Skip to main content

Secessionist Collection (#2)

"Exploring the Artistic Tapestry Movements" Delve into the captivating world art, where historical events and cultural shifts intertwine with artistic expression

Background imageSecessionist Collection: Poster for the Vienna Secession, 49th Exhibition, Die Freunde, 1918 (colour litho)

Poster for the Vienna Secession, 49th Exhibition, Die Freunde, 1918 (colour litho)
FIT65907 Poster for the Vienna Secession, 49th Exhibition, Die Freunde, 1918 (colour litho) by Schiele, Egon (1890-1918); 63.5x48 cm; Fitzwilliam Museum, University of Cambridge

Background imageSecessionist Collection: Sitzmaschine, adjustable lounge chair, produced by J. & J

Sitzmaschine, adjustable lounge chair, produced by J. & J
614040 Sitzmaschine, adjustable lounge chair, produced by J. & J. Kohn, 1908 (stained bentwood, plywood & brass) (see also 441564) by Hoffman

Background imageSecessionist Collection: Portrait with Right Hand on Chin, c. 1917-18 (pencil with red & dark blue crayon on paper)

Portrait with Right Hand on Chin, c. 1917-18 (pencil with red & dark blue crayon on paper)
CH376995 Portrait with Right Hand on Chin, c.1917-18 (pencil with red & dark blue crayon on paper) by Klimt, Gustav (1862-1918); 50.2x32.5 cm; Private Collection; (add.info.: Bildnis Von Vorne)

Background imageSecessionist Collection: Young Woman, supporting herself with her Hands, 1908 (pencil on paper)

Young Woman, supporting herself with her Hands, 1908 (pencil on paper)
995410 Young Woman, supporting herself with her Hands, 1908 (pencil on paper) by Klimt, Gustav (1862-1918); 53.4x45.5 cm; Private Collection; (add.info.: Aug Ruhebeit sitzende Frau)

Background imageSecessionist Collection: Prayer in Stonewall Jacksons tent, c. 1880-90 (etching)

Prayer in Stonewall Jacksons tent, c. 1880-90 (etching)
497530 Prayer in Stonewall Jacksons tent, c.1880-90 (etching) by Volck, Adalbert John (1828-1912); 26.1x34.7 cm; Gilder Lehrman Collection, New York

Background imageSecessionist Collection: Making clothes for the boys in the army, c. 1880-90 (etching)

Making clothes for the boys in the army, c. 1880-90 (etching)
497525 Making clothes for the boys in the army, c.1880-90 (etching) by Volck, Adalbert John (1828-1912); 26.1x34.6 cm; Gilder Lehrman Collection, New York

Background imageSecessionist Collection: Fruit Trees, 1901 (oil on canvas)

Fruit Trees, 1901 (oil on canvas)
FFA147559 Fruit Trees, 1901 (oil on canvas) by Klimt, Gustav (1862-1918); 90x90 cm; Private Collection; Austrian, out of copyright

Background imageSecessionist Collection: Portrait of a Woman, 1909 (oil)

Portrait of a Woman, 1909 (oil)
PCD282394 Portrait of a Woman, 1909 (oil) by Schiele, Egon (1890-1918); Private Collection; Piccadilly Gallery, London, UK; Austrian, out of copyright

Background imageSecessionist Collection: Reclining Nude (pencil & coloured chalk on paper)

Reclining Nude (pencil & coloured chalk on paper)
PCD272446 Reclining Nude (pencil & coloured chalk on paper) by Klimt, Gustav (1862-1918); Private Collection; Piccadilly Gallery, London, UK; Austrian, out of copyright

Background imageSecessionist Collection: The Ingratitude of the Republicans, c. 1860 (litho)

The Ingratitude of the Republicans, c. 1860 (litho)
AQS257105 The Ingratitude of the Republicans, c.1860 (litho) by American School, (19th century); American Antiquarian Society, Worcester, Massachusetts

Background imageSecessionist Collection: Large balconied reception room in Vienna secession style, early 1900s (colour litho)

Large balconied reception room in Vienna secession style, early 1900s (colour litho)
708854 Large balconied reception room in Vienna secession style, early 1900s (colour litho) by Bauer, Leopold (1872-1938); Private Collection; The Stapleton Collection; Austrian, out of copyright

Background imageSecessionist Collection: Dreaming Woman (Gerti Schiele), 1911 (gouache, w / c, wash & pencil on paper)

