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Sir Anthonis Collection

Sir Anthonis van Dyck, a renowned Flemish artist of the 17th century, captured the essence of his subjects with remarkable skill and precision

Background imageSir Anthonis Collection: Charles I, King of England (1600-1649), 1631-1635. Artist: Dyck, Sir Anthonis, van (1599-1641)

Charles I, King of England (1600-1649), 1631-1635. Artist: Dyck, Sir Anthonis, van (1599-1641)
Charles I, King of England (1600-1649), 1631-1635. Found in the collection of the Rijksmuseum, Amsterdam

Background imageSir Anthonis Collection: Five Eldest Children of Charles I, 1637. Artist: Dyck, Sir Anthonis, van (1599-1641)

Five Eldest Children of Charles I, 1637. Artist: Dyck, Sir Anthonis, van (1599-1641)
Five Eldest Children of Charles I, 1637. Found in the collection of the Royal Collection, London

Background imageSir Anthonis Collection: Equestrian portrait of Charles I, King of England (1600-1649) with M. de St Antoine, 1633

Equestrian portrait of Charles I, King of England (1600-1649) with M. de St Antoine, 1633. Found in the collection of the Royal Collection, London

Background imageSir Anthonis Collection: Self-Portrait, after 1633. Artist: Dyck, Sir Anthonis, van (1599-1641)

Self-Portrait, after 1633. Artist: Dyck, Sir Anthonis, van (1599-1641)
Self-Portrait, after 1633. From a private collection

Background imageSir Anthonis Collection: The Balbi Children, c. 1626. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Balbi Children, c. 1626. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Balbi Children, c. 1626. Found in the collection of the National Gallery, London

Background imageSir Anthonis Collection: Equestrian Portrait of Charles I, ca 1638. Artist: Dyck, Sir Anthonis, van (1599-1641)

Equestrian Portrait of Charles I, ca 1638. Artist: Dyck, Sir Anthonis, van (1599-1641)
Equestrian Portrait of Charles I, ca 1638. Found in the collection of the National Gallery, London

Background imageSir Anthonis Collection: Lord John Stuart and his Brother, Lord Bernard Stuart, ca 1638

Lord John Stuart and his Brother, Lord Bernard Stuart, ca 1638. Artist: Dyck, Sir Anthonis, van (1599-1641)
Lord John Stuart and his Brother, Lord Bernard Stuart, ca 1638. Found in the collection of the National Gallery, London

Background imageSir Anthonis Collection: Portrait of a Genovese Lady, c. 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of a Genovese Lady, c. 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of a Genovese Lady, c. 1621. Found in the collection of the Staatliche Museen, Berlin

Background imageSir Anthonis Collection: Equestrian portrait of the Emperor Charles V, c. 1620. Artist: Dyck, Sir Anthonis, van (1599-1641)

Equestrian portrait of the Emperor Charles V, c. 1620. Artist: Dyck, Sir Anthonis, van (1599-1641)
Equestrian portrait of the Emperor Charles V, c. 1620. Found in the collection of the Galleria degli Uffizi, Florence

Background imageSir Anthonis Collection: Family portrait, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Family portrait, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Family portrait, 1621. Found in the collection of the State Hermitage, St. Petersburg

Background imageSir Anthonis Collection: Vertumnus and Pomona, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)

Vertumnus and Pomona, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)
Vertumnus and Pomona, ca 1625. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageSir Anthonis Collection: The Tribute Money, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Tribute Money, ca 1625. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Tribute Money, ca 1625. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageSir Anthonis Collection: Christ Carrying the Cross, First third of 17th cen Artist: Dyck, Sir Anthonis, van (1599-1641)

Christ Carrying the Cross, First third of 17th cen Artist: Dyck, Sir Anthonis, van (1599-1641)
Christ Carrying the Cross, First third of 17th cen.. Found in the collection of the Musei di Strada Nuova, Genoa

Background imageSir Anthonis Collection: Portrait of Henry Danvers, 1st Earl of Danby (1573-1644), in robes as Knight of the Garter

Portrait of Henry Danvers, 1st Earl of Danby (1573-1644), in robes as Knight of the Garter, End 1630s. Found in the collection of the State Hermitage, St. Petersburg

Background imageSir Anthonis Collection: Portrait of a Woman with a Rose, Between 1635 and 1639. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of a Woman with a Rose, Between 1635 and 1639. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of a Woman with a Rose, Between 1635 and 1639. Found in the collection of the Isabella Stewart Gardner Museum, Boston

Background imageSir Anthonis Collection: Portrait of Agostino Pallavicini, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of Agostino Pallavicini, 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of Agostino Pallavicini, 1621. Found in the collection of the J. Paul Getty Museum, Los Angeles

