Shroud Collection (#3)

Man of sorrows, 1350-1369, (panel)
7129082 Man of sorrows, 1350-1369, (panel) by Milano, Giovanni da (fl.1350-69); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Man of sorrows, Giovanni da Milano, panel)

Lamentation over the dead Christ, 1511-12 circa, (oil on panel)
7129988 Lamentation over the dead Christ, 1511-12 circa, (oil on panel) by Fra Bartolomeo (1475-1517); Palazzo Pitti, Florence, Italy; (add.info.: Lamentation over the dead Christ, 1511-12 circa)

Veronica (oil on panel)
930347 Veronica (oil on panel) by Zaganelli di Bosio, Francesco (c.1470-1531); Museo della Citta, Rimini, Italy; Photo © Stefano Baldini

Deposition, (oil on canvas)
7129940 Deposition, (oil on canvas) by Giordano, Luca (1634-1705); Pio Monte della Misericordia, Naples, Italy; (add.info.: Deposition, Luca Giordano, oil on canvas, Pio Monte della Misericordia)

Dead Christ sustained by an angel, 16th century, (oil on canvas)
7129397 Dead Christ sustained by an angel, 16th century, (oil on canvas) by Backer, Jacob de the Elder (1550-71); Galleria Nazionale d'Arte Antica, Rome

Descent from the cross, 16th century (oil on wood)
7129517 Descent from the cross, 16th century (oil on wood) by Italian School, (16th century); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Descent from the cross)

Lamentation over the dead Christ, 1615 circa, (oil on canvas)
7130061 Lamentation over the dead Christ, 1615 circa, (oil on canvas) by Borgianni, Orazio (1578-1616); Museo Nazionale del Palazzo di Venezia, Rome

Anglo Saxon man in shirt and corpse in shroud. 1796 (engraving)
7233740 Anglo Saxon man in shirt and corpse in shroud. 1796 (engraving) by Austrian School, (18th century); Private Collection; (add.info)

The Entombment of Christ (oil on panel)
XIR418454 The Entombment of Christ (oil on panel) by Huguet, Jaume (1415-92); 73 x 158 cm; Louvre, Paris, France; (add.info.: Christ's body placed in the tomb by Nicodemus, Joseph of Arimathea)

The Entombment of Christ, 1699 (oil on copper)
XIR417013 The Entombment of Christ, 1699 (oil on copper) by Portuguese School, (17th century); 35.5x28.5 cm; Musee des Beaux-Arts, Dunkirk, France; (add.info.: The burial of Christ;)

The Lamentation over the Dead Christ, 1635 (oil on canvas)
471196 The Lamentation over the Dead Christ, 1635 (oil on canvas) by Dyck, Anthony van (1599-1641); 114x207 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

The Trinity (oil on panel)
3470320 The Trinity (oil on panel) by Rubens, Peter Paul (1577-1640); 152x158 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders, photo Hugo Maertens

Christ Showing his Wounds, 1921 (oil on canvas)
471282 Christ Showing his Wounds, 1921 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 161x137 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Exterior panel of the Triptych of Jan Floreins, 1479 (oil on panel)
490181 Exterior panel of the Triptych of Jan Floreins, 1479 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: See also 490175.); © Art in Flanders

The Holy Trinity, 1620 (oil on canvas)
471262 The Holy Trinity, 1620 (oil on canvas) by Rubens, Peter Paul (1577-1640); 158x152 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

The Lamentation over the Dead Christ (oil on canvas)
471138 The Lamentation over the Dead Christ (oil on canvas) by Rubens, Peter Paul (1577-1640); 56x75.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

The Lamentation over the Dead Christ, c. 1629 (oil on canvas)
471197 The Lamentation over the Dead Christ, c.1629 (oil on canvas) by Dyck, Anthony van (1599-1641); 114x207 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Descent from the Cross (oil on canvas)
471261 Descent from the Cross (oil on canvas) by Rubens, Peter Paul (1577-1640) (studio of); 125x92 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Epitaph of Jan Michielsen and his wife Maria Maes, 1618 (oil on panel)
471134 Epitaph of Jan Michielsen and his wife Maria Maes, 1618 (oil on panel) by Rubens, Peter Paul (1577-1640); 138x178 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Descent from the Cross, c. 1612-14 (oil on panel)
715412 Descent from the Cross, c.1612-14 (oil on panel) by Rubens, Peter Paul (1577-1640); Onze Lieve Vrouwkerk, Antwerp Cathedral, Belgium