Dreaming Woman (Gerti Schiele), 1911 (gouache, w / c, wash & pencil on paper)
2181586 Dreaming Woman (Gerti Schiele), 1911 (gouache, w/c, wash & pencil on paper) by Schiele, Egon (1890-1918); 45.6x31.8 cm; Private Collection; (add.info)

Background imageSecessionist Collection: Two reclining nudes, c. 1913 (pen & ink and crayon on paper)

Two reclining nudes, c. 1913 (pen & ink and crayon on paper)
469723 Two reclining nudes, c.1913 (pen & ink and crayon on paper) by Klimt, Gustav (1862-1918); 37x56.6 cm; Private Collection; (add.info)

Background imageSecessionist Collection: Woman from the left (pen & ink on paper)

Woman from the left (pen & ink on paper)
469722 Woman from the left (pen & ink on paper) by Klimt, Gustav (1862-1918); 56.5x37.5 cm; Private Collection; (add.info.: Frau nach Links); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Reclining half nude to the right, c. 1914-15 (crayon & pencil on paper)

Reclining half nude to the right, c. 1914-15 (crayon & pencil on paper)
469719 Reclining half nude to the right, c.1914-15 (crayon & pencil on paper) by Klimt, Gustav (1862-1918); 37.3x56.3 cm; Private Collection; (add.info)

Background imageSecessionist Collection: The Longing for Happiness, from the Beethoven Frieze, 1902 (fresco)

The Longing for Happiness, from the Beethoven Frieze, 1902 (fresco)
6219387 The Longing for Happiness, from the Beethoven Frieze, 1902 (fresco) by Klimt, Gustav (1862-1918); Osterreichische Galerie Belvedere, Vienna

Background imageSecessionist Collection: Water Serpents I, 1904-07 (oil on canvas)

Water Serpents I, 1904-07 (oil on canvas)
6219383 Water Serpents I, 1904-07 (oil on canvas) by Klimt, Gustav (1862-1918); 75, 5 A-- 44 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Background imageSecessionist Collection: Seated Woman, 1908 (pencil & coloured chalk on paper)

Seated Woman, 1908 (pencil & coloured chalk on paper)
CH376992 Seated Woman, 1908 (pencil & coloured chalk on paper) by Klimt, Gustav (1862-1918); Private Collection; (add.info.: Sitzender Halbakt; ); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Apple Tree I, 1912 (oil on canvas)

Apple Tree I, 1912 (oil on canvas)
CH362290 Apple Tree I, 1912 (oil on canvas) by Klimt, Gustav (1862-1918); 109x110 cm; Private Collection; (add.info.: apfelbaum; ); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Woman with a White Shawl (pencil with white & red coloured chalk on paper)

Woman with a White Shawl (pencil with white & red coloured chalk on paper)
PCD272444 Woman with a White Shawl (pencil with white & red coloured chalk on paper) by Klimt, Gustav (1862-1918); 51x35.8 cm; Private Collection; Piccadilly Gallery, London, UK; Austrian

Background imageSecessionist Collection: Art Nouveau bedroom, c. 1900 (photo)

Art Nouveau bedroom, c. 1900 (photo)
XIR218780 Art Nouveau bedroom, c.1900 (photo) by Guimard, Hector (1867-1942); Musee des Arts Decoratifs, Paris, France; (add.info.: bedroom, bed view; ); French, out of copyright

Background imageSecessionist Collection: Panorama of the Seat of War: Birds Eye View Of North And South Carolina And Part Of

Panorama of the Seat of War: Birds Eye View Of North And South Carolina And Part Of
497534 Panorama of the Seat of War: Birds Eye View Of North And South Carolina And Part Of Georgia, 1861 (colour litho) by Bachmann, John (fl.1850-77); 58x77 cm; Gilder Lehrman Collection, New York

Background imageSecessionist Collection: The Witch, c. 1900 (print)

The Witch, c. 1900 (print)
CHT173736 The Witch, c.1900 (print) by Laage, Wilhelm (1868-1930); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; German, out of copyright

Background imageSecessionist Collection: Woman Leaning to the Right with Long Hair, c. 1910-11 (pencil with red & blue crayon

Woman Leaning to the Right with Long Hair, c. 1910-11 (pencil with red & blue crayon
CH376996 Woman Leaning to the Right with Long Hair, c.1910-11 (pencil with red & blue crayon on paper) by Klimt, Gustav (1862-1918); 55x35 cm; Private Collection; (add.info)

