, pencil

Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash)
7290961 Landscape with Figure on the Bank of a Pool (Watercolour, sepia and wash) by Cozens, Alexander (1717-86); 26x32.5 cm; Tyne & Wear Archives & Museums; (add.info)

Barnard Castle, about 1835 (watercolour and gouache)
7290953 Barnard Castle, about 1835 (watercolour and gouache) by Gastineau, Henry (1791-1876); 49.4x73 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Gastineau (about 1791-1876)

Conway Valley - Midday, 1932 (Watercolour and gouache)
7290933 Conway Valley - Midday, 1932 (Watercolour and gouache) by Rushton, George Robert (1868-1948); 58.2x80.1 cm; Tyne & Wear Archives & Museums; (add.info)

Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink)
7290929 Bridge and Waterfall near Llyngwellyn, 1777 (Watercolour and ink) by Towne, Francis (1740-1816); 27.8x43.5 cm; Tyne & Wear Archives & Museums; (add.info)

Woman in the Rice Fields (monotype printed in colours, heightened with crayon)
658373 Woman in the Rice Fields (monotype printed in colours, heightened with crayon) by Mariani, Pompeo (1857-1927); 44.7x32 cm; Private Collection; (add.info)

Master John Heathcote, c. 1771-72 (oil on canvas)
7296104 Master John Heathcote, c. 1771-72 (oil on canvas) by Gainsborough, Thomas (1727-88); 127 x 101.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Thomas Gainsborough (1727-88))

View of La Cava, c. 1840 (oil on canvas)
7295253 View of La Cava, c.1840 (oil on canvas) by Lanoue, Felix Hippolyte (1812-72); 41 x 34 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Felix Hippolyte Lanoue (1812-72))

Forest Scene, c. 1655 (oil on canvas)
7295173 Forest Scene, c.1655 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 105.5 x 123.4 cm; National Gallery of Art, Washington DC

Landscape, c. 1670 (oil on canvas)
7295160 Landscape, c.1670 (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 53.2 x 60 cm; National Gallery of Art, Washington DC

Landscape, about 1760-1770 (Watercolour on paper)
7290975 Landscape, about 1760-1770 (Watercolour on paper) by Zuccarelli, Francesco (1702-88); 41.3x62.8 cm; Tyne & Wear Archives & Museums; (add.info.: Francesco Zuccarelli (1702-1788) Landscape

North Tyne, 1774 (Watercolour and pencil)
7290973 North Tyne, 1774 (Watercolour and pencil) by Beilby, William (1740-1819); 10.5x16 cm; Tyne & Wear Archives & Museums; (add.info.: William Beilby (1740- 1819) North Tyne

Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink)
7290963 Hayfield, Widdington, about 1893 (Watercolour, gouache, and ink) by Clausen, George (1852-1944); 34.5x48 cm; Tyne & Wear Archives & Museums; (add.info.: George Clausen (1852-1944) Hayfield

Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper)
7290958 Ruined Castle in a Landscape (Knaresborough Castle) (Watercolour on paper) by Evans, Bernard Walter (1848-1922); 41.4x76.1 cm; Tyne & Wear Archives & Museums; (add.info)

A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)
7290952 A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache) by Ghent, Peter (1856-1911); 60.8x91.8 cm; Tyne & Wear Archives & Museums; (add.info)

Durham Cathedral, 1795 (Watercolour)
7290950 Durham Cathedral, 1795 (Watercolour) by Girtin, Thomas (1775-1802); 26.5x39.6 cm; Tyne & Wear Archives & Museums; (add.info)

Lanercost Priory, 1850 (Watercolour and gouache)
7290946 Lanercost Priory, 1850 (Watercolour and gouache) by Fielding, Anthony Vandyke Copley (1787-1855); Tyne & Wear Archives & Museums; (add.info)

The Swineherd, 1872 (Gouache)
7290926 The Swineherd, 1872 (Gouache) by Watson, James Dawson (1832-92); 25.3x35.7 cm; Tyne & Wear Archives & Museums; (add.info.: John Dawson Watson (1832-1892) The Swineherd

Winter (painting on canvas)
885106 Winter (painting on canvas) by Martinelli, Vincenzo (1737-1807); Pinacoteca Nazionale, Bologna, Italy; (add.info.: by Vincenzo Martinelli (1737-1807))

