Satira Collection

IMMIGRATION USA We look for a million-man: very good salary, c.1885 (woodcut)
2967620 IMMIGRATION USA We look for a million-man: very good salary, c.1885 (woodcut); (add.info.: IMMIGRATION USA We look for a million-man)

Francisco Goya (1746-1828). Caprices. Plaque 10. Love and death. 18th century. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kind. 18th century. Prado Museum. Madrid

Napoleon Bonaparte
6203451 Napoleon Bonaparte by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (15 August 1769 - 5 May 1821)

Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 61. They have flown. 18th century. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 44. They spin finely. 18th century. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 48. Big gusts. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 58. Swalow it, dog. Prado Museum. Madrid. Spain. 18th century

Francisco Goya (1746-1828). Caprices. Plaque 21. How they pluck her !. 18th century. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 20. There they go plucked. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 74. Don t scream, stupid. 18th century. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 17. It is nicely stretched. 18th century. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 18. And the house is on fire. 18th century. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 32. Because she was susceptible. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 6. Nobody knows himself. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 80. It is time
Francisco Goya (1746-1828). Caprices. Plaque 80. 18th century. It is time. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 7. Event thus he cannot make her out. 18th century. Prado Museum. Madrid

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"Satira: Unveiling the Dark Humor of Francisco Goya's Caprices" Step into the twisted world of Francisco Goya (1746-1828) as he explores the depths of human nature through his iconic series, "Caprices. " In Plaque 10, titled "Love and d, " Goya delves into the complexities of love, exposing its often irrational and destructive nature. Plaque 5, "Two of a kin, " showcases Goya's ability to capture the essence of relationships. With masterful strokes, he portrays the intricate dynamics between individuals who are bound by blood or friendship. In Plaque 77, aptly named "What one do, " Goya takes aim at societal hypocrisy. Through biting satire, he exposes how people often say one thing but do another - a timeless critique that still resonates today. Glimpsing into Plaque 61, we witness Goya's sharp commentary on power dynamics. His portrayal of those in authority highlights their insatiable hunger for control and manipulation. Moving on to Plaque 44, "They spin f, " we encounter an allegory for deceit and deception. Here, Goya warns us about being lured in by false promises and empty words. Napoleon Bonaparte makes an appearance in this series as well. As seen in Plaque 58 titled "Swallow it, " Goya satirizes Napoleon's thirst for conquest while highlighting the devastating consequences it brings upon nations. Plaques like number 21 reveal how they play with our perception. Through clever visual tricks and illusions, Goya challenges our understanding of reality itself. And then there is Plaque 20 - "There they" - where chaos reigns supreme. This chaotic scene serves as a reminder that life can be unpredictable and uncontrollable at times. "Don't scream. " warns Plaque 74 as it captures moments filled with fear and terror.