Background imageSecessionist Collection: Seated Woman (pencil on buff paper)

Seated Woman (pencil on buff paper)
CH376991 Seated Woman (pencil on buff paper) by Klimt, Gustav (1862-1918); Private Collection; (add.info.: Auf Postament Kauernder Halbakt; ); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Allegory of Love, 1895 (oil on canvas)

Allegory of Love, 1895 (oil on canvas)
MG811 Allegory of Love, 1895 (oil on canvas) by Klimt, Gustav (1862-1918); 60x44 cm; Kunsthistorisches Museum, Vienna, Austria; eMick Gold; Austrian, out of copyright

Background imageSecessionist Collection: Houses at Unterach on the Attersee, c. 1916 (oil on canvas)

Houses at Unterach on the Attersee, c. 1916 (oil on canvas)
CH362289 Houses at Unterach on the Attersee, c.1916 (oil on canvas) by Klimt, Gustav (1862-1918); 110x110 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Buying a substitute in the North during the war, c. 1880-90 (etching)

Buying a substitute in the North during the war, c. 1880-90 (etching)
497524 Buying a substitute in the North during the war, c.1880-90 (etching) by Volck, Adalbert John (1828-1912); 26.1x34.8 cm; Gilder Lehrman Collection, New York

Background imageSecessionist Collection: John C. Calhoun (1782-1850) (b / w photo)

John C. Calhoun (1782-1850) (b / w photo)
PNP253843 John C. Calhoun (1782-1850) (b/w photo) by American Photographer, (19th century); Private Collection; (add.info.: John Caldwell Calhoun)

Background imageSecessionist Collection: Gustav Klimt, 1914 (b / w photo)

Gustav Klimt, 1914 (b / w photo)
3037178 Gustav Klimt, 1914 (b/w photo) by Trcka, Anton Josef (1893-1940); Private Collection; (add.info.: Gustav Klimt (July 14, 1862 - February 6)

Background imageSecessionist Collection: Reconstruction of a salon of the Cafe de Paris (photo)

Reconstruction of a salon of the Cafe de Paris (photo)
XIR218923 Reconstruction of a salon of the Cafe de Paris (photo) by Sauvage, Henri (1873-1932); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French

Background imageSecessionist Collection: Vienna Secession Building, 1898 (photo)

Vienna Secession Building, 1898 (photo)
MAE170030 Vienna Secession Building, 1898 (photo) by Olbrich, Joseph Maria (1867-1908); Vienna, Austria; (add.info.: Exhibition hall for avant-garde art; Der Zeit ihre Kunst)

Background imageSecessionist Collection: The Hartford Convention, or Leap no leap, February 1815 (coloured engraving)

The Hartford Convention, or Leap no leap, February 1815 (coloured engraving)
NYH182471 The Hartford Convention, or Leap no leap, February 1815 (coloured engraving) by Charles, William (1776-1820); Collection of the New-York Historical Society

Background imageSecessionist Collection: Full-Face Portrait of a Lady; Damenbildnis en face, c. 1898 (oil on board)

Full-Face Portrait of a Lady; Damenbildnis en face, c. 1898 (oil on board)
1768014 Full-Face Portrait of a Lady; Damenbildnis en face, c.1898 (oil on board) by Klimt, Gustav (1862-1918); 43.4x34 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Portrait of a Woman, 1909 (oil) (detail of 282394)

Portrait of a Woman, 1909 (oil) (detail of 282394)
3037940 Portrait of a Woman, 1909 (oil) (detail of 282394) by Schiele, Egon (1890-1918); Private Collection; Austrian, out of copyright

Background imageSecessionist Collection: Self-Portrait, c. 1893 (oil on canvas)

Self-Portrait, c. 1893 (oil on canvas)
3525768 Self-Portrait, c.1893 (oil on canvas) by Carriere, Eugene (1849-1906); 41.3x32.7 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageSecessionist Collection: Panorama of the Seat of War: Birds Eye View Of Louisiana, Mississippi

Panorama of the Seat of War: Birds Eye View Of Louisiana, Mississippi
497533 Panorama of the Seat of War: Birds Eye View Of Louisiana, Mississippi, Alabama And Part Of Florida, 1861 (colour litho) by Bachmann, John (fl.1850-77); 58x77 cm; Gilder Lehrman Collection

Background imageSecessionist Collection: Enlistment of Sickles Brigade, c. 1880-90 (etching)

