Saint Jerome Collection (#14)

Charles-Franazois Daubigny, Saint Jerome, French, 1817 - 1878, c. 1840, etching
Charles-Franazois Daubigny, Saint Jerome, French, 1817 - 1878, c.1840, etching

Anton Maria Zanetti after Parmigianino (Italian, 1679-1680 - 1767), Madonna and Child Enthroned, Saint Jerome and Saint Francis, chiaroscuro woodcut

NiccolA Boldrini after Titian (Italian, 1510 - 1566 or after), Saint Jerome in the Wilderness
Niccol Boldrini after Titian (Italian, 1510 - 1566 or after), Saint Jerome in the Wilderness, c. 1530, woodcut on laid paper

Alphonse Legros, Saint Jerome, 2nd plate, French, 1837 - 1911, etching

Benvenuto di Giovanni, Madonna and Child with Saint Jerome and Saint Bernardino of Siena, Italian, 1436 - before 1517, c. 1480-1485, tempera on panel

Saint Jerome (oil on canvas)
XIR468184 Saint Jerome (oil on canvas) by Strozzi, Bernardo (1581-1644); Galleria dell Accademia, Venice, Italy; (add.info.: St)

St. Jerome in the Desert (oil on panel)
XAL291497 St. Jerome in the Desert (oil on panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); 34x26 cm; Pinacoteca Nazionale, Siena

Saint Jerome, Pieter van der Werff, 1710

Saint Jerome, attributed to Bernardino da Brescia, 1500 - 1520

Saint Jerome in his Study, Lorenzo Monaco, c. 1420

Saint Jerome; Workshop of Willem Vrelant, Flemish, died 1481, active 1454 - 1481; Bruges, Belgium, Europe; early 1460s; Tempera colors, gold leaf

Saint Jerome in the Desert; Taddeo Crivelli, Italian, died about 1479, active about 1451 - 1479; Ferrara, Italy, Emilia-Romagna, Europe; about 1469; Tempera colors, gold paint, gold leaf

Saint Jerome Reading; Workshop of Master of the First Prayer Book of Maximilian, Flemish, active about 1475 - 1515; Bruges, Belgium, Europe; about 1510 - 1520; Tempera colors, gold

Initial H: Saint Jerome; Unknown; Bologna, Italy, Emilia-Romagna, Europe; about 1280 - 1290; Tempera colors, gold leaf, and ink on parchment; Leaf: 37.5 x 24.8 cm (14 3/4 x 9 3/4 in.)

Saint Jerome Extracting a Thorn from a Lions Paw; Master of the Murano Gradual, Italian, active about 1430 - 1460; Italy, Northern

Initial D: Saint Jerome with Scenes of the Life of Christ; Unknown; Bologna, Italy, Europe; about 1250 - 1262; Tempera and gold leaf on parchment; Leaf: 26.8 x 19.7 cm (10 9/16 x 7 3/4 in.)

Francesco Benaglio, Saint Jerome, Italian, c. 1432-1492, c. 1470-1475, tempera on panel

Charles-Francois Daubigny, Saint Jerome, French, 1817-1878, c. 1840, etching
Charles-Francois Daubigny, Saint Jerome, French, 1817-1878, c.1840, etching

Johann Gottlieb Prestel after Domenichino (German, 1739-1808), Saint Jerome, published 1782, etching

German 15th Century or Master of the Aachen Madonna, Saint Jerome in His Study, 1460-1470, metalcut, hand-colored in rust-red lake, green, and yellow

Painting of St. Jerome removing thorn from foot of lion, on church ceiling, Tierp, Uppsala County, Uppland, Sweden, march

Italy, Coldirodi, Saint JeRome
Jusepe de Ribera (Lo Spagnoletto, 1591-1652), Saint Jerome

Spain, Madrid, Saint Jerome
Correggio (also Antonio da Correggio or Antonio Allegri, 1489-1534), Saint Jerome

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"Saint Jerome: A Scholar and a Symbol of Devotion" In the captivating painting "Saint Jerome in his Study, ca 1475" by Antonello da Messina, we are transported into the intimate world of this revered saint. With furrowed brows and intense concentration, Saint Jerome sits at his desk surrounded by books and manuscripts, embodying the essence of a dedicated scholar. Bartolomeo Bellano's bronze sculpture "Saint Jerome and the Lion, " created in 1490, captures another facet of this iconic figure. Here we witness Saint Jerome's compassion as he gently removes a thorn from the paw of a lion. This powerful image symbolizes his ability to tame not only wild beasts but also human desires through discipline and self-control. Giovanni Bellini's masterpiece "Saint Jerome reading in a Landscape" transports us to an idyllic setting where nature intertwines with spirituality. The serene landscape serves as a backdrop for Saint Jerome engrossed in deep contemplation while holding an open book, and is through these moments that he finds solace and enlightenment. Albrecht Durer's depiction titled "Saint Jerome in his Cell" offers us insight into the ascetic life led by this holy man. The austere surroundings reflect his commitment to solitude and penance as he seeks spiritual enlightenment within the confines of his cell. Throughout history, artists have sought to capture different aspects of Saint Jerome’s character. In San Girolamo marble sculptures dating back to 1566 or c1580 respectively, we see him portrayed with reverence – dignified yet approachable – reminding viewers of their own capacity for devotion. The Virgin Mary and Child with Saints Jerome and Anthony Abbot depicted on an oil panel from c1522 showcases how Saint Jerome was often included alongside other saints due to his esteemed status within religious iconography. This composition illustrates the interconnectedness between heavenly figures who inspire believers towards piety.