Rushes Collection (#3)

A Reed Cutter at Work, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119908 A Reed Cutter at Work, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

By the River, 1895 (w / c)
WGH87746 By the River, 1895 (w/c) by Glendening, Alfred, Jr. (1861-1907); 48.2x33 cm; Private Collection; eWalker Galleries, Harrogate, North Yorkshire, UK; English, out of copyright

Grey Morning (oil on canvas)
DRB128827 Grey Morning (oil on canvas) by Farquharson, David (1840-1907); The Drambuie Collection, Edinburgh, Scotland; Scottish, out of copyright

King Log, illustration from Aesops Fables, published by Heinemann
VCH175714 King Log, illustration from Aesops Fables, published by Heinemann, 1912 (engraving) by Rackham, Arthur (1867-1939); Private Collection; English, out of copyright

Lodore, Derwentwater
BON70855 Lodore, Derwentwater by Breanski, Alfred de (1852-1928); 40x55.5 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Landscape, 1880 (oil on canvas)
6198605 Landscape, 1880 (oil on canvas) by Johnstone, George Whitton (1849-1901); 77.5x127 cm; The McManus, Dundee, UK; (add.info)

Comic Frieze from Mr Flinders Petries Egyptian Discoveries (engraving)
1603656 Comic Frieze from Mr Flinders Petries Egyptian Discoveries (engraving) by English School, (19th century); Private Collection; (add.info)

L Insurrection de l Institut Amphibie or The Pursuit of Knowledge
1275083 L Insurrection de l Institut Amphibie or The Pursuit of Knowledge, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Tunnel on Netherlands-Delagoa Bay Railway (b / w photo)
3092343 Tunnel on Netherlands-Delagoa Bay Railway (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Tunnel on Netherlands-Delagoa Bay Railway)

Leda and the Swan, (oil on canvas)
825859 Leda and the Swan, (oil on canvas) by Motte, Henri-Paul (1846-1922); 60.3x73.6 cm; Private Collection; (add.info.: Leda and the Swan. Henri Paul Motte (1846-1922). Oil on canvas

Marsh with Ducks, 1862 (cliche-verre on ivory photographic paper)
3511894 Marsh with Ducks, 1862 (cliche-verre on ivory photographic paper) by Daubigny, Charles Francois (1817-78); 16x20 cm; The Art Institute of Chicago, IL

Door Panel Decoration (chromolitho)
730466 Door Panel Decoration (chromolitho) by English School, (19th century); Private Collection; (add.info.: Door Panel Decoration, published by Raphael Tuck)

A Reed Boat Home, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119912 A Reed Boat Home, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

Gathering the Gladdon, c. 1886 (photo)
STC119928 Gathering the Gladdon, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info)

The Haunt of the Pike, c. 1886 (photo)
STC119925 The Haunt of the Pike, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info)

The Old Order and the New, Life and landscape on the Norfolk Broads, c. 1886 (photo)
STC119924 The Old Order and the New, Life and landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

The Fowler Returns, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119914 The Fowler Returns, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

A Rushy Shore, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119902 A Rushy Shore, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; The Stapleton Collection; English

Small Bridge over Water and the Gate to the Estate (pen and ink on paper)
XKH145212 Small Bridge over Water and the Gate to the Estate (pen and ink on paper) by Borssom, Anthonie van (1629-77); 18.8x23.3 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

The Village Pond, 1879
BON70851 The Village Pond, 1879 by Parton, Ernest (1845-1933); 71.1x91.4 cm; Private Collection; Photo eBonhams, London, UK; American, out of copyright

Plants from Culpepers English Physician and Complete Herbal
STC172337 Plants from Culpepers English Physician and Complete Herbal, published 1790 (woodcut) by English School; Private Collection; The Stapleton Collection; English, out of copyright

A good days fishing (coloured engraving)
6030267 A good days fishing (coloured engraving) by English School, (19th century); Private Collection; (add.info.: A good days fishing)

Page from Upstream by Richard Andre (colour litho)
5198164 Page from Upstream by Richard Andre (colour litho) by Andre, Richard (1834-1907); Private Collection; (add.info.: Illustration for Up Stream, A Journey from the Present to the Past)

Incidents of a Days Sport with the Otter Hounds in South Wales (engraving)
1056909 Incidents of a Days Sport with the Otter Hounds in South Wales (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info)

Gathering the Water-lilies, 1886 (photograph)
STC119934 Gathering the Water-lilies, 1886 (photograph) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info)

Cattle on the Marsh, c. 1886 (photo)
STC119933 Cattle on the Marsh, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info)

