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Sensation Collection (#3)

"Sensation: Exploring the Depths of Perception" George Berkeley, an influential Irish philosopher, once pondered the nature of sensation

Background imageSensation Collection: Cross-section diagram of human skin

Cross-section diagram of human skin

Background imageSensation Collection: New Pas de Quatre, by Mdlles. Taglioni, C

New Pas de Quatre, by Mdlles. Taglioni, C
XJF324300 New Pas de Quatre, by Mdlles. Taglioni, C. Grisi, L. Grahn, and Cerito, at her Majestys Theatre, from The Illustrated London News, 19th July 1845 (engraving) by English School

Background imageSensation Collection: The rehearsal or the baron and the elephant, Cruikshank, George, 1792-1878, engraving

The rehearsal or the baron and the elephant, Cruikshank, George, 1792-1878, engraving 1812, A satire on the Covent Garden pantomime of 1812-13

Background imageSensation Collection: The Five Senses - Hearing (oil on canvas)

The Five Senses - Hearing (oil on canvas)
XIR19855 The Five Senses - Hearing (oil on canvas) by Bosse, Abraham (1602-76) (after); Musee des Beaux-Arts, Tours, France; French, out of copyright

Background imageSensation Collection: The Five Senses - Smell (oil on canvas)

The Five Senses - Smell (oil on canvas)
XIR169648 The Five Senses - Smell (oil on canvas) by Bosse, Abraham (1602-76) (after); Musee des Beaux-Arts, Tours, France; French, out of copyright

Background imageSensation Collection: The Five Senses - Hearing (engraving) (b / w photo)

The Five Senses - Hearing (engraving) (b / w photo)
XIR159211 The Five Senses - Hearing (engraving) (b/w photo) by Bosse, Abraham (1602-76); Bibliotheque Nationale, Paris, France; French, out of copyright

Background imageSensation Collection: Touch, Nicolaes de Bruyn, 1581-1656

Touch, Nicolaes de Bruyn, 1581-1656

Background imageSensation Collection: Colombo to Kandy, India, 1876: the Prince of Wales Riding on an Engine over sensation

Colombo to Kandy, India, 1876: the Prince of Wales Riding on an Engine over sensation
Colombo to Kandy, India, 1876: the Prince of Wales Riding on an Engine over " sensation Rock"

Background imageSensation Collection: Two women whispering in studio, (B&W), portrait

Two women whispering in studio, (B&W), portrait

Background imageSensation Collection: Thames Flight

Thames Flight
10th August 1912: A modified Short S27 hydroplane flown by Irish aviator Francis McClean (1876 - 1955) returns from the River Thames

Background imageSensation Collection: That 16-inch sensation - Bairnsfather postcard

That 16-inch sensation - Bairnsfather postcard
" That 16-inch sensation" - Bairnsfather postcard. Bairnsfather was badly wounded by a shell burst in April 1915 and during his weeks of convalescence suffered recurring nightmares

Background imageSensation Collection: Oliver Twist causing a sensation in the childrens ward of the workhouse by asking

Oliver Twist causing a sensation in the childrens ward of the workhouse by asking for a second helping of porridge. In the background starving companions polish their bowls

Background imageSensation Collection: Dion Boucicault (also Bourcicault, and Dionysius Lardner Boursiquot) (1820-1890)

Dion Boucicault (also Bourcicault, and Dionysius Lardner Boursiquot) (1820-1890) Irish-born British actor, playwright and producer. Author of Sensation Dramas

Background imageSensation Collection: Awful Apparition Householder reading The Woman in White, the sensation novel by Wilkie Collins

Awful Apparition Householder reading The Woman in White, the sensation novel by Wilkie Collins, is startled by the appearance of his wife in her nightgown

Background imageSensation Collection: Sergeant Cuff examining Miss Verrinders boudoir. He laid one lean inquiring

