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Simile Collection (#2)

"Simile: Unveiling the Enigmatic World of Comparisons" Step into a world where words paint vivid pictures, as vibrant as an artist's brushstroke

Background imageSimile Collection: Le faubourg Saint-Germain en 1615, fac-simile du plan de Mathieu Merian (engraving)

Le faubourg Saint-Germain en 1615, fac-simile du plan de Mathieu Merian (engraving)
963091 Le faubourg Saint-Germain en 1615, fac-simile du plan de Mathieu Merian (engraving) by French School, (19th century); Private Collection; (add.info.: Le faubourg Saint-Germain en 1615)

Background imageSimile Collection: Quartier du Louvre en 1714, fac-simile du plan de Boudan (engraving)

Quartier du Louvre en 1714, fac-simile du plan de Boudan (engraving)
963008 Quartier du Louvre en 1714, fac-simile du plan de Boudan (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier du Louvre en 1714, fac-simile du plan de Boudan)

Background imageSimile Collection: Facade occidentale du Louvre vers 1660, fac-simile d un dessin du temps

Facade occidentale du Louvre vers 1660, fac-simile d un dessin du temps, communique par M Albert Lenoir (engraving)
963006 Facade occidentale du Louvre vers 1660, fac-simile d un dessin du temps, communique par M Albert Lenoir (engraving) by French School

Background imageSimile Collection: Ferrant de Portugal, comte de Flandres, prisonnier, conduit au Louvre

Ferrant de Portugal, comte de Flandres, prisonnier, conduit au Louvre, Fac-simile d une miniature des Chroniques de
962984 Ferrant de Portugal, comte de Flandres, prisonnier, conduit au Louvre, Fac-simile d une miniature des Chroniques de Hainaut, ms du XVe siecle, Bibl de Bourgogne

Background imageSimile Collection: Portrait of Charlemagne, whom the Song of Roland names the King with the Grizzly Beard (engraving)

Portrait of Charlemagne, whom the Song of Roland names the King with the Grizzly Beard (engraving)
668483 Portrait of Charlemagne, whom the Song of Roland names the King with the Grizzly Beard (engraving) by French School, (19th century); Private Collection; (add.info.: Portrait of Charlemagne)

Background imageSimile Collection: The Pork-butcher (Charcutier) (engraving)

The Pork-butcher (Charcutier) (engraving)
668476 The Pork-butcher (Charcutier) (engraving) by French School, (19th century); Private Collection; (add.info.: The Pork-butcher (Charcutier)

Background imageSimile Collection: The Issue de Table (engraving)

The Issue de Table (engraving)
668459 The Issue de Table (engraving) by French School, (19th century); Private Collection; (add.info.: The Issue de Table.-Fac-simile of a Woodcut in the Treatise of Christoforo di Messisburgo)

Background imageSimile Collection: Kennel in which Dogs should live, and how they should be kept (engraving)

Kennel in which Dogs should live, and how they should be kept (engraving)
668439 Kennel in which Dogs should live, and how they should be kept (engraving) by French School, (19th century); Private Collection; (add.info.: Kennel in which Dogs should live)

Background imageSimile Collection: The Estrapade, or Question Extraordinary (engraving)

The Estrapade, or Question Extraordinary (engraving)
668415 The Estrapade, or Question Extraordinary (engraving) by French School, (19th century); Private Collection; (add.info.: The Estrapade)

Background imageSimile Collection: Hunting-Meal (engraving)

Hunting-Meal (engraving)
668405 Hunting-Meal (engraving) by French School, (19th century); Private Collection; (add.info.: Hunting-Meal.-Fac-simile of a Miniature in the Manuscript of the " Livre du Roy Modus")

Background imageSimile Collection: Fac-simile of a Drawing by Sir E Landseer, RA (colour litho)

Fac-simile of a Drawing by Sir E Landseer, RA (colour litho)
1589146 Fac-simile of a Drawing by Sir E Landseer, RA (colour litho) by Landseer, Edwin (1802-73) (after); Private Collection; (add.info.: Fac-simile of a Drawing by Sir E Landseer, RA)

Background imageSimile Collection: Hotel de Bizeuil, rue Vieille-du-Temple; fac-simile d une gravure de J Marot (engraving)

Hotel de Bizeuil, rue Vieille-du-Temple; fac-simile d une gravure de J Marot (engraving)
963508 Hotel de Bizeuil, rue Vieille-du-Temple; fac-simile d une gravure de J Marot (engraving) by French School, (19th century); Private Collection; (add.info.: Hotel de Bizeuil)