Background imageSir Anthonis Collection: Portrait of Nicholas Lanier (1588-1666), 1628. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of Nicholas Lanier (1588-1666), 1628. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of Nicholas Lanier (1588-1666), 1628. Found in the collection of the Art History Museum, Vienne

Background imageSir Anthonis Collection: The Lamentation over Christ, ca 1637-1640. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Lamentation over Christ, ca 1637-1640. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Lamentation over Christ, ca 1637-1640. Found in the collection of the Museo de Bellas Artes de Bilbao

Background imageSir Anthonis Collection: Samson and Delilah, 1628?1630. Artist: Dyck, Sir Anthonis, van (1599-1641)

Samson and Delilah, 1628?1630. Artist: Dyck, Sir Anthonis, van (1599-1641)
Samson and Delilah, 1628?1630. Found in the collection of the Art History Museum, Vienne

Background imageSir Anthonis Collection: The Vision of the Blessed Hermann Joseph, 1630. Artist: Dyck, Sir Anthonis, van (1599-1641)

The Vision of the Blessed Hermann Joseph, 1630. Artist: Dyck, Sir Anthonis, van (1599-1641)
The Vision of the Blessed Hermann Joseph, 1630. Found in the collection of the Art History Museum, Vienne

Background imageSir Anthonis Collection: Portrait of the Brothers de Wael, c. 1620-1630. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of the Brothers de Wael, c. 1620-1630. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of the Brothers de Wael, c. 1620-1630. Found in the collection of the Musei Capitolini, Rome

Background imageSir Anthonis Collection: Diego Felipe de Guzman, Marquis of Leganes, ca 1634. Artist: Dyck, Sir Anthonis, van (1599-1641)

Diego Felipe de Guzman, Marquis of Leganes, ca 1634. Artist: Dyck, Sir Anthonis, van (1599-1641)
Diego Felipe de Guzman, Marquis of Leganes, ca 1634. Found in the collection of the National Museum of Western Art, Tokyo

Background imageSir Anthonis Collection: Saint Jerome, 1618-1619. Artist: Dyck, Sir Anthonis, van (1599-1641)

Saint Jerome, 1618-1619. Artist: Dyck, Sir Anthonis, van (1599-1641)
Saint Jerome, 1618-1619. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

Background imageSir Anthonis Collection: Portrait of Marchesa Geronima Spinola, ca 1624. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of Marchesa Geronima Spinola, ca 1624. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of Marchesa Geronima Spinola, ca 1624. Found in the collection of the Staatliche Museen, Berlin

Background imageSir Anthonis Collection: Portrait of a Genovese Gentleman, c. 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)

Portrait of a Genovese Gentleman, c. 1621. Artist: Dyck, Sir Anthonis, van (1599-1641)
Portrait of a Genovese Gentleman, c. 1621. Found in the collection of the Staatliche Museen, Berlin



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Sir Anthonis van Dyck, a renowned Flemish artist of the 17th century, captured the essence of his subjects with remarkable skill and precision. His works encompassed a wide range of themes and individuals, from royalty to ordinary people. One notable series by Sir Anthonis is his portrayal of Charles I, King of England. In these paintings, created between 1631 and 1635, he depicted the monarch in various settings. The equestrian portrait with M. De St Antoine showcases Charles I's regal presence while riding alongside his trusted companion. Another significant work by Sir Anthonis is his self-portrait painted after 1633. This introspective piece reveals the artist's mastery in capturing not only physical likeness but also conveying emotions through brushstrokes. In addition to royal portraits, it also portrayed children in their innocence and youthfulness. "The Balbi Children, " painted around 1626, captures their playful spirits and sibling bond beautifully. Not limited to human subjects alone, Sir Anthonis ventured into other genres as well. His equestrian portrait of Emperor Charles V demonstrates his ability to depict power and authority even in non-human forms. Furthermore, he explored mythological themes such as "Vertumnus and Pomona" which depicts the love story between two Roman gods - an enchanting blend of fantasy and reality brought to life on canvas. Sir Anthonis' versatility extended beyond portraiture; he also delved into religious narratives like "The Tribute Money. " This painting portrays Jesus teaching about rendering unto Caesar what belongs to him – a powerful depiction that resonates with viewers even today. Through each stroke of his brush or pencil on canvas or paper respectively, Sir Anthonis van Dyck immortalized moments in time for generations to come. Whether it was capturing the majesty of kings or revealing the tender bonds within families or exploring mythology or depicting religious narratives, his art continues to captivate and inspire.