Adam and Eve (painting on wood)
885094 Adam and Eve (painting on wood) by Bles, Herri met de (Civetta) (c.1510-p.1550); Pinacoteca Nazionale, Bologna, Italy; (add.info.: Herri met de Bles (Civetta) (c.1510-p.1550))

Four hours of the day: Morning, 1774 (oil on canvas)
904885 Four hours of the day: Morning, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

Idyll (painting)
904871 Idyll (painting) by Lely, Peter (1618-80); Musee des Beaux-Arts, Valenciennes, France; (add.info.: Peter or Pieter Lely (1618-80))

Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas)
904607 Napoleon received by Frederick Duke of Wurttemberg, October 2, 1805 at Louisbourg castle, 1812 (oil on canvas) by Watelet, Louis-Etienne (1780-1866); 225 x 188 cm; Chateau de Versailles

A Slate Wharf, Brathay, 1810 (Watercolour)
7290976 A Slate Wharf, Brathay, 1810 (Watercolour) by Reinagle, Ramsay Richard (1775-1862); 47.3x67.2 cm; Tyne & Wear Archives & Museums; (add.info)

The Meeting of the Waters, 1850-1859 (Watercolour and gouache)
7290962 The Meeting of the Waters, 1850-1859 (Watercolour and gouache) by Cox, David (1783-1859); 61.1x87.4 cm; Tyne & Wear Archives & Museums; (add.info)

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

The Pine, 1926 (Watercolour and pencil)
7290943 The Pine, 1926 (Watercolour and pencil) by Nash, Paul (1889-1946); 54.4x38 cm; Tyne & Wear Archives & Museums; (add.info.: Paul Nash (1889-1946) The Pine

Willows, about 1927 (Watercolour and chalk)
7290942 Willows, about 1927 (Watercolour and chalk) by Nevinson, Christopher Richard Wynne (1889-1946); 25.3x35.8 cm; Tyne & Wear Archives & Museums; (add.info)

Warkworth, 1860 (Watercolour and gouache)
7290938 Warkworth, 1860 (Watercolour and gouache) by Richardson, Henry Burdon (fl.1828-72); 55.6x76.2 cm; Tyne & Wear Archives & Museums; (add.info.: Henry Burdon Richardson (1826-1874) Warkworth

The Fishseller, about 1775-1800 (Watercolour and ink)
7290935 The Fishseller, about 1775-1800 (Watercolour and ink) by Rowlandson, Thomas (1756-1827); 17.4x24.7 cm; Tyne & Wear Archives & Museums; (add.info)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Capturing the Essence of Rural Life: A Glimpse into the Past" Step back in time and immerse yourself in the idyllic charm of rural life. From picturesque windmills to vibrant carnivals, Kent's countryside offers a window into a bygone era. The Willesborough windmill stands tall against the sky, its majestic presence reminding us of simpler times when this Kentish smock mill was at the heart of agricultural communities in 1935. Transporting us further back, we stumble upon an enchanting backyard carnival from the 1800s. Laughter fills the air as families gather for joyous festivities under colorful tents, relishing in traditional games and delectable treats that bring smiles to young and old alike. Venturing deeper into Kent's rustic landscapes, we witness hop kilns bustling with activity as they remove dried hops in Goudhurst during 1937. This glimpse into history reveals how vital these aromatic plants were to local economies, their fragrant essence permeating through every corner. By The Sea beckons us with its tranquil beauty captured on canvas in 1881. As waves gently caress sandy shores, Victorian-era beachgoers bask under parasols while indulging in leisurely pursuits – a testament to nature's soothing embrace even centuries ago. The harvest season comes alive as hop pickers labor diligently at Maplescombe Farm and East Peckham during September 1938. Young and old unite amidst golden fields, working tirelessly to ensure a bountiful yield while fostering community bonds that endure through generations. Not all scenes depict joyful moments; some capture poignant transitions like an old man watching his beloved shack being demolished in Kingsdown during 1936. Reminders of impermanence mingle with nostalgia as progress reshapes familiar landscapes forever etched within memories. Beyond Kent's borders lies another captivating sight – Dutch skaters gracefully gliding across frozen waters of the Zuider Zee during the 1800s.