Background imageSimile Collection: Le palais et le jardin des Tuileries en 1632, Fac-simile du plan de I Gomboust (engraving)

Le palais et le jardin des Tuileries en 1632, Fac-simile du plan de I Gomboust (engraving)
963277 Le palais et le jardin des Tuileries en 1632, Fac-simile du plan de I Gomboust (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: L eglise des Celestins et l Arsenal, fac-simile d un dessin a la plume execute vers 1583 par

L eglise des Celestins et l Arsenal, fac-simile d un dessin a la plume execute vers 1583 par Jacques Cellier
963230 L eglise des Celestins et l Arsenal, fac-simile d un dessin a la plume execute vers 1583 par Jacques Cellier, calligraphe du roi

Background imageSimile Collection: Hotel de Nesle en 1550, Fac-simile du plan de O Truchet (engraving)

Hotel de Nesle en 1550, Fac-simile du plan de O Truchet (engraving)
963076 Hotel de Nesle en 1550, Fac-simile du plan de O Truchet (engraving) by French School, (19th century); Private Collection; (add.info.: Hotel de Nesle en 1550, Fac-simile du plan de O Truchet)

Background imageSimile Collection: Portail de Saint-Denis de la Chartre, Fac-simile d un dessin du XVIIIe siecle Coll Bonnardot

Portail de Saint-Denis de la Chartre, Fac-simile d un dessin du XVIIIe siecle Coll Bonnardot (engraving)
963047 Portail de Saint-Denis de la Chartre, Fac-simile d un dessin du XVIIIe siecle Coll Bonnardot (engraving) by French School

Background imageSimile Collection: Vue du Louvre et du quai de l Ecole-Saint-Germain, vers 1640

Vue du Louvre et du quai de l Ecole-Saint-Germain, vers 1640, Fac-simile d une gravure de La Belle (engraving)
962996 Vue du Louvre et du quai de l Ecole-Saint-Germain, vers 1640, Fac-simile d une gravure de La Belle (engraving) by French School

Background imageSimile Collection: Quartier du Louvre au XVIe siecle, Fac-simile du plan de O Truschet, 1552 (engraving)

Quartier du Louvre au XVIe siecle, Fac-simile du plan de O Truschet, 1552 (engraving)
962988 Quartier du Louvre au XVIe siecle, Fac-simile du plan de O Truschet, 1552 (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier du Louvre au XVIe siecle)

Background imageSimile Collection: The Queen of Sheba before Solomon (chromolitho)

The Queen of Sheba before Solomon (chromolitho)
668477 The Queen of Sheba before Solomon (chromolitho) by French School, (19th century); Private Collection; (add.info.: The Queen of Sheba before Solomon, Costume of 15th century)

Background imageSimile Collection: The Poultry-dealer (engraving)

The Poultry-dealer (engraving)
668441 The Poultry-dealer (engraving) by French School, (19th century); Private Collection; (add.info.: The Poultry-dealer.-Fac-simile of an Engraving on Wood, after Cesare Vecellio)

Background imageSimile Collection: Interior of a Kitchen (engraving)

Interior of a Kitchen (engraving)
668431 Interior of a Kitchen (engraving) by French School, (19th century); Private Collection; (add.info.: Interior of a Kitchen.-Fac-simile from a Woodcut in the " Calendarium Romanum" of)

Background imageSimile Collection: Cultivation of Grain in use amongst the Peasants, and the Manufacture of Barley and Oat Bread

Cultivation of Grain in use amongst the Peasants, and the Manufacture of Barley and Oat Bread (engraving)
668412 Cultivation of Grain in use amongst the Peasants, and the Manufacture of Barley and Oat Bread (engraving) by French School

Background imageSimile Collection: The Court of Mary of Anjou, wife of Charles VII (chromolitho)

The Court of Mary of Anjou, wife of Charles VII (chromolitho)
668410 The Court of Mary of Anjou, wife of Charles VII (chromolitho) by French School, (19th century); Private Collection; (add.info.: The Court of Mary of Anjou, wife of Charles VII)

Background imageSimile Collection: Assemblee de la Prevote des marchands de Paris (engraving)

Assemblee de la Prevote des marchands de Paris (engraving)
962899 Assemblee de la Prevote des marchands de Paris (engraving) by French School, (19th century); Private Collection; (add.info.: Assemblee de la Prevote des marchands de Paris)

Background imageSimile Collection: Temple de la Philosophie dresse devant l ancien autel, sur une estrade en forme de montagne

