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Sir Thomas More Collection (page 2)

"Sir Thomas More: A Renaissance Man and Visionary" Step into the world of Sir Thomas More, a man whose legacy continues to inspire generations

Background imageSir Thomas More Collection: Great Hall, Crosby Place. (Once Occupied by Sir Thomas More) (engraving)

Great Hall, Crosby Place. (Once Occupied by Sir Thomas More) (engraving)
663442 Great Hall, Crosby Place. (Once Occupied by Sir Thomas More) (engraving) by English School, (19th century); Private Collection; (add.info.: Great Hall, Crosby Place)

Background imageSir Thomas More Collection: Erasmus and Sir Thomas More (engraving)

Erasmus and Sir Thomas More (engraving)
654419 Erasmus and Sir Thomas More (engraving) by English School, (19th century); Private Collection; (add.info.: Erasmus and Sir Thomas More)

Background imageSir Thomas More Collection: Making them beg for Vine-tendrils (colour litho)

Making them beg for Vine-tendrils (colour litho)
2794864 Making them beg for Vine-tendrils (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Making them beg for Vine-tendrils)

Background imageSir Thomas More Collection: Gammer Gurney who was dissatisfyde with her Dole (colour litho)

Gammer Gurney who was dissatisfyde with her Dole (colour litho)
2794862 Gammer Gurney who was dissatisfyde with her Dole (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Gammer Gurney who was dissatisfyde with her Dole)

Background imageSir Thomas More Collection: Tolde us manie strange Tales (colour litho)

Tolde us manie strange Tales (colour litho)
2794859 Tolde us manie strange Tales (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Tolde us manie strange Tales)

Background imageSir Thomas More Collection: Bess asked if he were asleep (colour litho)

Bess asked if he were asleep (colour litho)
2794858 Bess asked if he were asleep (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Bess asked if he were asleep)

Background imageSir Thomas More Collection: Coming and going, and waiting his Pleasure (colour litho)

Coming and going, and waiting his Pleasure (colour litho)
2794850 Coming and going, and waiting his Pleasure (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Coming and going, and waiting his Pleasure)

Background imageSir Thomas More Collection: Sir Thomas More, English lawyer

Sir Thomas More, English lawyer
6039961 Sir Thomas More, English lawyer. by Bry, Theodor de (1528-98); Private Collection; (add.info.: Sir Thomas More, English lawyer, social philosopher, author)

Background imageSir Thomas More Collection: View of Utopia, 1516 (woodcut)

View of Utopia, 1516 (woodcut)
985790 View of Utopia, 1516 (woodcut) by English School, (16th century); 19.9x13.7 (approx) cm; Private Collection; (add.info.: View of Utopia. A page from Utopia by Sir Thomas More. Woodcut)

Background imageSir Thomas More Collection: Sir Thomas More and his Children (engraving)

Sir Thomas More and his Children (engraving)
6020465 Sir Thomas More and his Children (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Thomas More and his Children)

Background imageSir Thomas More Collection: Title page from the 1518 Basel third edition of Utopia

Title page from the 1518 Basel third edition of Utopia
5615735 Title page from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543)

Background imageSir Thomas More Collection: Illuminated 'N'from the 1518 Basel third edition of Utopia

Illuminated "N"from the 1518 Basel third edition of Utopia
5615733 Illuminated " N" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background imageSir Thomas More Collection: Sir Thomas More, from the picture in the Vernon Gallery (engraving)

Sir Thomas More, from the picture in the Vernon Gallery (engraving)
5199208 Sir Thomas More, from the picture in the Vernon Gallery (engraving) by Herbert, John Rogers (1810-90) (after); Private Collection; (add.info.: Sir Thomas More)

Background imageSir Thomas More Collection: Queen Anne... did overrule his proper will

Queen Anne... did overrule his proper will
908940 Queen Anne A....did overrule his proper will by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English, out of copyright

Background imageSir Thomas More Collection: Beganne to talk of Atonement and Mediation for Sin (colour litho)

Beganne to talk of Atonement and Mediation for Sin (colour litho)
2794863 Beganne to talk of Atonement and Mediation for Sin (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageSir Thomas More Collection: In our Academia, looking over Books and Manuscripts (colour litho)

In our Academia, looking over Books and Manuscripts (colour litho)
2794860 In our Academia, looking over Books and Manuscripts (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: In our Academia)

Background imageSir Thomas More Collection: I oft sitt for an Hour or more watching Hans Holbein at his brush (colour litho)

I oft sitt for an Hour or more watching Hans Holbein at his brush (colour litho)
2794852 I oft sitt for an Hour or more watching Hans Holbein at his brush (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageSir Thomas More Collection: In the evening he gathers us alle about him in the Pavilion (colour litho)

In the evening he gathers us alle about him in the Pavilion (colour litho)
2794849 In the evening he gathers us alle about him in the Pavilion (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageSir Thomas More Collection: Queen Anne, did overrule his proper will (colour litho)

Queen Anne, did overrule his proper will (colour litho)
2794847 Queen Anne, did overrule his proper will (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Queen Anne, did overrule his proper will)

Background imageSir Thomas More Collection: Scene in Mores Chelsea Home (ink on paper)

Scene in Mores Chelsea Home (ink on paper)
960761 Scene in Mores Chelsea Home (ink on paper) by English School, (20th century); Private Collection; (add.info.: Scene in Mores Chelsea Home)

Background imageSir Thomas More Collection: Sir Thomas More, English lawyer, statesman, philosopher and humanist (engraving)

