Skip to main content

Santiago Ortega Collection (#6)

Santiago Ortega, a name that resonates with artistic brilliance and historical significance

Background imageSantiago Ortega Collection: Antiochus IV Epiphanes king. (175-164 BC), the king on his throne listening to

Antiochus IV Epiphanes king. (175-164 BC), the king on his throne listening to the news on the war against the Romans, miniature in the manuscript From the creation of the world to the conquest of

Background imageSantiago Ortega Collection: Bishop blessing a diocese, Miniature in the Book of Testaments 13th century

Bishop blessing a diocese, Miniature in the Book of Testaments 13th century

Background imageSantiago Ortega Collection: Moor and Christian playing the lute, miniature in the Music book from the Cantigas

Moor and Christian playing the lute, miniature in the Music book from the Cantigas of Alphonse X

Background imageSantiago Ortega Collection: Issogne Castle, frescoes, detail of the guard

Issogne Castle, frescoes, detail of the guard

Background imageSantiago Ortega Collection: Plaster reproduction of an inhabitant of Pompeii died during the eruption of Vesuvius

Plaster reproduction of an inhabitant of Pompeii died during the eruption of Vesuvius

Background imageSantiago Ortega Collection: Issogne Castle, frescoes hall, market scenes

Issogne Castle, frescoes hall, market scenes

Background imageSantiago Ortega Collection: Second Council of Nicaea, held in 787 under Pope Adrian I and the reign of Constantine VI

Second Council of Nicaea, held in 787 under Pope Adrian I and the reign of Constantine VI, fresco Painting, 16th century

Background imageSantiago Ortega Collection: Issogne Castle, frescoes with scenes of the guard

Issogne Castle, frescoes with scenes of the guard

Background imageSantiago Ortega Collection: Born to suffer, allegory about the sad situation of the farmers before the 1789 French

Born to suffer, allegory about the sad situation of the farmers before the 1789 French Revolution, popular engraving of the time

Background imageSantiago Ortega Collection: French Revolution, the taking of the Bastille, vintage engraving

French Revolution, the taking of the Bastille, vintage engraving

Background imageSantiago Ortega Collection: Salt mine in Halbein, engraving

Salt mine in Halbein, engraving

Background imageSantiago Ortega Collection: The family of Philip V, Oil by Louis Van Loo

The family of Philip V, Oil by Louis Van Loo

Background imageSantiago Ortega Collection: Boxers War, battle in Tien-Tien, 1900

Boxers War, battle in Tien-Tien, 1900

Background imageSantiago Ortega Collection: English billboard on Brazilian Coffee, etching, 1840

English billboard on Brazilian Coffee, etching, 1840

Background imageSantiago Ortega Collection: Liberation of prisoners after the taking of the Bastille

Liberation of prisoners after the taking of the Bastille

Background imageSantiago Ortega Collection: Sculpture of the god Horus at the Edfu temple entrance in Egypt

Sculpture of the god Horus at the Edfu temple entrance in Egypt

Background imageSantiago Ortega Collection: Tomac Celebration, Muslim religious festival that was celebrated in the Middle Ages

Tomac Celebration, Muslim religious festival that was celebrated in the Middle Ages, Illustration in the Bertarelli Collection

Background imageSantiago Ortega Collection: Autograph letter of Amerigo Vespucci written in Cape Verde on 4th June 1501 about

Autograph letter of Amerigo Vespucci written in Cape Verde on 4th June 1501 about the incidences of the travel

Background imageSantiago Ortega Collection: Railway station in Barcelona in 1848, pioneer in the peninsula, engraving from the time

Railway station in Barcelona in 1848, pioneer in the peninsula, engraving from the time

Background imageSantiago Ortega Collection: Map of South America where the Plata River is seen, 1530 - 1535, Table 22 from the Atlas Mediceo

Map of South America where the Plata River is seen, 1530 - 1535, Table 22 from the Atlas Mediceo

Background imageSantiago Ortega Collection: Journey of His Majesty King Alphonse XII to Valencia, train departure, engraving from 1875

Journey of His Majesty King Alphonse XII to Valencia, train departure, engraving from 1875

Background imageSantiago Ortega Collection: Geneva Station in the railway line Lyon to Geneva, engraving from 1859

Geneva Station in the railway line Lyon to Geneva, engraving from 1859

Background imageSantiago Ortega Collection: Iron Bridge over the River Nile in Mansura, engraving from 1878

Iron Bridge over the River Nile in Mansura, engraving from 1878

Background imageSantiago Ortega Collection: Italy-Austria War of 1859. Austrian soldiers wounded in the Battle of Montebello

Italy-Austria War of 1859. Austrian soldiers wounded in the Battle of Montebello transported by the Zouaves by rail to Voghera. Engraving from the time

Background imageSantiago Ortega Collection: Construction of the Ismailieh fresh water canal, train for levelling the margin, Egypt

Construction of the Ismailieh fresh water canal, train for levelling the margin, Egypt, February 1872, engraving from the time

Background imageSantiago Ortega Collection: France-Prussian War, the evacuation of Paris, exit of a convoy of the German artillery

France-Prussian War, the evacuation of Paris, exit of a convoy of the German artillery in Nogent Station in September 1871, engraving from the time

Background imageSantiago Ortega Collection: British-Afghan war, view of Kabul city from the top of the Citadel. Afghanistan

British-Afghan war, view of Kabul city from the top of the Citadel. Afghanistan

Background imageSantiago Ortega Collection: British-Afghan war, Kabul, capital of the territories of Shere Ali in Afghanistan

