Simbolo Collection

The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)
LRI4606089 The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812) by Julia, Asensio (el Pescadoret) (1760-1832); Prado, Madrid

Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death
2655029 Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death and Dance of Death, 1485 (fresco) by Borlone de Buschis

Plaque with allegory of death, 1794 (majolica)
6298165 Plaque with allegory of death, 1794 (majolica) by Meazzi, Giovanni (18th century); Museo Regionale della Ceramica, Deruta, Perugia, Umbria, Italy; (add.info.: Deruta)

Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano), about 1307 - 1312
6372816 Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano), about 1307 - 1312 by Italian School, (14th century); Cattedrale di San Lorenzo, Genoa

Genoa, Museum of St Augustine: Grifo, by Campionese sculptor ("Master of Giano") about 1315
6372818 Genoa, Museum of St Augustine: Grifo, by Campionese sculptor (" Master of Giano" ) about 1315 by Italian School, (14th century); Cattedrale di San Lorenzo, Genoa

Genoa, Duomo (St Lawrence Cathedral), sacristy, chapel: "Angels with episcopal insignia
6372511 Genoa, Duomo (St Lawrence Cathedral), sacristy, chapel: " Angels with episcopal insignia, books and palm branches", by Luca Cambiaso, about 1580 by Cambiaso

Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death
2655019 Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death and Dance of Death, 1485 (fresco) by Borlone de Buschis

Apsidal arch: Etymasia (preparation for the throne) with the instruments of passion
6166444 Apsidal arch: Etymasia (preparation for the throne) with the instruments of passion, restored in 1979; Byzantine school mosaic with a golden background (mosaic) by Byzantine

Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death
2655014 Death standing on a sarcophagus where the dead Pope and the Emperor lie, detail from the Triumph of Death and Dance of Death, 1485 (fresco) by Borlone de Buschis

Ancient Rome: Forum Romanum, Column to commemorate a victory, 1866 (coloured engraving)
XEE702523 Ancient Rome: Forum Romanum, Column to commemorate a victory, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

The Broken Jug (oil on canvas, c. 1771-1773)
LRI4607078 The Broken Jug (oil on canvas, c.1771-1773) by Greuze, Jean Baptiste (1725-1805); Louvre, Paris, France; (add.info)

Portrait of Louis XVI of France (1754-1793), King of France (coloured engraving)
556860 Portrait of Louis XVI of France (1754-1793), King of France (coloured engraving) by French School, (19th century); Private Collection; (add.info)

Strength and temperance with six ancient heros On the left self-portrait of the artist in
LRI4621677 Strength and temperance with six ancient heros On the left self-portrait of the artist in trompe-l oeil, then from left to right, Lucius Licinius Crassus (140-91 BC)

Saint Peter. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood
LRI4607867 Saint Peter. Painting by Ambrogio Lorenzetti (1290-1348). Painting on wood. Roccalbegna (Grosseto), Chiesa dei Santi Pietro e Paolo by Lorenzetti

Greece at the time of the Republics: The victors erect signs of their victory
XEE702547 Greece at the time of the Republics: The victors erect signs of their victory on the battlefield, 1866 (coloured engraving) by Leutemann

Rome, St. Peter Cathedral
Colorful sun setting beyond St Peter Cathedral reflecting on Tevere river

Rome, St. Peter Cathedral
Colorful sun setting beyond St Peter Cathedral reflecting on Tevere river

Rome, St. Peter Cathedral
Colorful sun setting beyond St Peter Cathedral reflecting on Tevere river

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"Simbolo: Exploring the Depths of Guilt and Punishment through Art" Delve into the haunting world of guilt and punishment as depicted in various artworks throughout history. In an engraving from the 19th century, we witness a powerful message: "The reclusion of a guilty person does not require torment. " This thought-provoking statement challenges our preconceived notions about justice. A striking silhouette of a prisoner chained serves as a stark reminder of human suffering in a drawing from 1810-1812. The image speaks volumes about the harsh reality faced by those who have transgressed society's laws. In an aquatint print from around 1810, we are confronted with another chilling assertion: "If it is a criminal he dies quickly. " These words force us to question whether swift death can truly be considered justice or if there might be alternative paths towards redemption. An engraving from 1810-1820 portrays a prisoner sitting in chains, highlighting how security measures can sometimes become just as barbaric as the crimes committed. It prompts us to contemplate whether such extreme measures truly serve their intended purpose or merely perpetuate cycles of violence and dehumanization. Moving beyond depictions specific to imprisonment, we encounter "The Colossus, " an oil painting created between 1808-1812. This artwork invites contemplation on power dynamics and societal structures that may contribute to feelings of guilt or oppression. Venturing further back in time, we encounter frescoes depicting Death standing on a sarcophagus where both Pope and Emperor lie. This detail from the Triumph of Death and Dance of Death (1485) reminds us that death ultimately awaits all individuals regardless of their status or deeds during life. A majolica plaque dating back to 1794 presents an allegory for death itself – reminding viewers that mortality is an inevitable part of existence. Such reminders encourage introspection on our own actions and the legacies we leave behind.