Sassanian Collection (#2)

Sassanian Silver-Gilt Dish of King Peroz I, (459-484) Hunting Mouflon, c5th century. The Sasanian Empire known to its inhabitants as Eranshahr

Sassanian Silver-Gilt Dish, King Hunts Boar, c 3rd-7th century. The Sasanian Empire known to its inhabitants as Eranshahr, was the last period of the Persian Empire (Iran) before the rise of Islam

Sassanian Silver-Gilt Dish of Goddess and Bird, 6th-7th century. The Sasanian Empire known to its inhabitants as Eranshahr, was the last period of the Persian Empire (Iran) before the rise of Islam

Sassanian Silver Dish (detail), people with weapons, circa late 4th century. The Sasanian Empire known to its inhabitants as Eranshahr

Sassanid plaque showing a monster
A Sassanid plaque showing the foreparts of a winged monster in high relief from Persia. From the British Museums collection

A Sassanid silver dish showing the investiture of a King, 4th century. From the British Museums collection

Sassanian dish showing King Khosrau I Anushirvan amongst dignitaries, 6th century
Sassanian silver-gilt dish showing King Khosrau I Anushirvan (ruled 531-579) amongst dignitaries, from the Hermitage Museums collection in St Petersburg, 6th century

A Sassanid silver dish showing King Shapur II, 4th century
An Early Sassanian gilded silver dish showing King Shapur II hunting a stag, 309-379. From the British Museums collection

Sassanian dish showing a king hunting from camel-back
Sassanian silver-gilt dish showing a king hunting from camel-back from the Hermitage Museums collection in St Petersburg

Sassanian dish showing King Ardashir III hunting
Sassanian silver-gilt dish showing King Ardashir III (c. 621?27 April 630) hunting moufflon, from the Hermitage Museums collection in St Petersburg

Sassanian dish showing a king holding lions
Sassanian silver dish showing a king holding lions, from the British Museums collection

Detail of a Sassanian silver collar from the British Museums collection

Sassanian dish showing a goddess seated on a lion
Sassanian silver dish showing a goddess, possibly Ishtar, seated on a lion. From the British Museums collection

The Death of Shirin, illustration to Khosro and Shirin by Elias Nezami (1140-1209)
XIR352398 The Death of Shirin, illustration to Khosro and Shirin by Elias Nezami (1140-1209), 1504 (gouache & gold leaf on paper) by Persian School

Rock relief depicting Shapur I (AD 241-272) and his family wearing heraldic emblems on their hats
XIR226186 Rock relief depicting Shapur I (AD 241-272) and his family wearing heraldic emblems on their hats (photo) by Sasanian, (3rd century AD); Naqsh-e Rajab, near Persepolis

Ms D-212 fol. 205b Bahram (420-28) Visits the Princess of Turkestan, illustration
XIR206627 Ms D-212 fol.205b Bahram (420-28) Visits the Princess of Turkestan, illustration to The Seven Princesses, 1199, by Elias Nezami (1140-1209) c.1550 (gouache on paper) by Persian School

Ms D-212 fol. 221b Bahram (420-28) Visits the Princess of Rum, illustration to The
XIR206626 Ms D-212 fol.221b Bahram (420-28) Visits the Princess of Rum, illustration to The Seven Princesses, 1199, by Elias Nezami (1140-1209) c.1550 (gouache on paper) by Persian School

Ms D-212 fol. 91a Khosro before Shirins Palace, illustration to Khosro and Shirin
XIR206622 Ms D-212 fol.91a Khosro before Shirins Palace, illustration to Khosro and Shirin, 1176, by Elias Nezami (1140-1209) c.1550 (gouache on paper) by Persian School

The Palace of Ctesiphon, from L Art Antique de la Perse by Marcel Dieulafoy
XIR192165 The Palace of Ctesiphon, from L Art Antique de la Perse by Marcel Dieulafoy, published 1884-85 (b/w photo) by Dieulafoy, Jeanne (1851-1916); Louvre, Paris

The rock-cut tomb of Artaxerxes I, c. 466-464 BC, with a Sasanian relief below depicting
XIR233266 The rock-cut tomb of Artaxerxes I, c.466-464 BC, with a Sasanian relief below depicting Shapur Is victory over the Romans (b/w photo) by Achaemenid, (5th century BC); Naqsh-e Rostam

Sassanid Glass Bowl
A Sassanid Glass Bowl circa 4th century CE

Takht-e Soleiman. Ruins of Takht-e Soleiman, the spiritual centre of Zoroastrianism in 3rd century AD; Sassanian
RS-256 Takht-e Soleiman. Ruins of Takht-e Soleiman, the spiritual centre of Zoroastrianism in 3rd century AD Sassanian period. Western Iran. Unesco World Heritage site

Sassanian carvings showing Hormizd on horseback, dating from 303-309 BC, below the Achaemenian Tomb of Xerxes I, dating from 486-465 BC, Naqsh-e-Rostam, Iran, Middle East

Detail from a Sassanian relief, Bishapur, Iran, Middle East

Sassanian palace, Firuzabad, Iran, Middle East

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"Sassanian: A Glimpse into the Glorious Persian Empire" Step back in time and immerse yourself in the grandeur of the Sassanian dynasty. Marvel at the intricate details reliefs, carved with precision and skill, telling tales of triumph and power. One such relief transports us to the "Triumph of Shapur I, " where this mighty ruler is depicted on horseback, leading his army to victory. The sheer scale and artistry of these reliefs leave us in awe of their historical significance. Venturing further, we discover the ruins of a majestic Sassanian palace. These remnants stand as a testament to an era when opulence knew no bounds. As we explore Naqsh-e Rustam, our eyes are drawn to another remarkable sight – Roman Emperor Valerian kneeling before King Shapur I. This momentous event forever etched into stone symbolizes Sassanian dominance over its adversaries. The costumes worn by Achaemenid kings captivate our imagination as we envision their regal splendor. These elaborate garments speak volumes about Persian culture's rich tapestry and its influence on subsequent civilizations. Intriguingly, another relief reveals a different side to history – that even great empires can fall. Witnessing Roman Emperor Valerian yielding before King Shapur I reminds us that power dynamics can shift unexpectedly. Naqsh-e Rostam presents yet more wonders with its stone reliefs adorning mountainsides; each carving tells a story waiting for curious minds to unravel them. A view from afar allows us to appreciate an ancient mud-and-clay citadel standing resolute against time's relentless march. Its walls whisper secrets from centuries past while inviting contemplation on human ingenuity and resilience. Moving forward through history, we encounter "The Victory of Heraclius" juxtaposed with "the Execution of Chosroes.