Semi Abstract Collection

A Tower of Blue Horses, 1913 (oil on canvas)
NUL445542 A Tower of Blue Horses, 1913 (oil on canvas) by Marc, Franz (1880-1916); 200x130 cm; Private Collection; German, out of copyright

Eternal Hope
Maria Borglund

Eternal Hope
Maria Borglund

Fading Autumn
Maria Borglund

Twilight Fog
Maria Borglund

Veiled Vistas
Maria Borglund

Where Are You Going?
Carolina Gårdheim

Dinosaur
Jukyong Park

City Range 11
Petr Strnad

City Range 7
Petr Strnad

The Archer, c. 1930-42 (oil on canvas)
908516 The Archer, c.1930-42 (oil on canvas) by Nash, Paul (1889-1946); 71x91.5 cm; Southampton City Art Gallery, Hampshire, UK; Southampton City Art Gallery

Eiffel Tower, 1924 (oil on canvas)
1068780 Eiffel Tower, 1924 (oil on canvas) by Delaunay, Robert (1885-1941); 184.1x174.3x3.8 cm; Dallas Museum of Art, Texas, USA; gift of the Meadows Foundation, Incorporated; French, out of copyright

In the Mist, c. 1890-1910 (oil on canvas)
488276 In the Mist, c.1890-1910 (oil on canvas) by Martin, Henri (1860-1943); 43.18 x 35.24 cm; Minneapolis Institute of Arts, MN

The First Animals, 1913 (tempera on paper)
NUL445538 The First Animals, 1913 (tempera on paper) by Marc, Franz (1880-1916); 39x47 cm; Private Collection; German, out of copyright

Gazelles, 1913 (tempera on board)
NUL445539 Gazelles, 1913 (tempera on board) by Marc, Franz (1880-1916); 55.5x71 cm; Private Collection; German, out of copyright

Three Horses, 1912 (mixed media on paper)
NUL445564 Three Horses, 1912 (mixed media on paper) by Marc, Franz (1880-1916); 37x52 cm; Private Collection; German, out of copyright

Seated Harlequin, c. 1920 (oil on canvas)
488221 Seated Harlequin, c.1920 (oil on canvas) by Gris, Juan (1887-1927); 91.44 x 74.93 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mr. and Mrs

Figure H 2, 1921 (colour litho)
1071913 Figure H 2, 1921 (colour litho) by Schlemmer, Oskar (1888-1943); Dallas Museum of Art, Texas, USA; (add.info.: Figur H 2)

Four Wooden Sculptures (recto), 1912 (oil on canvas)
1072537 Four Wooden Sculptures (recto), 1912 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 70.5x60.5 cm; Dallas Museum of Art, Texas, USA; (add.info.: Vier Holzplastiken)

The Clockmaker, c. 1914 (oil on canvas)
487986 The Clockmaker, c.1914 (oil on canvas) by Klyun (Kljunkov) Ivan (1873-1943); 78.1x58.4 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; The John R

Head of a Peasant Girl, 1912-13 (oil on canvas)
LRI3057745 Head of a Peasant Girl, 1912-13 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 72x74.5 cm; Stedelijk Museum, Amsterdam, The Netherlands; Luisa Ricciarini; Russian

Costume Design 1836-37 Pen brown ink pen black
Artokoloro

2962736; out of copyright

2962735; out of copyright

Aviator, Costume design for the opera Victory over the sun by Aleksei Kruchenykh
BAL2653753 Aviator, Costume design for the opera Victory over the sun by Aleksei Kruchenykh, 1913 (ink, gouache & pencil on paper) by Malevich, Kazimir Severinovich (1878-1935); Stedelijk Museum

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the Boundaries of Reality: A Glimpse into Semi-Abstract Art" Step into a world where reality intertwines with imagination, as artists push the boundaries of representation. "A Tower of Blue Horses, 1913" captures this essence perfectly, with its vibrant colors and distorted shapes that invite us to question our perception. In "The Archer, c. 1930-42, " we witness the artist's ability to convey movement through bold brushstrokes and dynamic composition. The archer becomes more than just a figure; it embodies strength and determination in an abstracted form. Traveling to Paris, we encounter Gustav Klimt's interpretation of the iconic Eiffel Tower in "Eiffel Tower, 1924. " Through his use of rich textures and dreamlike hues, he transforms this architectural marvel into a symbol of romance and mystique. "In the Mist, c. 1890-1910" transports us to an ethereal realm where reality fades away. The misty landscape blurs our vision but awakens our senses as we immerse ourselves in its atmospheric beauty. "The First Animals, 1913" takes us on a journey back in time when humanity first encountered these majestic creatures. With tempera on paper technique, the artist captures their essence while leaving room for interpretation and abstraction. "Gazelles, 1913" invites us into a world filled with grace and elegance as these magnificent animals leap across the board. Through tempera on board medium, every stroke reflects their swift movements amidst an abstract backdrop. In "Three Horses, 1912, " mixed media on paper allows for experimentation with different materials resulting in captivating textures that enhance our understanding of these powerful creatures' energy. Seated Harlequin from around 1920 captivates viewers with its enigmatic presence portrayed through oil on canvas techniques. This semi-abstract depiction challenges traditional notions of reality, leaving room for interpretation and contemplation.