Shoulder Pole Collection
"Shoulder Pole: A Symbol of Daily Life and Tradition in Hong Kong-China" In the bustling streets of Hong Kong-China
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"Shoulder Pole: A Symbol of Daily Life and Tradition in Hong Kong-China" In the bustling streets of Hong Kong-China, a timeless tradition known as the shoulder pole has been an integral part of daily life for centuries. This unique method of transportation, depicted in various artworks such as Utagawa Kuniyoshi's series "Famous Places on. . C. 1830/35, " showcases the resilience and strength of the local porters. Dating back to ancient times, these skilled individuals would carry heavy loads suspended from bamboo poles balanced across their shoulders. As seen in Torii Kiyomasu's portrayal of Mizue Gozen performed around 1745, or Torii Kiyohiro's depiction of Sengokuya Ihei and his wife Omatsu in 1755, this practice was not limited to Hong Kong but also prevalent throughout Japan. The shoulder pole served as a vital means for transporting goods across cities like Akasaka, Fujikawa, Okazaki, Chiryu, and Narumi along the famous Tokaido route during the Edo period. Artists like Hokusai beautifully captured scenes such as Ishibei or Kambara from his series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" around 1830-35. This mode of transportation even found its way into James Grant's artwork depicting a River-View in China circa 1891. The shoulder pole became synonymous with hard work and dedication among both locals and visitors alike. Beyond its practicality, this cultural symbol is deeply rooted in traditional ceremonies too. Shrine Maidens Onami and Ohatsu can be seen gracefully dancing at Yushima Tenjin Shrine around 1769 while Suzuki Harunobu captures a Flower Vendor selling her vibrant blooms between 1751-64. The shoulder pole represents more than just physical labor; it embodies a connection to history, resilience, and the unyielding spirit of the people.