Sense And Sensibility Collection

Illustration for Sense and Sensibility by Jane Austen (colour litho)
5210465 Illustration for Sense and Sensibility by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: Found him with some surprise to be her brother)

Title page to Sense and Sensibility by Jane Austen, first edition
XJF466208 Title page to Sense and Sensibility by Jane Austen, first edition, 1811 (engraving) by English School, (19th century); Private Collection; (add.info.: a novel in three volumes)

Drawing Him a Little Aside, illustration from Sense and Sensibility
708882 Drawing Him a Little Aside, illustration from Sense and Sensibility by Jane Austen, published 1895 (pen and wash on paper) by Thomson

Highcliffe, near Christchurch: the Entrance Front with Horse and Carriage
BAL25685 Highcliffe, near Christchurch: the Entrance Front with Horse and Carriage by Callander, Adam (fl.1780-1811); Victoria & Albert Museum, London, UK; English, out of copyright

Portrait of Ellen and Mary McIlvaine, 1834 (oil on canvas)
CH92943 Portrait of Ellen and Mary McIlvaine, 1834 (oil on canvas) by Sully, Thomas (1783-1872); 62.9x75.6 cm; Private Collection; Photo eChristies Images; American, out of copyright

Portrait of Jane Austen (engraving)
3557543 Portrait of Jane Austen (engraving) by English School, (19th century); Private Collection; (add.info.: Jane Austen (1775 - 1817)

Frontispiece and title page to Pride and Prejudice by Jane Austen
XJF466209 Frontispiece and title page to Pride and Prejudice by Jane Austen, engraved by William Greatbach, edition published in 1833 (engraving) by Pickering

Highcliffe, near Christchurch, from the Park, with a Group of Figures
BAL25686 Highcliffe, near Christchurch, from the Park, with a Group of Figures by Callander, Adam (fl.1780-1811); Victoria & Albert Museum, London, UK; English, out of copyright

Illustration for Pride and Prejudice by Jane Austen (colour litho)
5210506 Illustration for Pride and Prejudice by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: The gentleman took her in his arms)

Illustration for Sense and Sensibility by Jane Austen (colour litho)
5210461 Illustration for Sense and Sensibility by Jane Austen (colour litho) by Mills, Arthur Wallis (1878-1940); Private Collection; (add.info.: Elinor saw her lay her aching head on the pillow)

The Burrell Family in their house in Durham, c. 1820 (w / c with applied silhouettes)
DRE72848 The Burrell Family in their house in Durham, c.1820 (w/c with applied silhouettes) by English School, (19th century); 40x52 cm; Private Collection; eDreweatt Neate Fine Art Auctioneers

Bartletts Buildings, Holborn, 1838 (w / c on paper)
XCF306052 Bartletts Buildings, Holborn, 1838 (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); Private Collection; (add.info.: An alley of dark brick houses)

Bartletts Buildings, 1890 (watercolour)
XJF3038373 Bartletts Buildings, 1890 (watercolour) by Appleton, J. (fl.1890); Private Collection; (add.info.: Back of houses west side of Bartletts buildings Holborn)

Make No Mistake
Elinor Dashwood talking to Lucy Steele in a scene from Jane Austens Sense And Sensibility. Then taking a small miniature from her pocket she added, to prevent the possibility of a mistake

SENSE & SENSIBILITY, 1811. The major characters of Jane Austens Sense and Sensibility (1811) stroll in Barton Park, Devonshire. 20th century wood engraving

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"Sense and Sensibility: A Timeless Tale of Love, Society, and Sisters" Step into the world of Jane Austen's beloved novel "Sense and Sensibility, " where wit, charm, and societal expectations intertwine. This captivating story takes us on a journey through the lives of two contrasting sisters, Elinor and Marianne Dashwood. As we turn the pages of the first edition title page illustration, we are transported to a time when elegance reigned supreme. The delicate colour litho captures the essence of Austen's words with its intricate details. In "Drawing Him a Little Aside, " an illustration from Sense and Sensibility, we witness a pivotal moment as emotions run high. The characters' expressions speak volumes about their inner turmoil in matters of love. The grandeur of Highcliffe near Christchurch is brought to life in another breathtaking image. Horse-drawn carriages grace the entrance front, reminding us that this tale unfolds against a backdrop of opulence and privilege. A portrait from 1834 showcases Ellen and Mary McIlvaine in all their regal splendor. Their refined features reflect the society they inhabit—a world where appearances matter greatly. Jane Austen herself comes alive through an enchanting engraving capturing her likeness. Her genius shines through her words as she masterfully crafts stories that continue to captivate readers centuries later. Pride and Prejudice also finds its place within these pages with its own frontispiece illustration. It serves as a reminder that both novels share themes such as love overcoming societal constraints—themes that resonate across time. Highcliffe once again graces our vision; this time seen from the park with figures dotting its landscape. We can almost imagine Elizabeth Bennet strolling along these grounds or Elinor Dashwood lost in contemplation amidst nature's beauty. Colour lithos bring more scenes to life—the vibrant illustrations for Pride & Prejudice remind us of the lively characters that inhabit Austen's world.