Temple de la Philosophie dresse devant l ancien autel, sur une estrade en forme de montagne
963430 Temple de la Philosophie dresse devant l ancien autel, sur une estrade en forme de montagne, a l occasion de la fete de la deesse Raison celebree le 20 novembre 1793

Background imageSimile Collection: Eglise des Bernardins, fac-simile d une gravure de I Sylvestre, 1650, cote nord-ouest (engraving)

Eglise des Bernardins, fac-simile d une gravure de I Sylvestre, 1650, cote nord-ouest (engraving)
963399 Eglise des Bernardins, fac-simile d une gravure de I Sylvestre, 1650, cote nord-ouest (engraving) by French School, (19th century); Private Collection; (add.info.: Eglise des Bernardins)

Background imageSimile Collection: Interrogatoire de Louis XVI, le 26 decembre 1792, dans la salle de la Convention, ancien manege

Interrogatoire de Louis XVI, le 26 decembre 1792, dans la salle de la Convention, ancien manege
963288 Interrogatoire de Louis XVI, le 26 decembre 1792, dans la salle de la Convention, ancien manege, Fac-simile d une gravure du temps (engraving) by French School

Background imageSimile Collection: Quartier Saint-Paul et de l Arsenal en 1650, fac-simile du plan de Gomboust (engraving)

Quartier Saint-Paul et de l Arsenal en 1650, fac-simile du plan de Gomboust (engraving)
963232 Quartier Saint-Paul et de l Arsenal en 1650, fac-simile du plan de Gomboust (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: Quartier Saint-Andre des Arts, fac-simile du plan de F Quesnel, 1608 (engraving)

Quartier Saint-Andre des Arts, fac-simile du plan de F Quesnel, 1608 (engraving)
963397 Quartier Saint-Andre des Arts, fac-simile du plan de F Quesnel, 1608 (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier Saint-Andre des Arts)

Background imageSimile Collection: Desrues dans la prison, Fac-simile, d apres une gravure populaire du temps (engraving)

Desrues dans la prison, Fac-simile, d apres une gravure populaire du temps (engraving)
962950 Desrues dans la prison, Fac-simile, d apres une gravure populaire du temps (engraving) by French School, (19th century); Private Collection; (add.info.: Desrues dans la prison, Fac-simile)

Background imageSimile Collection: Fac-simile of a Bird s-Eye View of Edinburgh, from a Work Entitled 'Theatres des Cities du Monde

Fac-simile of a Bird s-Eye View of Edinburgh, from a Work Entitled "Theatres des Cities du Monde
1054285 Fac-simile of a Bird s-Eye View of Edinburgh, from a Work Entitled " Theatres des Cities du Monde, " published in 1575

Background imageSimile Collection: The Turnstile, A Picturesque Simile, 19th century. Artist: John Doyle

The Turnstile, A Picturesque Simile, 19th century. Artist: John Doyle
The Turnstile, A Picturesque Simile, 19th century




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"Simile: Unveiling the Enigmatic World of Comparisons" Step into a world where words paint vivid pictures, as vibrant as an artist's brushstroke. Just like a movable iron cage that holds its prisoners captive, similes have the power to confine our thoughts within their grasp, and are the executioners of language, decapitating mundane descriptions and replacing them with captivating imagery. Like an empaler piercing through flesh, similes impale our minds with striking comparisons. They transform ordinary moments into extraordinary experiences, just as a table service fit for a lady of quality elevates any meal to regal heights. But beware. Like the water torture that slowly drips upon one's sanity, poorly crafted they can drown meaning in a sea of confusion. Yet when wielded skillfully, they become windows into worlds we never knew existed - much like glimpsing at the ethereal beauty of The White Lodge in Richmond Park captured in black and white. Within these pages lie engravings etched by masters who saw life through poetic lenses. Step inside an ancient hostelry bustling with activity or witness carpenters crafting dreams from wood; each scene is brought to life by these linguistic magicians. Travel back in time and encounter jesters whose antics bring laughter even across centuries - their colorful existence preserved on chromolitho prints. And let us not forget those legendary drinkers from the North whose thirst for merriment echoes through history's halls. Delve deeper still and find yourself amidst Italian kitchens or sixteenth-century culinary chaos; these engraved interiors transport you to eras long gone but forever immortalized within their frames. So embrace this literary journey where every sentence becomes an adventure waiting to unfold – for within each comparison lies a hidden treasure begging to be discovered. Open your mind and let simile guide you towards new realms of understanding – where words dance together like harmonious melodies composing symphonies only the imagination can hear.