Savior Collection (#4)

Doubting Thomas, 1634. Artist: Rembrandt Harmensz van Rijn
Doubting Thomas, 1634. Picture illustrating episode related in the in St Johns Gospel (Ch20, vs19-29) where the Apostle Thomas puts his hand in the wound in the risen Saviours side as he doubts what

The Virgin and Child with Angels, 1512. Artist: Francesco dei Tatti
The Virgin and Child with Angels, 1512. From the Musee des Beaux-Arts de Nancy, France

Madonna and Child, c1510. Artist: Titian
Madonna and Child, c1510. From the Metropolitan Museum of Art, New York, USA

Adoration of the Magi, 1380s. Artist: Bartolo di Fredi
Adoration of the Magi, 1380s. From the Pinacoteca Nazionale, Siena, Italy

The Baptism of Christ, 16th century. From the Benaki Museum, Athens, Greece

Processional banner, c1395-1400. Artist: Spinello Aretino
Processional banner, c1395-1400. From the Metropolitan Museum of Art, New York, USA

The Crucifixion, (part of a diptych), early 14th century. Artist: Pacino di Bonaguida
The Crucifixion, (part of a diptych), early 14th century. From the Metropolitan Museum of Art, New York, USA

The Madonna in Majesty (Maesta), 1285-1286. Artist: Cimabue
The Madonna in Majesty (Maesta), 1285-1286. From the Uffizi Gallery, Florence, Italy

Virgin of Humility, 15th century. Artist: Giovanni di Paolo
Virgin of Humility, 15th century

The Crucifixion, St Marks Basilica, Venice, Italy

Appearance of Christ to the Virgin, 1531. Artist: Garcia Fernandes
Appearance of Christ to the Virgin, 1531. Central panel from a triptych. From the Museu Nacional de Machado de Castro, Portugal

Triptych of Santa Clara, 1486. Artist: Mestre Hilarius
Triptych of Santa Clara, 1486. The panels depict Christ praying on the Mount of Olives, St Clare and the Miracle of the Safekeeping and the Lamentation of Christ

Christ on the Cross, 16th century. From Museu Nacional de Soares dos Reis, Portugal

The Virgin and the Child, 15th century(?). From the Pushkin Museum of Fine Art, Moscow

Adoration of the Magi, 1507. Artist: Hans Baldung
Adoration of the Magi, 1507. From the Staatliche Museen, Berlin

Annunciation, 1516-1517. Artist: Jean Bellegambe
Annunciation, 1516-1517. From the Hermitage Museum, St Petersburg, Russia

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo
Epiphany, late 14th/early 15th century

Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, c1497. From the Metropolitan Museum of Art, New York

Christ and the Woman of Samaria, 1659. Artist: Rembrandt Harmensz van Rijn
Christ and the Woman of Samaria, 1659

Christ Drives the Money-Changers from the Temple, 1626. Artist: Rembrandt Harmensz van Rijn
Christ Drives the Money-Changers from the Temple, 1626. From the Pushkin Museum of Fine Art, Moscow

The Adoration of the Magi, 1632. Artist: Rembrandt Harmensz van Rijn
The Adoration of the Magi, 1632

Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. Artist: Giovanni Battista Tiepolo
Virgin and Child with Saint Dominic and Saint Hyacinth, 1740-1750. From the Art Institute of Chicago, Illinois, USA

The Virgin and Child, c1570-1576. Artist: Titian
The Virgin and Child, c1570-1576. From the National Gallery, London

Pre-romanesque Art. Spain. Asturias. Church of the Holy Savior of Valdedios. Is known as Bishops Chapel. Consecrated in 893. Interior view

Dome. Seo Cathedral. Zaragoza. Spain
Interior of the baroque dome. Seo Cathedral. Zaragoza. Aragon. Spain

Drawings Prints, Print, Savior, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris
Drawings and Prints, Print, The Savior, Artist, Gregoire Huret, French, Lyon 1606-1670 Paris, Huret, Gregoire, French, 1606, 1670, 17th century, 1620, 1670

Savior mid-15th century Engraving second state
Artokoloro

Salvator Mundi ca 1505 Oil linden 22 7 / 8 x 18 1 / 2in
Artokoloro

Travels of Our Savior Map Engraving
Engraved illustration of the Travels of Our Savior Map Engraving from The Popular Pictorial Bible, Containing the Old and New Testaments, Published in 1862. Copyright has expired on this artwork

