Salted Paper Print Collection (page 2)

No. 23. Pugahm Myo [Pagan]. Figures in Damayangyee Pagoda [Dhamma-yan-gyi]. 1855, printed 1856. [Sculptures representing disciples of Guatama Buddha, Dhammayangyi temple, Bagan

Untitled [Roman sculptures, Cherchell Museum], 1856. Creator: John Beasley Greene
Untitled [Roman sculptures, Cherchell Museum], 1856. [Antiquities in the Museum at Cherchell, Algeria]. Salted paper print

Medinet Habu, Mortuary Temple of Ramses III, Left Wall (Medinet-Habou, Temple funeraire de Ramses III, paroi gauche, 1854. Salted paper print

Untitled [portrait of a bearded man], 1850 / 59. Creator: Oliver H. Willard
Untitled [portrait of a bearded man], 1850/59. Salted paper print

No. 92. Amerapoora. Another part of the Balcony of Kyoung No. 86 [Maha-too-lo-Bounghian Kyoung]. 1855. [Intricate wood carving at a kyaung (monastery) in Amarapura, in what is now Myanmar

No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung. 1855. Creator: Captain Linnaeus Tripe
No. 8. Ye-nan-gyoung [Yenangyaung]. Kyoung. 1855. [A kyaung (monastery) in Yenangyaung, a city in the Magway Region of what is now Myanmar, (formerly Burma)]

The cannon Mons Meg at Edinburgh Castle, and a private in the 2nd battalion of Royal Scots who garrisoned the Castle in 1846, 1846

Son of General Flo, Isle of Jersey (Le fils du general Flo), c. 1852/53. Creator: Charles Hugo
Son of General Flo, Isle of Jersey (Le fils du general Flo), c. 1852/53. [Portrait of a boy, the son of French general Adolphe Le Flo]. Salted paper print

Mr. Brodie, RSA, August 25, 1845, Sculptor, Lived in Cornwell St. 1845. Salted paper print

Portrait of Mrs. Rigby, 1844. Creators: David Octavius Hill, Robert Adamson
Portrait of Mrs. Rigby, 1844. Salted paper print

Dumbarton Presbytery, March 29, 1845. Creators: David Octavius Hill, Robert Adamson
Dumbarton Presbytery, March 29, 1845. [Rev. William Alexander, - McMillan of Cardross, Rev. James Smith (or Goodsir) and Rev. John Pollock]. Salted paper print

Dr. David Irving, 1843 / 47. Creators: David Octavius Hill, Robert Adamson
Dr. David Irving, 1843/47. Calotype

[The] Revd Mr [Thomas Henshaw] Jones, 1843 / 46. Creators: David Octavius Hill
[The] Revd Mr [Thomas Henshaw] Jones, 1843/46. Salted paper print

Untitled (Man Standing, en Face), 1855 / 1869. Creator: Antoine-Samuel Adam-Salomon
Untitled (Man Standing, en Face), 1855/1869. A work made of salted paper print

Pyramide de Cheops, Egypte Moyenne, 1849 / 51, printed 1852. Creator: AimeRochas
Pyramide de Cheops, Egypte Moyenne, 1849/51, printed 1852. [Pyramid of Cheops, Giza, Egypt]. Salted paper print, plate 9 from the album " Egypte, Nubie, Palestine et Syrie" (1852)

Zouaves, 1855. Creator: Roger Fenton
Zouaves, 1855. A work made of salted paper print, plate 21 from the album " photographs taken in the crimea" (1856)

The Town of Balaklava, 1855. Creator: Roger Fenton
The Town of Balaklava, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

The Russian Church & Town of Balaklava, 1855. Creator: Roger Fenton
The Russian Church & Town of Balaklava, 1855. A work made of salted paper print, plate 24 from the album " photographs taken in the crimea" (1856)

The Railway Yard, Balaklava, 1855. Creator: Roger Fenton
The Railway Yard, Balaklava, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

The Railway Street at Balaklava, 1855. Creator: Roger Fenton
The Railway Street at Balaklava, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

The Old Post Office, Balaklava, 1855. Creator: Roger Fenton
The Old Post Office, Balaklava, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Articles of China, 1843 / 44. Creator: William Henry Fox Talbot
Articles of China, 1843/44. A work made of salted paper print

The Genoese Castle, Balaklava, 1855. Creator: Roger Fenton
The Genoese Castle, Balaklava, 1855. A work made of salted paper print, plate 12 from the album " photographs taken in the crimea" (1856)

The French Redoubt at Inkermann, 1855. Creator: Roger Fenton
The French Redoubt at Inkermann, 1855. A work made of salted paper print, plate 3 from the album " photographs taken in the crimea" (1856)

The British Headquarters, 1855. Creator: Roger Fenton
The British Headquarters, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

The British Head Quarters, 1855. Creator: Roger Fenton
The British Head Quarters, 1855. A work made of salted paper print, plate 23 from the album " photographs taken in the crimea" (1856)

Sir Jno Fox Burgoyne (1782-1871), Field Marshal, Taken at the Crimea, 1855. A work made of thinly albumenized print

