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Sir John Millais Collection (#2)

Sir John Millais was a renowned British artist, known for his exceptional talent and diverse range of works

Background imageSir John Millais Collection: Entrance Hall of Messrs Pears of Pears Soap fame, reproducing a hall in Herculaneum (colour litho)

Entrance Hall of Messrs Pears of Pears Soap fame, reproducing a hall in Herculaneum (colour litho)
559404 Entrance Hall of Messrs Pears of Pears Soap fame, reproducing a hall in Herculaneum (colour litho) by English School

Background imageSir John Millais Collection: The Late Sir John Everett Millais (engraving)

The Late Sir John Everett Millais (engraving)
1605711 The Late Sir John Everett Millais (engraving) by English School, (19th century); Private Collection; (add.info.: The Late Sir John Everett Millais)

Background imageSir John Millais Collection: A Widows Mite, 1870. Creator: John Everett Millais

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

Background imageSir John Millais Collection: The Blind Girl, 1856. Creator: John Everett Millais

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

Background imageSir John Millais Collection: My Second Sermon, c1854 Creator: John Everett Millais

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Background imageSir John Millais Collection: Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Background imageSir John Millais Collection: Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

Background imageSir John Millais Collection: Parable of the Tares, 1865. Creator: John Everett Millais

Parable of the Tares, 1865. Creator: John Everett Millais
The Parable of the Tares, 1865

Background imageSir John Millais Collection: Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais

Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais
Stewart Harrisons The Iceberg - The Seamstress, 1860

Background imageSir John Millais Collection: Three Swordhilts, 1839. Creator: John Everett Millais

Three Swordhilts, 1839. Creator: John Everett Millais
Three Swordhilts, 1839

Background imageSir John Millais Collection: Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

Background imageSir John Millais Collection: The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons

The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons
The Proscribed Royalist, January 15, 1858

Background imageSir John Millais Collection: James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde

James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde
James Clarke Hook, RA, 1884

Background imageSir John Millais Collection: [John Everett Millais], 1860s. Creator: John & Charles Watkins

[John Everett Millais], 1860s. Creator: John & Charles Watkins
[John Everett Millais], 1860s

Background imageSir John Millais Collection: Portia, 1886. Creator: John Everett Millais

Portia, 1886. Creator: John Everett Millais
Portia, 1886. Actress Ellen Terry (1847-1928) in one of her most famous roles, Portia in Shakespeares The Merchant of Venice

Background imageSir John Millais Collection: The Convalescent, 1875, (c1930). Creator: John Everett Millais

The Convalescent, 1875, (c1930). Creator: John Everett Millais
The Convalescent, 1875, (c1930). Young girl recovering from illness. Painting in the Aberdeen Art Gallery & Museums collection, Aberdeen, Scotland

Background imageSir John Millais Collection: The North-West Passage, 1874, (1901). Creator: Unknown

The North-West Passage, 1874, (1901). Creator: Unknown
The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic

Background imageSir John Millais Collection: Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker

Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker
Alfred Lord Tennyson, 1881, (1908). Portrait of British poet Alfred, Lord Tennyson (1809-1892). In 1850 Tennyson was appointed Poet Laureate of the United Kingdom




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Sir John Millais was a renowned British artist, known for his exceptional talent and diverse range of works. Born in 1829, he made significant contributions to the art world during the Victorian era. Some of his notable pieces include "My First Sermon" (1863) and "My Second Sermon" (1864), both showcasing his ability to capture human emotions with great precision. In 1853-1854, Millais painted a portrait of John Ruskin, an influential critic and supporter of the Pre-Raphaelite movement. This piece reflects Millais' attention to detail and mastery of portraiture. Another remarkable work by him is "The Blind Girl" (1856), which depicts a visually impaired girl surrounded by nature's beauty while highlighting themes of innocence and vulnerability. Millais also explored various subjects beyond portraits and figurative paintings. His interest in ornithology led him to create "The Ornithologist" (1885), displaying his skillful use of colors and textures on canvas. In contrast, "Wandering Thoughts" (c. 1855) portrays a contemplative woman lost in her own world, demonstrating Millais' ability to evoke introspection through art. One captivating piece that showcases Millais' attention to small details is "Only a Lock of Hair" (c. 1857-58). This oil painting on panel captures the sentimental value attached to personal mementos with delicacy and tenderness. Additionally, Millais created preparatory studies such as "Study for The Vale of Rest, " using watercolor, gouache, and gum arabic on paper before executing larger-scale compositions like this one depicting a peaceful resting place amidst nature's tranquility. Among his other notable works are "Stella" (1868), showcasing his proficiency in capturing feminine gracefulness; "Glen Birnam" (1891), exemplifying his love for landscapes; and "Victory O Lord" (1871), a powerful depiction of religious devotion.