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Sequence Collection (#7)

"Capturing the Essence of Sequence: From Solar Eclipses to Majestic Wildlife" In the vast tapestry of life, sequence unveils itself in mesmerizing ways

Background imageSequence Collection: Plate 540. A, Bow Legs; Boy; B, Spinal Caries; Girl Walking, 1885 (collotype on paper)

Plate 540. A, Bow Legs; Boy; B, Spinal Caries; Girl Walking, 1885 (collotype on paper)
3950516 Plate 540.A, Bow Legs; Boy; B, Spinal Caries; Girl Walking, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16x45.4 cm; Addison Gallery of American Art, Phillips Academy

Background imageSequence Collection: Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper)

Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper)
3950514 Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.5x44.5 cm; Addison Gallery of American Art, Phillips Academy

Background imageSequence Collection: Plate 186. Hopping on Right Foot, 1885 (collotype on paper)

Plate 186. Hopping on Right Foot, 1885 (collotype on paper)
3950511 Plate 186. Hopping on Right Foot, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x35.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 19. Walking, Commencing to Turn Around, 1885 (collotype on paper)

Plate 19. Walking, Commencing to Turn Around, 1885 (collotype on paper)
3950510 Plate 19. Walking, Commencing to Turn Around, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.4x36.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 536. Movement of the Hand; Hands Changing Pencil, 1885 (collotype on paper)

Plate 536. Movement of the Hand; Hands Changing Pencil, 1885 (collotype on paper)
3950509 Plate 536. Movement of the Hand; Hands Changing Pencil, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.6x40.2 cm; Addison Gallery of American Art, Phillips Academy, Andover

Background imageSequence Collection: Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper)

Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper)
3950508 Plate 535. Movement of the Hand; Beating Time, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24x29.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 456. Raking Hay, 1885 (collotype on paper)

Plate 456. Raking Hay, 1885 (collotype on paper)
3950492 Plate 456. Raking Hay, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.1x34 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 424. Toilet; Rising from Chair, and Putting on Shawl, 1885 (collotype on paper)

Plate 424. Toilet; Rising from Chair, and Putting on Shawl, 1885 (collotype on paper)
3950487 Plate 424. Toilet; Rising from Chair, and Putting on Shawl, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.5x45.1 cm; Addison Gallery of American Art, Phillips Academy

Background imageSequence Collection: Plate 243. Placing Chair, Sitting and Flirting a Fan, 1885 (collotype on paper)

Plate 243. Placing Chair, Sitting and Flirting a Fan, 1885 (collotype on paper)
3950476 Plate 243.Placing Chair, Sitting and Flirting a Fan, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 26x28.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 207. Stooping and Lifting Train, 1885 (collotype on paper)

Plate 207. Stooping and Lifting Train, 1885 (collotype on paper)
3950464 Plate 207. Stooping and Lifting Train, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.7x40.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper)

Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper)
3950413 Plate 463. Reaching Up, Stooping and Turning Around, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x34.3 cm; Addison Gallery of American Art, Phillips Academy, Andover

Background imageSequence Collection: Plate 143. Descending Incline, Turning Cup & Saucer in Right Hand

Plate 143. Descending Incline, Turning Cup & Saucer in Right Hand
3950372 Plate 143. Descending Incline, Turning Cup & Saucer in Right Hand, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.2x37.9 cm; Addison Gallery of American Art

Background imageSequence Collection: Plate 105. Turning, Ascending Stairs, Water Jar on Left Shoulder

Plate 105. Turning, Ascending Stairs, Water Jar on Left Shoulder
3950371 Plate 105. Turning, Ascending Stairs, Water Jar on Left Shoulder, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.8x31.1 cm; Addison Gallery of American Art

Background imageSequence Collection: Plate 72. Running, Leading Child (70) in Hand, 1885 (collotype on paper)

Plate 72. Running, Leading Child (70) in Hand, 1885 (collotype on paper)
3950369 Plate 72. Running, Leading Child (70) in Hand, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.6x41.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 56. Walking, Turning and Stooping to Lift Train, 1885 (collotype on paper)

Plate 56. Walking, Turning and Stooping to Lift Train, 1885 (collotype on paper)
3950367 Plate 56. Walking, Turning and Stooping to Lift Train, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.5x43.2 cm; Addison Gallery of American Art, Phillips Academy, Andover

Background imageSequence Collection: Plate 41. Walking, Flirting a Fan, 1872-85 (collotype on paper)

Plate 41. Walking, Flirting a Fan, 1872-85 (collotype on paper)
3950363 Plate 41. Walking, Flirting a Fan, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.6x35.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 381. Mason, Laying a Brick, 1872-85 (collotype on paper)