Sebastopol, from the Redoubt des Anglais, 1855. Creator: Roger Fenton
Sebastopol, from the Redoubt des Anglais, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Sebastopol, from the Mortar Battery, 1855. Creator: Roger Fenton
Sebastopol, from the Mortar Battery, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Railway Sheds and Workshops, Balaklava, 1855. Creator: Roger Fenton
Railway Sheds and Workshops, Balaklava, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Quartermaster Hill, 4th Lt. Dragoons. The Horse taken immediately after the winter season. 1855. A work made of salted paper print

Plateau of Sebastopol, 1855. Creator: Roger Fenton
Plateau of Sebastopol, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Picquet House, Cathcarts Hill, from General Bosquets Quarters, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Officers on the Look out at Cathcarts Hill, 1855. Creator: Roger Fenton
Officers on the Look out at Cathcarts Hill, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Officers on the Staff of Lieutenant General Sir Richard England, 1855. A work made of salted paper print, plate 53 from the album " photographs taken in the crimea" (1856)

Officers of the 42nd Highlanders, 1855. Creator: Roger Fenton
Officers of the 42nd Highlanders, 1855. A work made of salted paper print, plate 17 from the album " photographs taken in the crimea" (1856)

Untitled (Admiral Frederick Augustus Maxse), 1855. Creator: Roger Fenton
Untitled (Admiral Frederick Augustus Maxse), 1855. A work made of salted paper print, plate 39 from the album " photographs taken in the crimea" (1856)

The Valley of the Shadow of Death, 1855. Creator: Roger Fenton
The Valley of the Shadow of Death, 1855. A work made of salted paper print, plate 8 from the album " photographs taken in the crimea" (1856)

The Tombs of the Generals on Cathcarts Hill, 1855. Creator: Roger Fenton
The Tombs of the Generals on Cathcarts Hill, 1855. A work made of salted paper print, plate 13 from the album " photographs taken in the crimea" (1856)

The Smolnoi Monastery, 1851 / 52. Creator: Roger Fenton
The Smolnoi Monastery, 1851/52. A work made of salted paper print

The Ordnance Wharf, Balaklava, 1855. Creator: Roger Fenton
The Ordnance Wharf, Balaklava, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Neapolitan Conveyance - Copy of a Painting at Lacock Abbey, c. 1840. A work made of salted paper print

The Mamelon and Malakoff, from the Mortar Battery, 1855. Creator: Roger Fenton
The Mamelon and Malakoff, from the Mortar Battery, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

The Guards Redoubt, Inkermann, 1855. Creator: Roger Fenton
The Guards Redoubt, Inkermann, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Men of the 77th ready for the Trenches, 1855. Creator: Roger Fenton
Men of the 77th ready for the Trenches, 1855. A work made of salted paper print, plate 18 from the album " photographs taken in the crimea" (1856)

Balaklava, looking Seawards, 1855. Creator: Roger Fenton
Balaklava, looking Seawards, 1855. A work made of salted paper print, from the album " photographic pictures of the seat of war in the crimea" (1856)

Major Gen l Charles Ashe Windham, 1855. Creator: Roger Fenton
Major Gen l Charles Ashe Windham, 1855. A work made of salted paper print, plate 10 from the album " photographs taken in the crimea" (1856)

Marshal Pelissier, 1855. Creator: Roger Fenton
Marshal Pelissier, 1855. A work made of salted paper print, plate 19 from the album " photographs taken in the crimea" (1856)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Art of Salted Paper Prints: A Glimpse into 19th Century Photography" Step back in time with these captivating salted paper prints, a photographic technique that emerged in the mid-19th century. Each image tells a unique story, capturing moments frozen in time and offering a glimpse into history. In Jacques Antoine Moulin's "Nude, " ca. 1850, we witness the beauty and vulnerability of the human form through delicate brushstrokes of light and shadow. The artist's skillful composition evokes both sensuality and grace. Transport yourself to ancient Rome with Calvert Jones' "Colosseum, Rome, 2nd View, May 1846. " This stunning architectural marvel stands tall against the backdrop of a clear blue sky, reminding us of its enduring grandeur. Possibly created by Eugene Durieu, "[Nude], ca. 1851" captures another intimate moment where art meets photography. The softness of light accentuates every curve and contour as if sculpted by an invisible hand. William Henry Fox Talbot takes us outdoors with his mesmerizing "Oak Tree, " dating back to the mid-1840s. Through this print, nature comes alive as intricate details are etched onto paper—a testament to Talbot's mastery over this innovative medium. "Nadar, " known for his portraits captured from unusual angles or perspectives presents "[Standing Female Nude], " dated between 1860-61. This striking portrayal challenges traditional notions of beauty while celebrating individuality and self-expression. Journey eastward with "Vue du Temple de Jupiter à Baalbek (Heliopolis), " September 15, 1850—an awe-inspiring view captured by an unknown creator. The majestic ruins transport us to ancient times when civilizations thrived amidst architectural wonders. Julien Vallou de Villeneuve invites us into an intimate space with his "[Reclining Nude], " created between 1851-53.