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Shrieking Collection

"Shrieking: From Suffragettes to Roman Attacks, the Power of a Piercing Cry" From suffragettes scared by mice to Roman attacks on Britons

Background imageShrieking Collection: A stampede of jackals through the environs of Calcutta, 1864. Creator: Mason Jackson

A stampede of jackals through the environs of Calcutta, 1864. Creator: Mason Jackson
A stampede of jackals through the environs of Calcutta, 1864. A walk through Calcutta about midnight reveals to the European stranger many curious sights

Background imageShrieking Collection: Jose Echegaray y Eizaguirre (1832-1916). Spanish engineer

Jose Echegaray y Eizaguirre (1832-1916). Spanish engineer, playwright, politician and mathematician. Leading of the Spanish dramatist of the last quarter of the 19th century

Background imageShrieking Collection: The Loss of the Faro Bank, or The Rooks Pigeon d

The Loss of the Faro Bank, or The Rooks Pigeon d
NCO191286 The Loss of the Faro Bank, or The Rooks Pigeon d, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Background imageShrieking Collection: Row in the Jungle, 1863 (w / c on paper)

Row in the Jungle, 1863 (w / c on paper)
780880 Row in the Jungle, 1863 (w/c on paper) by Wolf, Joseph (1820-99); 73x58 cm; Zoological Society of London; (add.info.: The Intruder); eZoological Society of London; German, out of copyright

Background imageShrieking Collection: A Roman Attack on the Britons in Mona (litho)

A Roman Attack on the Britons in Mona (litho)
5212325 A Roman Attack on the Britons in Mona (litho) by Speed, Lancelot (1860-1931); Private Collection; (add.info.: A Roman Attack on the Britons in Mona)

Background imageShrieking Collection: Loose! (engraving)

Loose! (engraving)
1056307 Loose! (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: Loose! Illustration for The Graphic)

Background imageShrieking Collection: Soplones, plate from Los Caprichos, 1799 (etching & aquatint)

Soplones, plate from Los Caprichos, 1799 (etching & aquatint)
3112266 Soplones, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageShrieking Collection: The Witches, 1510 (woodcut)

The Witches, 1510 (woodcut)
5858420 The Witches, 1510 (woodcut) by Grien, Hans Baldung (1484/5-1545); 38.9A--27 cm; Metropolitan Museum of Art, New York, USA; (add.info.: second of two states); German, out of copyright

Background imageShrieking Collection: Le Criard (The Shrieker), 1879 / 1880. Creator: Felix Hilaire Buhot

Le Criard (The Shrieker), 1879 / 1880. Creator: Felix Hilaire Buhot
Le Criard (The Shrieker), 1879/1880

Background imageShrieking Collection: Germanus and the man possessed. Germanus of Auxerre, c. 378 - c. 448. Bishop of Auxerre

Germanus and the man possessed. Germanus of Auxerre, c. 378 - c. 448. Bishop of Auxerre. After Januarius, a tax collector

Background imageShrieking Collection: Suffragette Scared by Mouse

Suffragette Scared by Mouse. Suffragette stands on stool, shrieking with panic as a mouse runs towards her. In the series, This is the House that man built Caption reads

Background imageShrieking Collection: Law Abiding V Militants

Law Abiding V Militants
The shrieking sister a view of militant suffragism Date: 1906

Background imageShrieking Collection: Suffragette, Hammer Thrower

Suffragette, Hammer Thrower. The Hammer Thrower - as she was (taking part in Sport) and As she is, shrieking VFW and aiming a hammer at a shop window. Date: circa 1913

Background imageShrieking Collection: Picture No. 11672017

Picture No. 11672017
Gentoo Penguin chick screeching with tongue out. Date:

Background imageShrieking Collection: Shrieking Lord commits suicide, Arnold Houbraken, 1681 - 1683

Shrieking Lord commits suicide, Arnold Houbraken, 1681 - 1683



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"Shrieking: From Suffragettes to Roman Attacks, the Power of a Piercing Cry" From suffragettes scared by mice to Roman attacks on Britons, it has long been a powerful expression of fear, anger, and defiance. This art form dates back centuries and continues to captivate audiences today. Jose Echegaray y Eizaguirre, a Spanish engineer turned playwright in the late 19th century, understood the impact on stage. His play "The Duchess of Coolgardie" at Drury Lane Theatre showcased this dramatic element through lithographs that captured the intensity of emotional outbursts. In another lithograph titled "The Loss of the Faro Bank, " or "The Rooks Pigeon d, " we witness how shrieks can symbolize chaos and turmoil during moments of crisis. The rowdy scene depicted in "Row in the Jungle" further emphasizes this notion with watercolors on paper illustrating an uproar amidst nature's wilderness. However, not all instances are born out of distress. In Felix Hilaire Buhot's artwork called "Le Criard (The Shrieker), " created between 1879 and 1880, we see a different side to this vocalization. Here, it becomes an act of protest against societal norms or perhaps even an expression of joyous liberation. It also played a significant role during historical events such as suffrage movements. A captivating image shows a suffragette wielding a hammer while letting out her battle cry – showcasing both strength and determination in their fight for equality. Even older depictions like Francisco Goya's etching and aquatint from his series Los Caprichos titled "Soplones" demonstrate how shrieks were used as tools for exposing corruption or deceit within society. Lastly, let us not forget about folklore and mythology where witches were often portrayed emitting spine-chilling shrieks.