Self Flagellation Collection

Venerable Irinarkh's cap, lash, and fetters, Borisoglebsk, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Venerable Irinarkh's cap, lash, and fetters, Borisoglebsk, 1911

Mexican Indian religious service of penitence, from Americae, 1602, written
BAL111694 Mexican Indian religious service of penitence, from Americae, 1602, written and engraved by Theodor de Bry (1528-98) (engraving) by Le Moyne

The Flagellants at Doornik in 1349, (1903). Christians flagellating themselves in Tournai (or Doornik) in Belgium. A miniature from the Chronicle of Aegidius Li Muisis in the library at Brussels

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Fakirs Wounding Themselves, c1891. Creator: James Grant
Fakirs Wounding Themselves, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Islamic fanaticism (colour litho)
2779498 Islamic fanaticism (colour litho) by French School, (20th century); Private Collection; (add.info.: Islamic fanaticism)

A Penitent (pen & ink and w / c on paper)
XOT320589 A Penitent (pen & ink and w/c on paper) by Grevenbroeck, Jan van (1731-1807); Museo Correr, Venice, Italy; (add.info.: I Penitenti; ); Dutch, out of copyright

Life of Francois de Paris (engraving) (b / w phto)
CHT382718 Life of Francois de Paris (engraving) (b/w phto) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

The Penitent, 1510 (1906). Artist: Albrecht Durer
The Penitent, 1510 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Hedwig Leaving Bloody Footprints Snow Self-Flagellation
Hedwig Leaving Bloody Footprints in the Snow; The Self-Flagellation of Hedwig; Unknown maker; Silesia, Poland; 1353; Tempera colors, colored washes, and ink on parchment; Leaf: 34.1 x 24.8 cm (13 7)

St Jerome, late 16th-early 17th century. Artist: Louis Finson
St Jerome, late 16th-early 17th century. Jerome, in the act of self-flagellation, gazes up in ecstasy into a shaft of light

FLAGELLANTS: MIDDLE AGES. A procession of flagellants wending its way through Spain, Italy, and France: English line engraving, 18th century

A Flagellant (pen & ink and w / c on paper)
XOT320588 A Flagellant (pen & ink and w/c on paper) by Grevenbroeck, Jan van (1731-1807); Museo Correr, Venice, Italy; (add.info.: I battuti; ); Dutch, out of copyright

Virgin of the Misericordia (oil on panel)
XIR238681 Virgin of the Misericordia (oil on panel) by Pietro di Domenico da Montepulciano (fl.1418-22); 54x43 cm; Musee du Petit Palais, Avignon, France; Italian, out of copyright

Saint Hedwig Leaving Bloody Footprints in the Snow, The Self-Flagellation of Saint Hedwig; Court workshop of Duke Ludwig I of Liegnitz and Brieg, Polish, 1364 - 1398; Poland, Silesia

DURER: THE PENITENT, 1510. Woodcut by Albrecht Durer

MATTHIAS GRUNEWALD (fl. 1500-1530). German painter. Self-portrait of the artist as St. Sebastian. Detail from the Isenheim Altarpiece, oil on panel, c1515

CROW SUN DANCER, c1908. A Crow man tethered to a pole, secured by leather straps pierced through his chest, as part of the sun dance ritual. Photograph by Edward Curtis, c1908

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"Exploring the Ancient Ritual of Self Flagellation: A Journey through History and Faith" In this captivating caption, we delve into the intriguing practice of self flagellation, a ritualistic act that has spanned across different cultures and centuries. From the Mexican Indian religious service of penitence depicted in Americae (1602) to the vivid drawings by Robert Carlile showcasing The Antiquities of the Cathedral Church of Saint Mary, Carlisle (1795), we witness how this ancient tradition has left its mark on various civilizations. The Martyrdom of St. John (1498) immortalizes an intense moment where self-inflicted pain becomes synonymous with devotion. James Grant's depiction in Fakirs Wounding Themselves (c1891) transports us to another realm where spiritual enlightenment is sought through physical suffering. Meanwhile, Islamic fanaticism portrayed in a striking color lithograph reminds us that self-flagellation can also be influenced by religious fervor. Through Albrecht Durer's powerful artwork The Penitent (1510), we glimpse into the inner struggle faced by those seeking redemption through self-inflicted pain. The Flagellants at Doornik in 1349 (1903) takes us back to medieval times when large processions would traverse Spain as an expression of collective repentance. Louis Finson's portrayal of St Jerome from late 16th-early 17th century showcases how even revered figures engaged in acts of self-discipline for spiritual growth. In Hedwig Leaving Bloody Footprints Snow Self-Flagellation, we encounter a poignant image capturing one individual's personal journey towards absolution. As our exploration comes full circle, we are reminded once again that throughout history, individuals have turned to self flagellation as a means to connect with their faith or seek solace within themselves. Whether it be rooted in religion or driven by personal conviction, this age-old practice continues to fascinate and provoke contemplation.