Seduce Collection (page 6)

Miss Jeanne De Casalis and Mr Tom Douglas by Einar Nerman
In " Fata Morgana" Miss Jeanne De Casalis and Mr Tom Douglas by Einar Nermans (1888-1983). Illustration showing the actors dressed in romantic attire while playing as Mathilde Fay

Bare-chested young man, portrait

Smiling man with a spoon in the mouth, snacking

Muscular man wearing swimming trunks posing on beach

Athletic man, early 30s, bare-chested wearing jeans and a hat
Athletic man, early 30 s, bare-chested wearing jeans and a hat

Man in underwear lying on the floor in front of a leather sofa

Scene from Molieres play, Amphitryon, first performed in 1668. It was based on a Latin comedy by Plautus. In it, Amphitryon goes off to war, leaving his wife Alcmene at home

WOMAN, 1920s. A French woman in a nightgown. Photograph, 1920s

Sheet music for Cosi Fan Tutte by Mozart (engraving)
XJF441938 Sheet music for Cosi Fan Tutte by Mozart (engraving) by French School, (19th century); Private Collection; (add.info)

Temptation of Christ in the Desert, print maker: Cornelis Galle I, Maerten de Vos, 1598 - 1618

Susanna and the Elders, Jan van Londerseel, 1580-1625

Cephalus reveals himself to Procris, Johann Liss, 1600 - 1629

Susanna and the Elders, Jan van Londerseel, Claes Jansz. Visscher (II), 1601-1652

Farmer receives devils in his house, Caspar Luyken, Christoph Weigel, 1704

The Temptation of Saint Anthony, Guillaume Duvivier (17e eeuw), c. 1660 - c. 1670

Portrait of a young man leaning on a wall in the sunlightPortrait of a young man leaning on a wall in the sunlight

Portrait of a young man leaning on a wall in the sunlight

Portrait of a young man leaning on a wall

Muscular man wearing swimming trunks standing on a beach

Bare-chested young man wearing pyjama bottoms lying in bed

Young man wearing Ibiza-style clothes, fashion shoot

The seducer - Amorous advances by a young Russian
The seducer - The amorous advances by a young Russian on a pretty girl with flowers in her hair. Date: circa 1902

British Ballad, The Clerks Twa Sons o Owsenford
THE CLERKS TWO SONS O OWSENFORD. British ballad telling the story of the clerks two sons who seduce the two daughters of a mayor. The mayor sentences them to hang

A Spring P(h)antasy by Wilmot Lunt
Drawing on a popular theme of the 1920s, a rather sexually rampant looking faun with horns, disturbing red hair and beard and huge hairy legs ending in cloven hooves

Mozart / Nozze / Liebig 1
(The Marriage of Figaro) Count Almaviva discovers Cherubino hiding, and realises he has overheard his attempt to seduce Susanna

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"Seduction: A Timeless Art Captured in Art, Opera, and Film" In the captivating world of seduction, where desire intertwines with artistry, we find ourselves drawn to the allure of passion. From the enchanting brushstrokes of Titian's Venus of Urbino to Reginald Higgins' Strange Incense that lingers in our senses, seduction takes on various forms. As Mozart's Don Giovanni unfolds on stage, we witness a scene that epitomizes seductive charm - a young man in a suit reclining on a couch. His shirtless figure exudes confidence and entices us into his irresistible web. Similarly, another image captures our attention - a young man kneeling on a couch without his shirt. The vulnerability mixed with audacity leaves us wondering about the secrets he holds within. But it is not only indoors where seduction thrives; even amidst hay bales in a horse barn can one find its power. A man with an exposed torso wearing long underwear sits confidently upon these rustic seats as if inviting us to explore hidden desires beneath their surface. Laughter becomes an unexpected weapon in the game of seduction when we encounter the bare-chested man who chuckles mischievously. His infectious joy hints at pleasures yet undiscovered. The mythological tale of Leda and the Swan further immerses us into this realm. Salomon Gessner's depiction captivates as it portrays both beauty and danger intertwined – two elements often found within acts of temptation. Moving forward through time, Rudolph Valentino and Vilma Banky grace George Fitzmaurice's film The Son of Sheik (1926) with their magnetic presence. Their chemistry ignites sparks that transcend screens and remind us how powerful seductive performances can be. Even more contemporary images continue to mesmerize; whether it be a young man leaning against a concrete wall clad only in bathing trunks, or a bare-chested youth smiling confidently in a portrait.