Sergeant Cuff examining Miss Verrinders boudoir. He laid one lean inquiring finger on the small smear. 1883 illustration for The Moonstone by Wilkie Collins

Background imageSensation Collection: Sergeant Cuff, right, and Gabriel Betteridge following Roseanna Spearemans footsteps

Sergeant Cuff, right, and Gabriel Betteridge following Roseanna Spearemans footsteps to the Shivering Sands. Illustration by Arthur Fraser (active 1865-1898)

Background imageSensation Collection: Rachel Verrinder, in front of Godfrey Abelwhite and Miss Clack, making her false

Rachel Verrinder, in front of Godfrey Abelwhite and Miss Clack, making her false confession to her mother that she has pledged the Moonstone to pay private debts

Background imageSensation Collection: Rochester, Kent, England, situated on the River Medway. Viewed from across the river

Rochester, Kent, England, situated on the River Medway. Viewed from across the river on which are sailing barges are the 12th century castle and the Cathedral

Background imageSensation Collection: (William) Wilkie Collins (1824-1889), English novelist. Author of sensation novels of mystery

(William) Wilkie Collins (1824-1889), English novelist. Author of sensation novels of mystery and suspense including The Woman in White (1860) and The Moonstone (1868)

Background imageSensation Collection: The Rehearsal Or The Baron And The Elephant

The Rehearsal Or The Baron And The Elephant, Cruikshank, George, 1792-1878, Engraving 1812, A Satire On The Covent Garden Pantomime Of 1812-13

Background imageSensation Collection: Rear view of Male Body with Major Nerves Superimposed

Rear view of Male Body with Major Nerves Superimposed

Background imageSensation Collection: Touching spines of a pad Cactus, planted in a terracotta pot

Touching spines of a pad Cactus, planted in a terracotta pot

Background imageSensation Collection: Moth antenna, SEM C015 / 8778

Moth antenna, SEM C015 / 8778
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8782

Moth antenna, SEM C015 / 8782
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8076

Moth antenna, SEM C015 / 8076
Moth antenna. Coloured scanning electron micrograph (SEM) of the antenna of a moth. It is covered in scales (at rigt) and carries sensory hairs (at left) that sense movement and smell

Background imageSensation Collection: Moth antenna, SEM C015 / 9946

Moth antenna, SEM C015 / 9946
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8780

Moth antenna, SEM C015 / 8780
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8075

Moth antenna, SEM C015 / 8075
Moth antenna. Coloured scanning electron micrograph (SEM) of the antenna of a moth. It is covered in scales (at rigt) and carries sensory hairs (at left) that sense movement and smell

Background imageSensation Collection: Moth antenna, SEM C015 / 8784

Moth antenna, SEM C015 / 8784
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8783

Moth antenna, SEM C015 / 8783
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 9947

Moth antenna, SEM C015 / 9947
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8781

Moth antenna, SEM C015 / 8781
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8779

Moth antenna, SEM C015 / 8779
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: Moth antenna, SEM C015 / 8786

Moth antenna, SEM C015 / 8786
Moth antenna. Coloured scanning electron micrograph (SEM) of a moths antenna, showing many sensory hairs. These hairs are used to detect touch and vibrations

Background imageSensation Collection: USS Shenandoah, 1920s C016 / 4325

USS Shenandoah, 1920s C016 / 4325
USS Shenandoah at her mooring mast in Tacoma, Washington State, USA. This US Navy rigid airship was built from 1922 to 1923, and operated until it crashed in 1925

Background imageSensation Collection: Napoleons last sensation

Napoleons last sensation. Date c1870 Aug. 11

Background imageSensation Collection: Royal Lilliputians, the sensation of the year a big comedy p

Royal Lilliputians, the sensation of the year a big comedy production by little people. Date c1900

Background imageSensation Collection: The celebrated French aerielists sic & acrobats the latest E

The celebrated French aerielists sic & acrobats the latest European sensation. Date c1891