Enlistment of Sickles Brigade, c. 1880-90 (etching)
497523 Enlistment of Sickles Brigade, c.1880-90 (etching) by Volck, Adalbert John (1828-1912); 26.1x34.8 cm; Gilder Lehrman Collection, New York

Background imageSecessionist Collection: Farm Garden with Sunflowers, 1905-06 (oil on canvas)

Farm Garden with Sunflowers, 1905-06 (oil on canvas)
6219377 Farm Garden with Sunflowers, 1905-06 (oil on canvas) by Klimt, Gustav (1862-1918); 110x110 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Background imageSecessionist Collection: Woman in a Kimono (pencil on paper)

Woman in a Kimono (pencil on paper)
CH376993 Woman in a Kimono (pencil on paper) by Klimt, Gustav (1862-1918); 50x32.2 cm; Private Collection; (add.info.: Dame im Kimono; ); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Will-O -The Wisps, 1903 (oil on canvas)

Will-O -The Wisps, 1903 (oil on canvas)
CH376994 Will-O -The Wisps, 1903 (oil on canvas) by Klimt, Gustav (1862-1918); Private Collection; (add.info.: Irrlichter; ); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: Athena, c. 1923 (oil on canvas)

Athena, c. 1923 (oil on canvas)
PCD272417 Athena, c.1923 (oil on canvas) by Stuck, Franz von (1863-1928); 91x56 cm; Private Collection; Piccadilly Gallery, London, UK; German, out of copyright

Background imageSecessionist Collection: Poster advertising Secession 49 Exhibition, 1918 (colour litho)

Poster advertising Secession 49 Exhibition, 1918 (colour litho)
993717 Poster advertising Secession 49 Exhibition, 1918 (colour litho) by Schiele, Egon (1890-1918); 67.9x53.3 cm; Private Collection; (add.info)

Background imageSecessionist Collection: Flower Garden, 1905-07 (oil on canvas) (detail of 325751)

Flower Garden, 1905-07 (oil on canvas) (detail of 325751)
778933 Flower Garden, 1905-07 (oil on canvas) (detail of 325751) by Klimt, Gustav (1862-1918); Private Collection; (add.info.: Bauerngarten; ); Photo eChristies Images; Austrian, out of copyright

Background imageSecessionist Collection: The South Carolina State Arsenal in Charleston, South Carolina

The South Carolina State Arsenal in Charleston, South Carolina
867761 The South Carolina State Arsenal in Charleston, South Carolina, guarded by parading detachments of the Washington Light Infantry, 1860 (litho) by Waud

Background imageSecessionist Collection: Cassandra, 1886-1895 / cast 1895-1904. Creator: Max Klinger

Cassandra, 1886-1895 / cast 1895-1904. Creator: Max Klinger
Cassandra, 1886-1895/cast 1895-1904




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Artistic Tapestry Movements" Delve into the captivating world art, where historical events and cultural shifts intertwine with artistic expression. From the vivid depiction of the Battle of Pea Ridge, Ark in 1889 to Judith's enigmatic gaze captured on canvas in 1901, these artworks offer glimpses into a tumultuous era. In "Fulfilment (Stoclet Frieze)" from c. 1905-09, tempera and watercolors blend harmoniously to depict a scene that exudes both mystery and allure. Meanwhile, "The Civil War in America: Fight at Rainsville" transports us back to a time when tensions ran high as secessionism threatened unity. "The Federal Sentinel" stands tall as a symbol of resilience amidst political turmoil. Its stoic presence reminds us of the strength required during times of division and change. Similarly, Irene Probst's painting captures a young girl asleep amidst her toys—a poignant reminder that innocence can be found even amid chaos. Traveling beyond borders, we find ourselves standing before Slovenia's Dragon Bridge at dawn—an architectural marvel that witnessed its fair share of societal transformations. In Romania's Black Eagle Arcade interior or Otto Wagner's Art Nouveau Apartments in Vienna, we witness how secessionist movements influenced not only art but also architecture. Transylvania's Targu Mures County Council Building stands proudly as an embodiment of regional identity within Romania—its tower reaching towards new horizons while honoring tradition. Madame Floge gazes confidently from her portrait painted in 1902; her fashionable attire reflecting changing societal norms during this transformative period. Finally, "Young Woman in Undergarments, " created around 1910-11 by an unknown artist speaks volumes about shifting attitudes towards femininity and self-expression during this era.