Scourging Collection (page 2)

Christ Scourged, from Speculum passionis domini nostri Ihesu Christi, 1507

Christ Scourged, from The Doctrine, Life, and Passion of Jesus Christ, 1537

The Flagellation, from The Life of Christ, ca. 1511-12. Creator
The Flagellation, from The Life of Christ, ca. 1511-12

The punishment of Jesus, Our Lady of the Assumption church, Cordon, Haute-Savoie, France, Europe

The Flagellation of Christ, 1922. Creator: Henry Traut
The Flagellation of Christ, 1922. Anton Lang, a player in the Oberammergau Passion Play, as Jesus during the Scourging at the Pillar

The Scourging of Faithful, c1916. Artist: William Strang
The Scourging of Faithful, c1916. An illustration from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer

The Flagellation, with the Pavement, 1906
The Flagellation, with the Pavement, c1475-80. After an original ink drawing from the school of Andrea Mantegna (c1431-1506). This engraving shows the flagellation of Jesus Christ

The Scourging of Christ, 1568, (1937). Artist: Martino Rota
The Scourging of Christ, 1568, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

The scourging of Boadicea, 60 AD, (c1920). Artist: JR Skelton
The scourging of Boadicea, 60 AD, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

The Flagellation of Christ, 1498 (1906). Artist: Albrecht Durer
The Flagellation of Christ, 1498 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Flagellant, 16th century. Artist: Jost Amman
Flagellant, 16th century. Flagellants were members of a sect, known as the Brothers of the Cross, founded in c1260. They whipped themselves until blood ran in order to obtain Gods mercy

Passion Christ Prayer Mount Olives capture Caiaphas
The Passion of Christ: Prayer on the Mount of Olives, capture, Christ before Caiaphas, scourging (upper register), Coronation of the Thorns, Cross Carrying, Crucifixion, Entombment (lower register)

Aert Mijtens Scourging Christ TAornekrAoningen
Aert Mijtens, The Scourging of Christ, Tornekroningen, painting, oil on canvas, Height, 310 cm (10.1 ft), Width, 228 cm (89.7 inches)

Via Dolorosa St. Stephen Gate Chapel Scourging
Via Dolorosa, beginning at St. Stephens Gate Chapel of Scourging 1900, Jerusalem, Israel

Via Dolorosa St. Stephen Gate Cloister Scourging
Via Dolorosa, beginning at St. Stephens Gate Cloister of Scourging 1900, Jerusalem, Israel

Scourging Christ York perhaps illuminated Northern
The Scourging of Christ; York perhaps (illuminated), Northern, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11)

Italy. Milan Cathedral. Door detail. Flagellation of Christ. Bronze. 16th-17th century

The Flagellation, 1496-1497, by Durer (1471-1528)
Albrecht Durer (1471-1528). German painter and engraver. The Flagellation, 1496-1497. Xylography. National Museum of Art. Copenhagen. Denmark

Flagellation of Christ. Bronze. Relief
Italy. Pisa Cathedral. Flagellation of Christ. Detail of the main gate. 17th century

Scourging Christ 1700-1740 Pen brown ink washed
Artokoloro

scourging 1625-77 Etching state Sheet 3 7 / 16
Artokoloro

Scourging Christ 16th century Pen brown ink washed
Artokoloro

The Flagellation of Christ, 1514 (tempera on panel)
BAL49153 The Flagellation of Christ, 1514 (tempera on panel) by Master of Okolicsno; Hungarian National Gallery, Budapest, Hungary; out of copyright

Title print of the pamphlet in 1618, entitled Wonderlijcke School houdinghe Mr. Jan van Oldenbarevelt, Anonymous, 1618

Five sorrowful mysteries, Antonie Wierix (II), Hieronymus Wierix, 1605 - 1619

The St. Thomas Altar from St. Johns Church, Hamburg, begun in 1424 (tempera
XKH156485 The St. Thomas Altar from St. Johns Church, Hamburg, begun in 1424 (tempera & oil on panel) by Master Francke (c.1385-c.1436); Hamburger Kunsthalle, Hamburg

Flagellants. At time of Black Death in Europe, sect went through streets scourging themselves in attempt to take sins of population on themselves

Flagellants or Brothers of the Cross in Netherlands town of Doornik 1349 scourging themselves as they walk through streets in order to free world from Black Death (Bubonic Plague)

Christ falls exhausted after the scourging. Date c1888 Nov. 19

The scourging of Christ. Date c1888 Nov. 19

Flagellants
FLAGELLANTS roamed western Europe periodically from the 11th to the 16th centuries, scourging themselves in a quasi-ecstatic state

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"Unveiling the Brutality: Exploring the Historical Practice of Scourging" Delving into the depths of history, we encounter various depictions and accounts of scourging, a brutal form of punishment that has left an indelible mark on human civilization. From ancient engravings to oil paintings, these visual representations offer glimpses into a dark chapter in our past. One such engraving is "La flagellation, " which portrays the act itself with chilling realism. Another notable depiction can be found at the Basilica di Santa Prassede, where The Column of Flagellation stands as a haunting reminder of this cruel practice. In 1493, "Flagellants" emerged as a religious movement that believed self-inflicted pain would bring them closer to God's grace. This fervor spread like wildfire across Europe, reaching its peak during the Black Death when Tournai became a hotbed for these penitent individuals seeking redemption through physical suffering. Martin Rota's engraved artwork from 1568 captures The Flagellation of Christ with meticulous detail, evoking both empathy and horror in equal measure. Similarly, "The Way of the Cross, " painted in 1817 by an unknown artist on canvas, depicts Jesus' agonizing journey towards crucifixion, not limited to religious contexts alone; it also served as punishment for criminals. An engraving titled "The scourging of Titus Oates from Newgate to Tyburn" illustrates this grim reality faced by wrongdoers during those times. To understand how instruments were used for scourging purposes, one need only look at an engraving depicting a Flagellum or Scourge - an instrument designed specifically for inflicting pain upon flesh. Artistic studies such as "A Man Scourging and the Head of Christ" reveal artists' exploration and interpretation of this harrowing subject matter using black and white chalks and pastels.