The Queen of Sheba visiting Solomon

LAST JUDGEMENT. Woodcut from Epistole e Evangelii, published at Florence in 1495

The Christ Child, Savior of the Earth, c. 1565 (oil on canvas)
XIR895969 The Christ Child, Savior of the Earth, c.1565 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); Private Collection; (add.info.: L Enfant Jesus sauveur du monde); Greek

COPENHAGEN: CHURCH, c1895. View of the Church of Our Savior in Copenhagen, Denmark. Photochrome, c1895

RUSSIA: MOSCOW, c1902. View of Moscow, Russia, from the Cathedral of Christ the Savior. Stereograph, c1903

RUSSIA: MOSCOW, c1918. View of the city of Moscow, Russia, overlooking the Upsensky Cathedral and the Cathedral of Christ the Savior. Photograph, c1918

YAROSLAV I (c978-1054). Known as Yaroslav the Wise. Grand Prince of Kiev, 1019-1054. Holding a model of the Church of the Savior. Detail from a 13th century fresco

CHRISTIAN MONOGRAM. Iesus Hominum Salvator (Christ, the Savior of Man). Latin Christian monogram

LAST JUDGEMENT. Woodcut from Epistole e Evangelii, published at Florence in 1495

An American Salvation Army hut at the front on the Rhine frontier during World war I. Stereograph, 1918
SALVATION ARMY AT FRONT. An American Salvation Army hut at the front on the Rhine frontier during World war I. Stereograph, 1918

Ethiopia: Tigray Region, Axum, Church of St. Mary of Zion (adjacent to chapel said to hold Ark of Covenant), illustrated bible

MOSCOW: KREMLIN. View of the Kremlin in Moscow, Russia. In the foreground is the Church of the Savior in the Woods. Drawing and engraving, 18th century

RUSSIA: MOSCOW, c1875. The Kremlin Tower and Church of Our Savior, Moscow, Russia. Wood engraving, c1875

ST. PAUL AND SILAS. After the earthquake at Philippi the jailer cries What must I do to be saved? to St. Paul and Silas (Acts 16: 30): wood engraving, American, 1884

The baptism of our savior!. Date c1836 Dec. 21

Baptism of our savior. In the River Jordan

The Cathedral of St. Saviour, (i. e. Christ the Savior), and
The Cathedral of St. Saviour, (i.e. Christ the Savior), and the Kamennyj, (i.e. Kamennyi Most), Bridge, Moscow, Russia. Date between ca. 1890 and ca. 1900

Christs stigmata, 17th century
Christs stigmata. Artwork of Christs rope-bound hands, showing the site of the stigmata. In this context, stigmata refers to the Holy Wounds that Jesus Christ received during his crucifixion

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"The Savior: A Journey through Art and Faith" In the realm of art, the concept of a savior has been depicted in various forms throughout history. From religious masterpieces to iconic representations, these artworks have captured the essence of salvation and its profound impact on humanity. One such portrayal is found in Titian's masterpiece "Noli Me Tangere" from 1514. This painting depicts the biblical scene where Mary Magdalene encounters Jesus after his resurrection. With delicate brushstrokes and vibrant colors, Titian captures the transformative power of encountering a savior. Moving across continents to Saint Petersburg, Russia, we find ourselves standing before the breathtaking Church of the Savior on spilled blood. Its intricate mosaics tell stories of redemption and divine intervention, reminding us that even amidst tragedy, there is hope for salvation. Henry Ossawa Tanner's "The Saviour, " an oil painting on wood, transports us to another time and place. Through his skillful use of light and shadow, Tanner invites viewers into a contemplative space where they can connect with their own personal saviors. Andrei Rublev's Russian icon "The Saviour" takes us back centuries to witness spiritual devotion at its purest form. The simplicity yet profoundness of this artwork reminds us that sometimes it is in silence that we find our true savior. Virgin and Child paintings from the 16th century depict Mary as both mother and intercessor—a symbol of comfort for those seeking solace in their personal struggles. These works remind us that within each person lies potential for salvation. El Greco's oil painting simply titled "The Saviour" captivates with its ethereal beauty. Through elongated figures bathed in heavenly light, El Greco conveys a sense of transcendence—inviting viewers to contemplate their own relationship with their chosen savior.