British-Afghan war, Kabul, capital of the territories of Shere Ali in Afghanistan

Background imageSantiago Ortega Collection: British-Afghan war, Mooltan fort in the Punjaub, India

British-Afghan war, Mooltan fort in the Punjaub, India

Background imageSantiago Ortega Collection: British-Afghan war, watchtower in the Khyber Pass on the Afghan border with India

British-Afghan war, watchtower in the Khyber Pass on the Afghan border with India

Background imageSantiago Ortega Collection: Afghan-British War, British military camp in Kabul, near the pass of Khiyber, drawing

Afghan-British War, British military camp in Kabul, near the pass of Khiyber, drawing by Major Cavagnari, Afghanistan November 1878

Background imageSantiago Ortega Collection: British-Afghan war, fortress and citadel of Ghuzni and two of its minarets in Afghanistan

British-Afghan war, fortress and citadel of Ghuzni and two of its minarets in Afghanistan

Background imageSantiago Ortega Collection: British-Afghan war, view of the Khyber Pass on the Afghan border with India

British-Afghan war, view of the Khyber Pass on the Afghan border with India

Background imageSantiago Ortega Collection: Assault to the city of Ostend by Spanish troops under the command of Ambrosio Spinola

Assault to the city of Ostend by Spanish troops under the command of Ambrosio Spinola, in 1604, engraving from 1845

Background imageSantiago Ortega Collection: Mutiny on board in a war ship, by sailors, for the punishment by lash to a companion

Mutiny on board in a war ship, by sailors, for the punishment by lash to a companion, engraving, 1825

Background imageSantiago Ortega Collection: Corsairs of the Caribbean Sea, prepared for boarding a ship, engraving from 1860

Corsairs of the Caribbean Sea, prepared for boarding a ship, engraving from 1860

Background imageSantiago Ortega Collection: Spain. The reliquary. Folk costumes of the time

Spain. The reliquary. Folk costumes of the time

Background imageSantiago Ortega Collection: Staircase of the cloister of the Cathedral of Pamplona

Staircase of the cloister of the Cathedral of Pamplona

Background imageSantiago Ortega Collection: Barbarana door of the cathedral of Pamplona

Barbarana door of the cathedral of Pamplona

Background imageSantiago Ortega Collection: Gate under Pamplona Cathedral

Gate under Pamplona Cathedral

Background imageSantiago Ortega Collection: Portico of the church of San Pedro in Olite

Portico of the church of San Pedro in Olite

Background imageSantiago Ortega Collection: View of Seville, detail of the right side. Oil work of Sanchez Coello

View of Seville, detail of the right side. Oil work of Sanchez Coello

Background imageSantiago Ortega Collection: View of Seville, detail of the central part. Oil work by Sanchez Coello

View of Seville, detail of the central part. Oil work by Sanchez Coello

Background imageSantiago Ortega Collection: View of the city of Seville from the Cruz del Campo, engraving

View of the city of Seville from the Cruz del Campo, engraving

Background imageSantiago Ortega Collection: View of Seville, detail of the left side. Oil work by Sanchez Coello

View of Seville, detail of the left side. Oil work by Sanchez Coello

Background imageSantiago Ortega Collection: View of the city of Seville, engraving of 16th century

View of the city of Seville, engraving of 16th century

Background imageSantiago Ortega Collection: View of the city of Santander. Engraving for the work Civitates Orbis Terrarrum

View of the city of Santander. Engraving for the work Civitates Orbis Terrarrum, 1576, by George Braun with drawings by Frans Hoenberg and engravings by George Hoefnagel

Background imageSantiago Ortega Collection: View of the town of Alhama (Granada). Engraving for the work Civitates Orbis Terrarrum

View of the town of Alhama (Granada). Engraving for the work Civitates Orbis Terrarrum, 1576, by George Braun with drawings by Frans Hoenberg and engravings by George Hoefnagel




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Santiago Ortega, a name that resonates with artistic brilliance and historical significance. Just like Francisco Tarrega Eixea, the renowned guitarist and composer whose portrait captures the essence of musical mastery as he strums his guitar with passion. But Santiago Ortega's interests extend beyond music alone. Like Diana the Huntress depicted in the fresco from the house Stabia at Pompeii, he is an explorer of various domains, seeking knowledge and inspiration from diverse sources. The Spanish Civil War left an indelible mark on Santiago's consciousness. The poster "No pasaran" published by CNT serves as a reminder of his unwavering determination to resist oppression and fight for justice. Engraving of the Ascent to Mount Carmel by Saint Jean of the Cross reflects Santiago's spiritual inclinations. He finds solace in contemplating higher realms and seeks enlightenment through introspection. Santiago also has a deep appreciation for theater arts. The poster for La Barraca, directed by Federico Garcia Lorca, symbolizes his love for dramatic expression and storytelling that transcends boundaries. Just as Pierre Teilhard de Chardin was a philosopher and theologian who delved into scientific research, Santiago possesses an insatiable curiosity about life's mysteries. He explores ideas beyond conventional boundaries to expand his understanding of existence. Giuseppe Pelliza da Volpedo's masterpiece "The fourth state" speaks volumes about social inequality—a subject close to Santiago's heart. He strives to bring awareness through art that challenges societal norms and advocates for change. Like Doryphoros, spear bearer sculpted by Polykleitos during ancient times, Santiago embodies strength both physically and mentally. His resilience enables him to overcome obstacles while remaining steadfast in pursuit of his goals. Pantocrator in Sant Climent de Taüll church represents divine authority—an image that resonates deeply within Santiago's soul as he contemplates spirituality amidst earthly struggles.