Samuel William Fores Collection
Samuel William Fores: A Glimpse into the Eccentricities of 18th Century Art Step back in time to January 1794
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Samuel William Fores: A Glimpse into the Eccentricities of 18th Century Art Step back in time to January 1794, as we delve into the peculiar world of Samuel William Fores. Known for his collection of oddities, Fores was a prominent figure in the art scene during this era. One notable creation by Thomas Rowlandson titled "Oddities" captures Fores' fascination with the unusual. This piece showcases a myriad of bizarre characters and objects that were sure to captivate viewers' imaginations. In August 4, 1795, an anonymous artist presented "Waggoners Frocks or No Bodys, " shedding light on another facet of Fores' interests. This artwork depicts waggoners dressed in unique attire, reflecting their distinct lifestyle and fashion choices. Fores himself dabbled in artistic endeavors as well. His work titled "Art of Scaling" from 1792 showcases his talent for capturing intricate details and textures, and is evident that he possessed a keen eye for observation and skillful execution. Another intriguing piece attributed to Samuel Alken is "O Tempora, O Mores. " created both in December 1799 and simply dated as '1799'. These satirical prints provide commentary on societal norms and values during that period - a testament to Fores' interest in social critique through art. Continuing our exploration into Fores' eccentricity, we encounter works such as "Botheration" (Dec. 17, 1793) which portrays chaotic scenes filled with comical mishaps; while "Benevolence" (November 25, 1792) offers glimpses into acts of kindness amidst an otherwise tumultuous society. Edward Williams contributes to this narrative with his print entitled "Polygamy, " originally released on August 1st, 1787 but reissued on July1st, 1802.