Modesty Challenged
Ali Khataw

Lamentation Over The Dead Christ, c. 1444 (oil on panel)
1754842 Lamentation Over The Dead Christ, c.1444 (oil on panel) by Christus, Petrus (c.1410-1475/76); Louvre, Paris, France; (add.info.: Lamentation of the Christ)

The new mummies of the Guimet Museum, Paris (colour litho)
3097007 The new mummies of the Guimet Museum, Paris (colour litho) by French School, (20th century); Private Collection; (add.info.: The new mummies of the Guimet Museum, Paris)

The legend of the three living men and the three dead men, from the Book of Hours of Charles V (vellum)
IND368803 The legend of the three living men and the three dead men, from the Book of Hours of Charles V (vellum) by German School, (15th century); Biblioteca Nacional, Madrid

The Dead Who Resurrects (Colour Litho)
2778068 The Dead Who Resurrects (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The resurrecting dead)

The Dead Christ laid down on his Shroud (detail of mid to upper body), before 1654 (oil on wood)
897484 The Dead Christ laid down on his Shroud (detail of mid to upper body), before 1654 (oil on wood) by Champaigne, Philippe de (1602-74); 68x197 cm; Louvre, Paris

Deathbed, 1886 (oil on canvas)
XKH223061 Deathbed, 1886 (oil on canvas) by Jessen, Carl Ludwig (1833-1917); 43.3x62.5 cm; Hamburger Kunsthalle, Hamburg, Germany

The episodes of the Battle of Zuscima, the burial at sea of the commander, the battleship Orel... (colour litho)
2814793 The episodes of the Battle of Zuscima, the burial at sea of the commander, the battleship Orel... (colour litho) by Beltrame

Journal Des Explorateurs De La Jeannette (engraving)
2783072 Journal Des Explorateurs De La Jeannette (engraving) by French School, (19th century); Private Collection; (add.info.: Journal Des Explorateurs De La Jeannette)

Lamentation over dead Christ, c. 1460-64 (oil on panel)
5310822 Lamentation over dead Christ, c. 1460-64 (oil on panel) by Weyden, Rogier van der (1399-1464); 80.6x130.1 cm; Mauritshuis, The Hague

Passion Triptych, the Descent from the Cross, right panel (oil on panel) (see also 345855, 345856, 345857)
REV345858 Passion Triptych, the Descent from the Cross, right panel (oil on panel) (see also 345855, 345856, 345857) by Goes, Hugo van der (c.1440-82) (studio of); Museo diocesano de Arte Sacro

A Phylactery and the Body of a Canon (oil on panel) (see 231774 for recto)
XAV231773 A Phylactery and the Body of a Canon (oil on panel) (see 231774 for recto) by Provost, Jan II (1465-1529); 56.5x43.5 cm; Musee des Beaux-Arts, Valenciennes

Sir Lancelot in the Chapel Perilous, from Stories of the Knights of the Round Table by Henry Gilbert, first edition
STC323602 Sir Lancelot in the Chapel Perilous, from Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911 (colour litho) by Crane

The Trinity, detail of a Renaissance altarpiece (painted and gilded wood)
REV345867 The Trinity, detail of a Renaissance altarpiece (painted and gilded wood) by Spanish School, (16th century); Monasterio de Santa Maria de San Salvador, Canas, Spain; (add.info.: Trinite)

Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)
REV326684 Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon

Ms Lat. Q. v. I. 126 f. 70v Raising of Lazarus, from the Book of Hours of Louis d Orleans, 1469 (vellum)
XJL197040 Ms Lat. Q.v.I.126 f.70v Raising of Lazarus, from the Book of Hours of Louis d Orleans, 1469 (vellum) by Colombe, Jean (c.1430-c.93); total:225x155 cm; National Library, St

Pieta, c. 1750 (oil on canvas)
ALM403393 Pieta, c.1750 (oil on canvas) by Italian School, (18th century); 154.9x99.7 cm; Allen Memorial Art Museum, Oberlin College, Ohio, USA; © Allen Memorial Art Museum; Mrs. F.F

