Satirical Print Collection

Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children
FLO4995403 Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children, dogs and man servants

The Matrimonial Tattersalls, 1847. Satirical print of a market for brides
FLO4995405 The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market

A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution
FLO4995416 A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady

Volunteer Movement, Jones & Family under Canvass, 1862. Satirical print showing a Victorian family playing soldiers for
FLO4995471 Volunteer Movement, Jones & Family under Canvass, 1862. Satirical print showing a Victorian family playing soldiers for the Volunteer Force, a part-time territorial army

Picnic in the Drawing Room, a capital thing for a Wet Day, 1859. Satirical print showing Victorians lounging
FLO4995466 Picnic in the Drawing Room, a capital thing for a Wet Day, 1859. Satirical print showing Victorians lounging on the carpet with Fortnum and Mason picnic hampers

The Quiet Street, a Sketch from a Study Window, 1856. Satirical print showing a noisy London street: a brassband
FLO4995451 The Quiet Street, a Sketch from a Study Window, 1856. Satirical print showing a noisy London street: a brassband, Masaniello's pipe organ, a hurdy gurdy, blackface musicians

Blockade against Blockade or John Bull a Match for Boney, 1807 (coloured etching)
3244718 Blockade against Blockade or John Bull a Match for Boney, 1807 (coloured etching) by Woodward, George Moutard (c.1760-1809); National Museum of the Royal Navy, Portsmouth, Hampshire

A Dandy with a Francois I hairstyle and a collection of charms and trinkets
AFC90689 A Dandy with a Francois I hairstyle and a collection of charms and trinkets, plate 3 in the Incroyable et merveilleuses series of fashion plates

Sternhold and Hopkins at Sea or a Stave out of Time, 1809 (colour etching)
3244728 Sternhold and Hopkins at Sea or a Stave out of Time, 1809 (colour etching) by Williams, Charles (d.1830); National Museum of the Royal Navy, Portsmouth, Hampshire

Nappy in Tow, 1803 (hand-coloured etching)
3244695 Nappy in Tow, 1803 (hand-coloured etching) by Cruikshank, Isaac (1756-1811); National Museum of the Royal Navy, Portsmouth, Hampshire

Boney Beating Mack - And Nelson Giving Him a Whack!, 1805 (coloured etching)
3244699 Boney Beating Mack - And Nelson Giving Him a Whack!, 1805 (coloured etching) by Cruikshank, George (1792-1878); National Museum of the Royal Navy, Portsmouth, Hampshire

British Tars Towing the Danish Fleet into Harbour, 1807 (etching)
3244703 British Tars Towing the Danish Fleet into Harbour, 1807 (etching) by Gillray, James (1757-1815); National Museum of the Royal Navy, Portsmouth, Hampshire

Extirpation of the Plagues of Egypt, 1798 (colour litho)
3244729 Extirpation of the Plagues of Egypt, 1798 (colour litho) by Gillray, James (1757-1815); National Museum of the Royal Navy, Portsmouth, Hampshire

Englands Memorial of its Wonderful Deliverance from French Tyranny and Popish Oppression, c
XJF97557 Englands Memorial of its Wonderful Deliverance from French Tyranny and Popish Oppression, c.1688 (engraving) (b/w photo) by English School

The Butchers Triumph, or Waterman in the Dumps, 1750 (engraving)
XJF863043 The Butchers Triumph, or Waterman in the Dumps, 1750 (engraving) by English School, (18th century); Private Collection; (add.info)

The Whole State of Europe, or An Hieroglyphick for the Election of an Emperor of Germany
XJF863038 The Whole State of Europe, or An Hieroglyphick for the Election of an Emperor of Germany, 1741 (engraving) by English School

The Duke of Newcastle and his Cook, c. 1745 (etching)
XJF863036 The Duke of Newcastle and his Cook, c.1745 (etching) by English School, (18th century); Private Collection; (add.info.: Thomas Pelham-Holles)

The Nonesuch, c. 1748 (engraving)
XJF863041 The Nonesuch, c.1748 (engraving) by English School, (18th century); Private Collection; (add.info.: The War of the Austrian Succession (1740-8)

The Agreeable contrast between the formidable John of Gant and Don Carlos of Southern Extraction
XJF863039 The Agreeable contrast between the formidable John of Gant and Don Carlos of Southern Extraction, 1749 (etching) by English School

Richs Glory or his Triumphant Entry into Covent-Garden, 1732 (etching)
XJF3058145 Richs Glory or his Triumphant Entry into Covent-Garden, 1732 (etching) by English School, (18th century); Private Collection; (add.info)

Sittings at Westminster Hall courts, 1816 (etching)
XJF2920762 Sittings at Westminster Hall courts, 1816 (etching) by English School, (19th century); Private Collection; (add.info.: Sittings in the Courts of the Kings Bench, Common Pleas)

The Blind Beggars Hats The Wits Magazine 1784 (engraving)
XJF1127512 The Blind Beggars Hats The Wits Magazine 1784 (engraving) by Collings, Samuel (fl.1784-95) (after); Private Collection; (add.info.: The Beggars Hats; or the Way to Get Rich; ); English

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Satirical Prints: Unveiling the Witty and Provocative World of Political Commentary" Step into a realm where art meets politics, as we explore the captivating world of satirical prints. These masterpieces of wit and mockery have long served as a powerful medium for social commentary, offering biting critiques disguised in vibrant colors and intricate engravings. In "Blockade against Blockade or John Bull a Match for Boney, " witness the clever portrayal of England's resilience during the Napoleonic Wars. The image captures John Bull triumphantly standing against Napoleon Bonaparte, showcasing Britain's determination to overcome adversity. "The Tars Triumph or Bawdy-House Battery" takes us back to 1749, presenting an amusing scene where sailors humorously conquer a brothel. This etching reflects society's fascination with naval exploits while subtly commenting on moral decadence. Delve into political intrigue with "The Grand Conference, or Jew Predominant. " This 1753 engraving satirizes Jewish influence within British politics at that time, provoking thought about power dynamics and prejudices prevalent in society. Experience history through art with "The Fall of Washington. " In this colored engraving from 1814, witness the British victory during the War of 1812 as they capture Washington D. C. , leaving viewers contemplating themes such as war and national identity. A dandy sporting François I hairstyle adorned with charms intrigues us in another print. This depiction challenges societal norms by blending flamboyance with masculinity—a playful critique on fashion trends and gender roles. "Sternhold and Hopkins at Sea or a Stave out of Time" offers comic relief amidst turbulent times. Through colorful etchings from 1809, it pokes fun at religious figures caught up in maritime misadventures—reminding us not to take ourselves too seriously even during trying moments.