Shunman Collection

Screen and Utensils for the Incense Ceremony. Creator: Shunman, Kubo (1757-1820)
Screen and Utensils for the Incense Ceremony. Private Collection

Chidori no tamagawa, Plovers at Tamagawa. Kubo, Shunman, 1757-1820, artist, [between 1780 and 1820], 1 print : woodcut, color. Print shows three women(?) watching plovers dive over the Tama River

Amezaiku, Candy bubble. Kubo, Shunman, 1757-1820, artist, [between 1810 and 1818], 1 print : woodcut, color; 19.5 x 17.4 cm

Baiju, Plum tree. Kubo, Shunman, 1757-1820, artist, 1799. 1 print : woodcut, color; 17 x 20.1 cm. Print shows blossoms on a plum tree

[Mikazuki ni ume(?)], Plum blossoms of the third day of the new year. Kubo, Shunman, 1757-1820, artist, 1798. 1 print : woodcut, color; 12.4 x 16.5 cm

Chikurin no kabe no mae no shichikenjin, Seven people before a bamboo fence. Kubo, Shunman, 1757-1820, artist, [180-], 1 print : woodcut, color; 20.2 x 27.3 cm

[Yatsushi chikurin no shichikenjin sono yon?], Parody of the seven sages of the bamboo grove. Kubo, Shunman, 1757-1820, artist, [between 1804 and 1810], 1 print : woodcut, color; 21.2 x 28.1 cm

Yanagi no sita no bijin, Beauties beneath a willow tree. Kubo, Shunman, 1757-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 13.3 x 18.1 cm

Hinamatsuri no sirozake, Rice wine for the Dolls Festival. Kubo, Shunman, 1757-1820, artist, 1815. 1 print : woodcut, color; 16.1 x 32.2 cm

Ne no hi no komatsubiki, Picking young pines on the day of the rat. Kubo, Shunman, 1757-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 10.7 x 14.3 cm

Kisen, The country girl as Kisen. Kubo, Shunman, 1757-1820, artist, [between 1801 and 1810], 1 print : woodcut, color; 19.9 x 8.2 cm

Ne no koku no yoshiwara, Yoshiwara at night in the day[?] of the rat. Kubo, Shunman, 1757-1820, artist, [ca. 1804], 1 print : woodcut, color; 13.9 x 14.2 cm

Katsugi no futari no onna, Two women wearing cloaks as veils. Kubo, Shunman, 1757-1820, artist, 1806. 1 print : woodcut, color; 12.7 x 20.9 cm

Kanmuri ni hiAcgi, Courtiers cap and folding fan. Kubo, Shunman, 1757-1820, artist, [between 1801 and 1810], 1 print : woodcut, color; 14 x 19 cm

Yatsushi kokei sanshAc, Transformation of three ridiculous laughs. Kubo, Shunman, 1757-1820, artist, [between 1789 and 1791], 1 print : woodcut, color; 14.1 x 20.7 cm

Yuki no shAcgatsu oiran dAcchA, Oiran parading in snow at the New Year. Kubo, Shunman, 1757-1820, artist, [between 1789 and 1801], 1 print : woodcut, color; 10 x 13.4 cm

Son gokA, The monkey SongokA from travels to the west. Kubo, Shunman, 1757-1820, artist, 1812. 1 print : woodcut, color; 21 x 13.7 cm. Print shows a monkey on a cloud dressed as a samurai warrior

SakurasAc, Primrose. Kubo, Shunman, 1757-1820, artist, [181-], 1 print : woodcut, color; 20.3 x 17.7 cm. Print shows primrose seedings growing in a box and a full grown plant in a vase

GyAcja BushAc, Kubo, Shunman, 1757-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 20.2 x 9 cm. Print shows a woman

Bagu, Saddlery. Kubo, Shunman, 1757-1820, artist, [1810, printed later], 1 print : woodcut, color; 20.6 x 18.4 cm. Print shows a riding crop leaning against a saddle resting on the ground

KAcrohAc no yuki, Snow on Mt. KAcro. Kubo, Shunman, 1757-1820, artist, [between 1795 and 1805], 1 print : woodcut, color; 16.3 x 30.5 cm (image), x 35.6 x 45.5 cm (mount)

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"Shunman: A Journey Through Art and Nature" Step into the world of Shunman, a renowned artist whose works capture the essence of Japanese culture and natural beauty. From Hagi no tamagawa to Bushclover at Tamagawa, his paintings transport us to serene landscapes filled with vibrant colors and delicate details. In Chidori no tamagawa, Plovers at Tamagawa, Shunman skillfully depicts these graceful birds in their natural habitat, showcasing his mastery of capturing movement and life. Meanwhile, Amezaiku takes us on a whimsical journey through candy bubbles that seem almost too sweet to touch. Kubo Shunman's talent shines through in Baiju, Plum tree as he immortalizes the elegance of blooming plum blossoms. The painting evokes a sense of tranquility and renewal that is often associated with this iconic symbol in Japanese culture. Mikazuki ni ume (?) transports us to the third day of the new year when plum blossoms bloom under the crescent moon. With each stroke, Shunman captures the delicate beauty and significance behind this auspicious time. The artist's playful side emerges in Chikurin no kabe no mae no shichikenjin as he presents seven figures before a bamboo fence. This piece showcases his ability to infuse humor into his art while maintaining an exquisite level of detail. Yanagi no sita no bijin invites us beneath a willow tree where we encounter captivating beauties portrayed by Shunman's brushstrokes. Their gracefulness is accentuated by their surroundings, creating an enchanting scene that captivates our imagination. Hinamatsuri no sirozake introduces us to rice wine for the Dolls Festival – an essential part of this cherished celebration. Through intricate details and vivid colors, Shunman brings forth the joyous spirit surrounding this traditional event.