A Norfolk Boat Yard, Life and Landscape on the Norfolk Broads, c. 1886 (photo)
STC119919 A Norfolk Boat Yard, Life and Landscape on the Norfolk Broads, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall

Poling the Marsh Hay, Life and Landscape on the Norfolk Broads, 1886 (photo)
STC119911 Poling the Marsh Hay, Life and Landscape on the Norfolk Broads, 1886 (photo) by Emerson, Peter (1856-1936) & Goodall

Close shot of cattails in the Reliance Woods, c. 1912 (b / w photo)
1078815 Close shot of cattails in the Reliance Woods, c.1912 (b/w photo) by Hassler, William Davis (1877-1921); Collection of the New-York Historical Society

Hitchcock Chair, c. 1941. Creator: Davids De Vault
Hitchcock Chair, c. 1941

Hitchcock Rocker, 1935 / 1942. Creator: Davids De Vault
Hitchcock Rocker, 1935/1942

The Whit Sunday custom of strawing the floor of the Nave of the church with rushes, dating back to 1493. St. Mary Radcliffe Church, Bristol, England. Date: 1930s

The 18th century Council Room of Trinity House, Hull, Yorkshire, England, where the ancient custom of strewing rushes on the floor is still done for the Elder Brethren. Date: 18th century

A car rushes round the loop at the Switchback on the pier at Atlantic City, America. Date: 1901

Rushes by a pool, ca. 1821. Creator: John Constable
Rushes by a pool, ca. 1821

Small Rowboat Date: 1880

OLD CHAIRS TO MEND
A man with a wooden leg mends chairs on the street, rebinding the seats with new rushes Date: 1804

EyeUbiquitous_20114709
England, East Sussex, View over the Pevensey Levels

EyeUbiquitous_20114708
England, East Sussex, View over the Pevensey Levels

Ducks in the Rushes, ca. 1887. Creator: Watanabe Seitei
Ducks in the Rushes, ca. 1887

Moorland view with dry stone wall and rushes in warm evening light, near Bellever, Dartmoor, Devon, UK. January 2009

Birds and flowers sliding-door panel (ink, colours, gold and silver on paper)
BL12352 Birds and flowers sliding-door panel (ink, colours, gold and silver on paper) by Japanese School, (17th century); British Museum, London

Virgin River, Zion National Park, Utah, USA
Zion National Park is an American national park located in Southwestern Utah near the city of Springdale. A prominent feature of the 229-square-mile (590 km2) park is Zion Canyon

Malachite kingfisher (Alcedo cristata) perched on rush, Intaka Island, Cape Town, South Africa, February

The Death Journey of the Lily Maid of Astolat, 1911. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Coot - Fu lica at ra, c1910, (1910). Artist: George James Rankin
Coot - Fu lica at ra, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R. Chambers, Limited, London & Edinburgh, 1910]

Types of Nidifugous Nestlings, c1910, (1910). Artist: George James Rankin
Types of Nidifugous Nestlings, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R. Chambers, Limited, London & Edinburgh, 1910]

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"Captivating Rushes: From Tranquil Isles to Vibrant Bridges" Immerse yourself in the enchanting rush of nature's wonders, as we embark on a journey through captivating landscapes and cultural marvels. Our first stop takes us to Rushy Bay, Bryher, nestled within the picturesque Isles of Scilly in the United Kingdom. Here, Europe unveils its breathtaking beauty, where azure waters meet golden sands under an endless sky. Next, we soar above Trang Tien (or Truong Tien) bridge in Hue, Vietnam - a mesmerizing sight that bridges past and present. From this vantage point, one can witness the bustling city below or simply bask in the architectural splendor that spans across time. As our adventure continues, we find ourselves amidst a country landscape adorned with graceful geese taking flight. Their synchronized dance against an idyllic backdrop reminds us of nature's harmonious rhythm and boundless freedom. Intriguingly titled "Three Swans, " an artistic masterpiece from centuries ago captures our attention. Ink and colors delicately blend on paper to immortalize these majestic creatures gracefully gliding through a dry reed bed – a testament to their elegance even amidst arid surroundings. The Grasmere Rush Festival invites us into a celebration of tradition and creativity. Immerse yourself in vibrant displays of woven rushes while experiencing the rich heritage they represent – connecting generations through artistry and craftsmanship. A solitary swan emerges from among reeds; its serene presence evokes tranquility amid life's constant motion. Like this elegant creature navigating its habitat with gracefulness, may we find solace amidst our own daily rush. Descending down an escalator brings forth both anticipation and reflection – capturing moments suspended between destinations. The Down Escalator becomes symbolic for transitions experienced by all; reminding us to cherish every step along life's unpredictable path.