Life of Christ, Christ rising Lazarus from the Dead, preparatory study of tapestry cartoon for the Church Saint-Merri
XIR414561 Life of Christ, Christ rising Lazarus from the Dead, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris

The Dead Christ, c. 1510 (oil on panel)
BAL53488 The Dead Christ, c.1510 (oil on panel) by Basaiti, Marco (1470-1530); 87x69.8 cm; Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary

The Dead Christ, 1888 (oil on canvas)
XIR39013 The Dead Christ, 1888 (oil on canvas) by Legros, Alphonse (1837-1911); 102.5x151 cm; Musee d Orsay, Paris, France

Ms EAB 664 The Raising of Lazarus, from the Codex Purpureus (vellum) (b / w photo)
XIR252750 Ms EAB 664 The Raising of Lazarus, from the Codex Purpureus (vellum) (b/w photo) by Byzantine School, (6th century); Museo Diocesano, Rossano

Case and mummy in its cerements from Giza, plate XXVI from Ancient Egypt by Samuel Augustus Binion
STC468606 Case and mummy in its cerements from Giza, plate XXVI from Ancient Egypt by Samuel Augustus Binion, published 1887 (colour litho) by American School

The Deposition (oil on panel)
SHK332085 The Deposition (oil on panel) by Master of the Hanover Marktkirche Altar, (fl.c.1465-99); 83.2x48.9 cm; Private Collection; German, out of copyright

Raising of Lazarus (tempera on panel)
REV346193 Raising of Lazarus (tempera on panel) by Master of the Tiburtine Sibyl (fl.c.1480-95); Museo de San Carlos, Mexico City, Mexico; (add.info.: resurrection de Lazare; raised from the dead; )

Case and mummy in its cerements from Gizeh, Volume II, plate XXVI from Ancient Egypt by Samuel Augustus Binion
STC221883 Case and mummy in its cerements from Gizeh, Volume II, plate XXVI from Ancient Egypt by Samuel Augustus Binion, published 1887 (tinted chromolitho) by American School

Dead Christ (polychrome stone)
XIR221104 Dead Christ (polychrome stone) by Fernandez, Gregorio (1576-1636); Cathedral, Segovia, Spain

Death, from the Cycle of Human Life, 1906-07 (gouache on paper)
FTB97838 Death, from the Cycle of Human Life, 1906-07 (gouache on paper) by Sartorio, Giulio Aristide (1860-1932); Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice

For sale as Licensed Images

Choose your image, Select your licence and Download the media

The shroud, a mysterious and enigmatic relic that has captivated the world for centuries. From the Turin Shroud Face of 1934 to the intricate details found in the Chiesa della SS. Annunziata church in Turin, this ancient cloth holds secrets that continue to baffle experts. One cannot mention the shroud without delving into its most famous association - Jesus Christ himself. The Shroud of Turin, believed by many to be his burial cloth, is an object of intense fascination and debate. Its presence in Paris, France further adds to its allure as it stands as a tangible connection between Europe's history and religious beliefs. But the shroud's intrigue extends beyond religious symbolism. It intertwines with tales of ghostly apparitions like The Queens House Ghost on the Tulip Staircase or John Dee and Edward Kelly summoning the Dead from a History of Magic. These haunting stories only deepen our curiosity about what lies beneath this ethereal veil. Artistic interpretations also play their part in shaping our perception of the shroud. The Veiled Christ sculpture from 1753 showcases marble craftsmanship at its finest while leaving us wondering about its inspiration and meaning. As we explore these various references to "shrouds, " we are reminded that they serve as reminders of humanity's eternal quest for answers - whether through faith, historical exploration, or artistic expression. In museums such as Von Erlach Holy Shroud Prayerbook or churches like Chiesa della SS. Annunziata in Turin, Piedmont, Italy; fragments of truth are carefully preserved within each delicate fiber. The journey through these hints leads us on an odyssey where Penelope waits faithfully for her long-lost love while Gorguet watches over them both with silent wisdom. Intricate yet elusive, sacred yet mysterious –the shrouds hold within them countless untold stories waiting patiently to be unraveled.