Plate 381. Mason, Laying a Brick, 1872-85 (collotype on paper)
3950351 Plate 381. Mason, Laying a Brick, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20x37.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 380. Carpenter, Sawing, 1872-85 (collotype on paper)

Plate 380. Carpenter, Sawing, 1872-85 (collotype on paper)
3950350 Plate 380. Carpenter, Sawing, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.4x32.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 361. Throwing a Spear, 1872-85 (collotype on paper)

Plate 361. Throwing a Spear, 1872-85 (collotype on paper)
3950339 Plate 361. Throwing a Spear, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.2x32.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 350. Fencing, 1872-85 (collotype on paper)

Plate 350. Fencing, 1872-85 (collotype on paper)
3950328 Plate 350. Fencing, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.3x34.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 340. Boxing; Open Hand, 1872-85 (collotype on paper)

Plate 340. Boxing; Open Hand, 1872-85 (collotype on paper)
3950324 Plate 340. Boxing; Open Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.3x32.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 447. Two models, 9 Taking Water-Jar from Shoulder of 10

Plate 447. Two models, 9 Taking Water-Jar from Shoulder of 10
3950268 Plate 447. Two models, 9 Taking Water-Jar from Shoulder of 10, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.8x42.1 cm; Addison Gallery of American Art

Background imageSequence Collection: Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs

Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs
3950214 Plate 239. Two Models; One Standing, the Other Sitting, Crossing Legs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 31.4x23.7 cm; Addison Gallery of American Art

Background imageSequence Collection: Plate 121. Descending Incline, Bucket of Water in Each Hand, 1872-85 (collotype on paper)

Plate 121. Descending Incline, Bucket of Water in Each Hand, 1872-85 (collotype on paper)
3950169 Plate 121. Descending Incline, Bucket of Water in Each Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.8x35.7 cm; Addison Gallery of American Art, Phillips Academy

Background imageSequence Collection: Plate 117. Descending Incline, 1872-85 (collotype on paper)

Plate 117. Descending Incline, 1872-85 (collotype on paper)
3950165 Plate 117. Descending Incline, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.5x32.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 116. Descending Incline, One Hand On Chin, 1872-85 (collotype on paper)

Plate 116. Descending Incline, One Hand On Chin, 1872-85 (collotype on paper)
3950164 Plate 116. Descending Incline, One Hand On Chin, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.3x31 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 54. Walking, Two Models / One Flirting A Fan, Arm in Arm

Plate 54. Walking, Two Models / One Flirting A Fan, Arm in Arm
3950133 Plate 54. Walking, Two Models/One Flirting A Fan, Arm in Arm, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.1x40 cm; Addison Gallery of American Art, Phillips Academy

Background imageSequence Collection: Plate 24. Walking, With High-Heeled Shoes On, 1872-85 (collotype on paper)

Plate 24. Walking, With High-Heeled Shoes On, 1872-85 (collotype on paper)
3950122 Plate 24. Walking, With High-Heeled Shoes On, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.2x36.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper)

Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper)
3950119 Plate 21. Walking, Both Elbows Bent, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x36.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 519. A, Throwing Disk; B, Ascending Steps; C, Walking

Plate 519. A, Throwing Disk; B, Ascending Steps; C, Walking
3950106 Plate 519. A, Throwing Disk; B, Ascending Steps; C, Walking. 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.8x30.8 cm; Addison Gallery of American Art, Phillips Academy

Background imageSequence Collection: Plate 399. Emptying Bucket of Water, 1872-85 (collotype on paper)

Plate 399. Emptying Bucket of Water, 1872-85 (collotype on paper)
3950096 Plate 399. Emptying Bucket of Water, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 14.9x47 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 395. Turning a Crank Handle, 1872-85 (collotype on paper)

Plate 395. Turning a Crank Handle, 1872-85 (collotype on paper)
3950092 Plate 395. Turning a Crank Handle, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.2x31.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 346. Wrestling, Lock, 1885 (collotype on paper)

Plate 346. Wrestling, Lock, 1885 (collotype on paper)
3950070 Plate 346. Wrestling, Lock, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.6x30.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 291. Cricket; Batting; Drive, 1885 (collotype on paper)

Plate 291. Cricket; Batting; Drive, 1885 (collotype on paper)
3950046 Plate 291. Cricket; Batting; Drive, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x39.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 290. Cricket; Over Arm Bowling, 1885 (collotype on paper)

Plate 290. Cricket; Over Arm Bowling, 1885 (collotype on paper)
3950045 Plate 290. Cricket; Over Arm Bowling, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x45.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 279. Base-ball; Batting, 1885 (collotype on paper)

Plate 279. Base-ball; Batting, 1885 (collotype on paper)
3950034 Plate 279. Base-ball; Batting, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x46.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 167. Jumping; Over Boys Back (Leap Frog), 1885 (collotype on paper)