Background imageSensation Collection: AH Woods presents Valeska Suratt in the swift, smart & saucy

AH Woods presents Valeska Suratt in the swift, smart & saucy play, The girl with the whooping cough the latest Paris sensation : by Stanislaus Stange. Date c1910

Background imageSensation Collection: Royal Lilliputians, the sensation of the year giants, midget

Royal Lilliputians, the sensation of the year giants, midgets, and dwarfs in a spectacular comedy. Date c1900

Background imageSensation Collection: Madeline of Fort Reno the sensation of the 19th century, Lon

Madeline of Fort Reno the sensation of the 19th century, Long Bro s, Pawnee Bill and May Lillies great western military romantic play. Includes portrait of Pawnee Bill in upper left corner. Date c1897

Background imageSensation Collection: Long Bros, Pawnee Bill & May Lillie in the great western mi

Long Bros, Pawnee Bill & May Lillie in the great western mi
Long Bro s, Pawnee Bill & May Lillie in the great western military romantic play, Madeline of Fort Reno the sensation of the 19th century. Includes portraits of W. Hillswell Long, JEH

Background imageSensation Collection: Sapho New Yorks raging sensation

Sapho New Yorks raging sensation. Date 1900

Background imageSensation Collection: Sensory hairs on a moth antenna, SEM

Sensory hairs on a moth antenna, SEM
Sensory hairs on the antenna of a moth, coloured scanning electron micrograph (SEM). The hairs are used to detect touch and vibrations

Background imageSensation Collection: Synaesthesia, computer artwork

Synaesthesia, computer artwork
Synaesthesia. Computer artwork representing the neurological condition in which stimulation of one sensory or cognitive pathway leads to automatic

Background imageSensation Collection: Ornamental Onion (Allium hollandicum) Purple Sensation, close-up of flower, in garden, Dorset

Ornamental Onion (Allium hollandicum) Purple Sensation, close-up of flower, in garden, Dorset, England, may

Background imageSensation Collection: Invention - Carrons Cone

Invention - Carrons Cone
Mr. Carron, an engineer from Grenoble, France, invented a contraption that allowed humans to experience the sensation of a free fall of 300m

Background imageSensation Collection: Mediums William and Ira Davenport

Mediums William and Ira Davenport
Undated illustration of American mediums and spiritualists William and Ira Davenport. The Davenport Brothers were instrumental in building the popularity of the American Spiritualist movement prior




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"Sensation: Exploring the Depths of Perception" George Berkeley, an influential Irish philosopher, once pondered the nature of sensation. How do we experience the world around us? Is it through our anatomy, our head, or even our tongue? Intriguingly, a photograph of the Loch Ness Monster captures the sensational allure of mythical creatures and their ability to captivate our imagination. Similarly, phantom pain after amputation is a perplexing sensation that challenges our understanding of perception. It becomes an artwork in itself. The enchanting melody played by Manuela Gonzalez Velazquez on her piano in 1820-1821 evokes sensations that transcend time and space. Meanwhile, at Collins Music Hall in London's Islington Green, posters advertise performances that promise to ignite all five senses. Across continents lies Niagara Falls - its thunderous roar and majestic beauty engrained in history by artists like Van der Burgh and Milbert. The raw power of nature elicits awe-inspiring sensations within us. Artists like Jozef Chelmonski capture fleeting moments where four horses gallop before a humble cottage or Witkiewicz portrays blizzards engulfing Grazny Staw Tarn. These paintings evoke sensations ranging from tranquility to chaos. Finally, music covers like "The Chestnut Tree" transport us to idyllic landscapes where we can almost feel the rustling leaves beneath our feet. Sensation is not merely about what we see or hear; it encompasses everything that stirs emotions within us – be it artistry captured on canvas or melodies resonating deep within our souls. It reminds us that life is meant to be felt with every fiber of our being - a symphony composed by experiences both extraordinary and mundane alike.