Sari Collection (#10)

Woman wearing Sari, Jaisalmer, Rajasthan, India

Woman wearing Saris, Udaipur, Rajasthan, India INDIA-Rajasthan-Udaipur: Blurry Saris © Walter Bibikow 2004

Women wearing Saris, Pushkar, Rajasthan, India 9884PUSHKARRSTAN

Rajputana, early 19th century, (c1930s). Artist: Richard Thomas Underwood
Rajputana. From the royal stables within the palace of the Maharaja of Jaipur come stately elephants with solemn tread, early 19th century, (c1930s). From Geographical Magazine, Volume 5

Muhammedanerin, 1926. Mohammedan. From Der Indische Kulturkreis in Einzeldarstellungen. [Georg Muller, Munich, 1926]

Tamulin mit Fuss- und Kopfschmuck, 1926. Tamil woman with head and foot jewellery. From Der Indische Kulturkreis in Einzeldarstellungen. [Georg Muller, Munich, 1926]

Tamulin mit Schmuck, 1926. Tamil woman wearing jewellery. From Der Indische Kulturkreis in Einzeldarstellungen. [Georg Muller, Munich, 1926]

A Bullock-cart, Ajmere, 1905. Artist: Mortimer Luddington Menpes
A Bullock-cart, Ajmere, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

A Native Bride, 1905. Artist: Mortimer Luddington Menpes
A Native Bride, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

Market Women of Ajmere, 1905. Artist: Mortimer Luddington Menpes
Market Women of Ajmere, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

A Native Woman of Jeypore, 1905. Artist: Mortimer Luddington Menpes
A Native Woman of Jeypore, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

Water-carriers at Nutha, 1905. Artist: Mortimer Luddington Menpes
Water-carriers at Nutha, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

A Woman at the Well, Jeypore, 1905. Artist: Mortimer Luddington Menpes
A Woman at the Well, Jeypore, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

A Water-carrier, 1905. Artist: Mortimer Luddington Menpes
A Water-carrier, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

Nautch Girls at Delhi, 1905. Artist: Mortimer Luddington Menpes
Nautch Girls at Delhi, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

A Side Street in Agra, 1905. Artist: Mortimer Luddington Menpes
A Side Street in Agra, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

By the Fountain, Jeypore, 1905. Artist: Mortimer Luddington Menpes
By the Fountain, Jeypore, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

India, 1905. Artist: Mortimer Luddington Menpes
India, 1905. From India, by Mortimer Menpes. Text by Flora A. Steel. [Adam & Charles Black, London, 1905]

Watching the Pageant, 1903. Artist: Mortimer L Menpes
Watching the Pageant, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Nautch Girls, 1903. Artist: Mortimer L Menpes
Nautch Girls, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

Moslem Woman, 1903. Artist: Mortimer L Menpes
Moslem Woman, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

An Indian Woman, 1913. Artist: Norman H Hardy
An Indian Woman, 1913. From The Gorgeous East by Frank Elias. [Adam and Charles Black, London, 1913]

The Main Street of Alwar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Main Street of Alwar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Tamil Ladies with Far and Toe Ornaments, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Ladies with Far and Toe Ornaments, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Nauch Dancing Girl, c1890, (1910). Artist: Alfred William Amandus Plate
Nauch Dancing Girl, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

High Caste Tamil Lady, c1890, (1910). Artist: Alfred William Amandus Plate
High Caste Tamil Lady, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

A Blaze of Sun, 1903. Artist: Mortimer L Menpes
A Blaze of Sun, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911, at the height of the British Empire to mark the succession of an Emperor or

Late Afternoon, 1903. Artist: Mortimer L Menpes
Late Afternoon, 1903.Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911, at the height of the British Empire to mark the succession of an Emperor or

Malati, (1917). Artist: Van Ralty
Malati, (1917). A photograph of Malati N Paranjpye. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Rosina Filippi and Sari Petrass, actresses, c1912(?). Artist: Rotary Photo
Rosina Filippi and Sari Petrass, actresses, c1912(?). Rosina Filippi as Julesa and Sari Petrass as Ilona in Gipsy Love

A type of Marwaree beauty, India, early 20th century. A Marwari woman in traditional costume

Orderly, Ambala, India, early 20th century

Native dancing girl, India, early 20th century

Hindu children of North Kashmir, India, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume IV: Georgia to Italy

Whos to Pay?, 1878. Artist: Swain
Whos to Pay?, 1878. British prime minister Benjamin Disraeli and a personification of India wearing a sari. Behind is a map of Indias North West Frontier and Afghanistan

Indian nautch girl, 1936. Nautch dancer wearing heavy jewellery. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Vegetable seller, Jaipur, India, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Coolies at worship, Jamaica, c1905. Artist: Adolphe Duperly & Son
Coolies at worship, Jamaica, c1905. Group portrait of Indian immigrants who came to the island as indentured workers. Illustration from Picturesque Jamaica, by Adolphe Duperly & Son, (England, c1905)

Milk woman, 20th century

Fuel maker, 20th century

Brahmin woman, India, 1917

Zenat Mahal - Begum or Queen of Delhi, 19th century. Possibly a portrait of Zeenat Mahal, wife of Bahadur Shah Zafar, the last Mughal Emperor

Sinhalese notables, Ceylon, c1925. Cigarette card produced by the Westminster Tobacco Co Ltd, Indian Empire, 1st series

Persons in India pass away much of their time, c19th century. Artist:s Call
Persons in India pass away much of their time, c19th century. The living on which principal persons in India pass away much of their time

Caucasian Race, Hindus, 1800-1900. Artist: A Portier
Caucasian Race, Hindus, 1800-1900. Hindus can be referred to as the successors of Vedic Aryans and other tribes of India. Most of the Hindus today live in India

Potter, 1828. Artist: Marlet et Cie
Potter, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Oil Merchant, 1828. Artist: Marlet et Cie
Oil Merchant, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Shepherds, 1828. Artist: Marlet et Cie
Shepherds, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

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The sari, a timeless symbol of grace and elegance, has been an integral part of Indian culture for centuries. This traditional garment is not just a piece of clothing; it embodies the rich heritage and diversity of India. One can trace the origins of the sari back to ancient times, as depicted in the painting "Lakshmi" from 1894. Created by an unknown artist, this masterpiece showcases a princess adorned in a vibrant sari, listening to enchanting melodies played by female musicians. The intricate details on her attire reflect the craftsmanship that goes into making each sari unique. In Agra, India, another captivating scene unfolds with a sitar player draped in a colorful Rajasthani sari. The fabric's hues mirror the vibrancy found at every corner of this bustling city. From overhead views of fruit and vegetable markets to snapshots capturing daily life like "A Peep at the Train, " they are ubiquitous among women from all walks of life. Traveling through time brings us face-to-face with two Hindu women donning elaborate jewelry against palm tree backdrops in the 1860s-70s. Their saris serve as canvases for their individuality and cultural identity. Religious narratives also find expression within saris' folds; one such example is seen in Krishna Subduing Kaliya - where mythology comes alive through vivid illustrations on fabric inspired by Bhagavata Purana Series. No discussion about India would be complete without mentioning its architectural marvels like Taj Mahal. Here too, we witness women gracefully clad in saris paying homage to their heritage amidst breathtaking beauty. Beyond religion and architecture lies social diversity: A Parsi woman stands before a fire altar wearing her intricately patterned sari - representing yet another facet of Indian society's tapestry. Lastly, pilgrims embarking on journeys towards temples wear their humble yet elegant saris while seeking spiritual solace. These saris become a symbol of devotion and faith.