Plate 167. Jumping; Over Boys Back (Leap Frog), 1885 (collotype on paper)
3950019 Plate 167. Jumping; Over Boys Back (Leap Frog), 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 25.6x29.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 165. Jumping; Pole Vaulting, 1885 (collotype on paper)

Plate 165. Jumping; Pole Vaulting, 1885 (collotype on paper)
3950017 Plate 165. Jumping; Pole Vaulting, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.1x40.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 113. Descending Incline, 1 in 4, 1872-85 (collotype on paper)

Plate 113. Descending Incline, 1 in 4, 1872-85 (collotype on paper)
3950008 Plate 113. Descending Incline, 1 in 4, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16x42.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 111. Ascending Ladder, 1872-85 (collotype on paper)

Plate 111. Ascending Ladder, 1872-85 (collotype on paper)
3950007 Plate 111. Ascending Ladder, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.9x39.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: Plate 88. Ascending Stairs, 1872-85 (collotype on paper)

Plate 88. Ascending Stairs, 1872-85 (collotype on paper)
3950002 Plate 88. Ascending Stairs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.9x38.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageSequence Collection: American Presidents (chromolitho)

American Presidents (chromolitho)
3657006 American Presidents (chromolitho) by American School, (19th century); Private Collection; (add.info.: American Presidents)

Background imageSequence Collection: Assembly, Sequence of processes employed in model motor works where mass production by systematic

Assembly, Sequence of processes employed in model motor works where mass production by systematic division of labour
6008311 Assembly, Sequence of processes employed in model motor works where mass production by systematic division of labour cheapens cost (litho) by English School

Background imageSequence Collection: Come now on a roundel, Illustration from A Midsummer Nights Dream

Come now on a roundel, Illustration from A Midsummer Nights Dream
984611 Come now on a roundel, Illustration from A Midsummer Nights Dream, by William Shakespeare, 1908 (colour litho) by Rackham

Background imageSequence Collection: Skeleton of a running horse (b / w photo)

Skeleton of a running horse (b / w photo)
473226 Skeleton of a running horse (b/w photo) by Muybridge, Eadweard (1830-1904); Private Collection; Prismatic Pictures; English, out of copyright

Background imageSequence Collection: Four snapshots from Hollywood, 1930

Four snapshots from Hollywood, 1930 - top left Mildred Frizelle and Marnie Sawyer (Pearl Eaton girls) in he Cuckoos (RKO Pictures), top right Lila Lee (First National)

Background imageSequence Collection: Row of cards with an image of a masked man, New Year greetings card (chromolitho)

Row of cards with an image of a masked man, New Year greetings card (chromolitho)
6031958 Row of cards with an image of a masked man, New Year greetings card (chromolitho) by English School, (20th century); Private Collection; (add.info)

Background imageSequence Collection: 101st AB Division Memorial, Son, Holland

101st AB Division Memorial, Son, Holland
Operation Market Garden depended upon the capture by airborne forces of a sequence of bridges over rivers and canals in Holland




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"Capturing the Essence of Sequence: From Solar Eclipses to Majestic Wildlife" In the vast tapestry of life, sequence unveils itself in mesmerizing ways. It begins with a celestial spectacle, as the 1919 solar eclipse paints the sky with ethereal beauty. The sun's radiance dimmed, revealing secrets of the universe. Moving from cosmic wonders to earthly marvels, we encounter "MEL, " an adult male Orca who commands attention. Aged 45 to 50 years when these images were taken in March 2006, he prowls Punta Norte beach in Patagonia, Argentina. With calculated precision and raw power, MEL hunts South American Sealion pups—a testament to nature's relentless cycle. The concept transcends species boundaries—take racing pigeons for instance. These feathered athletes soar through the skies with unwavering determination and grace; their flight patterns forming intricate sequences that leave us awestruck. Delving deeper into life's enigmatic orderings, we ponder over age-old questions like "the chicken or the egg?" An eternal conundrum that encapsulates how one event leads seamlessly into another—a perpetual dance between cause and effect. Art too captures this essence beautifully; Eadweard J Muybridge's iconic photograph freezes time as man and horse leap over a fence in perfect synchrony—an exquisite display of sequential motion frozen forever on film. As our gaze shifts towards distant galaxies, a diagram reveals stars' spectral class and luminosity—their positions meticulously arranged based on scientific observations. In this grand cosmic symphony, each star plays its part within an intricately woven sequence spanning billions of light-years. Returning closer to Earth yet again brings us face-to-face with captivating wildlife encounters—the male and female Hen Harriers soaring above their breeding territory on Texel Island in Holland. Their synchronized aerial ballet showcases harmony amidst nature's delicate balance.