Sir Thomas More, English lawyer, statesman, philosopher and humanist (engraving)
3638149 Sir Thomas More, English lawyer, statesman, philosopher and humanist (engraving) by Elstrack, Renold (1570-1625) (after); Private Collection; (add.info.: Sir Thomas More (1478-1535)

Background imageSir Thomas More Collection: Plan of Utopia (engraving)

Plan of Utopia (engraving)
663290 Plan of Utopia (engraving) by English School, (19th century); Private Collection; (add.info.: Plan of Utopia. Illustration from English Literature An Illustrated Record by Richard Garnett)

Background imageSir Thomas More Collection: Sir Thomas More (engraving)

Sir Thomas More (engraving)
664860 Sir Thomas More (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Thomas More. Illustration for History of England by H O Arnold-Forster (Cassell, 1897)

Background imageSir Thomas More Collection: Beaufort House, Chelsea, where More lived (engraving)

Beaufort House, Chelsea, where More lived (engraving)
663289 Beaufort House, Chelsea, where More lived (engraving) by English School, (19th century); Private Collection; (add.info.: Beaufort House, Chelsea, where More lived)

Background imageSir Thomas More Collection: Walked for an Hour or soe, with his Arm round Fathers neck (colour litho)

Walked for an Hour or soe, with his Arm round Fathers neck (colour litho)
2794853 Walked for an Hour or soe, with his Arm round Fathers neck (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Walked for an Hour or soe)

Background imageSir Thomas More Collection: There he stoode, in the Centre of the Chamber (colour litho)

There he stoode, in the Centre of the Chamber (colour litho)
2794851 There he stoode, in the Centre of the Chamber (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: There he stoode, in the Centre of the Chamber)

Background imageSir Thomas More Collection: While that with a Twig I switched off the caterpillar (colour litho)

While that with a Twig I switched off the caterpillar (colour litho)
2794861 While that with a Twig I switched off the caterpillar (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageSir Thomas More Collection: What a pompous Priest it is! (colour litho)

What a pompous Priest it is! (colour litho)
2794857 What a pompous Priest it is! (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: What a pompous Priest it is)

Background imageSir Thomas More Collection: I marvelled to see him soe moven (colour litho)

I marvelled to see him soe moven (colour litho)
2794856 I marvelled to see him soe moven (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: I marvelled to see him soe moven)

Background imageSir Thomas More Collection: While he kept praying, I kept a-counting of his gray hairs (colour litho)

While he kept praying, I kept a-counting of his gray hairs (colour litho)
2794846 While he kept praying, I kept a-counting of his gray hairs (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: While he kept praying)

Background imageSir Thomas More Collection: Well Hall, Eltham (b / w photo)

Well Hall, Eltham (b / w photo)
1627373 Well Hall, Eltham (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Well Hall, Eltham. Illustration for The Illustrated London News, 2 September 1893)

Background imageSir Thomas More Collection: Map of the Island of Utopia, Book frontispiece (engraving) (b / w photo)

Map of the Island of Utopia, Book frontispiece (engraving) (b / w photo)
XJF131218 Map of the Island of Utopia, Book frontispiece (engraving) (b/w photo) by English School, (16th century); Private Collection; English, out of copyright

Background imageSir Thomas More Collection: Map of the Island of Utopia, Book frontispiece, 1563 (engraving) (b / w photo)

Map of the Island of Utopia, Book frontispiece, 1563 (engraving) (b / w photo)
XJF131217 Map of the Island of Utopia, Book frontispiece, 1563 (engraving) (b/w photo) by English School, (16th century); Private Collection; English, out of copyright

Background imageSir Thomas More Collection: Illuminated 'V'from the 1518 Basel third edition of Utopia

Illuminated "V"from the 1518 Basel third edition of Utopia
5615732 Illuminated " V" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background imageSir Thomas More Collection: Illuminated 'O'from the 1518 Basel third edition of Utopia

Illuminated "O"from the 1518 Basel third edition of Utopia
5615731 Illuminated " O" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background imageSir Thomas More Collection: I oft sitt for an hour or more watching Hans Holbein at his brush

I oft sitt for an hour or more watching Hans Holbein at his brush
908935 I oft sitt for an hour or more watching Hans Holbein at his brush by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English

Background imageSir Thomas More Collection: What a pompous priest it is

What a pompous priest it is
908930 What a pompous priest it is by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English, out of copyright

Background imageSir Thomas More Collection: There he stood, in the centre of the chamber

There he stood, in the centre of the chamber
908936 There he stood, in the centre of the chamber by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English, out of copyright

Background imageSir Thomas More Collection: Bess asked if he we asleep

Bess asked if he we asleep
908929 Bess asked if he we asleep by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English, out of copyright

Background imageSir Thomas More Collection: Making them beg for vine tendrils

Making them beg for vine tendrils
908923 Making them beg for vine tendrils by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English, out of copyright

Background imageSir Thomas More Collection: His grace at going saluted all round, which mother took delightedlie

His grace at going saluted all round, which mother took delightedlie
908921 His grace at going saluted all round, which mother took delightedlie by Brock, Charles Edmund (1870-1938); (add.info.: The Household of Sir Thomas More published by J M Dent 1906); English

Background imageSir Thomas More Collection: The island of Utopia (engraving)

The island of Utopia (engraving)
3647922 The island of Utopia (engraving) by Holbein, Ambrosius (c.1493-c.1519); Private Collection; (add.info.: The island of Utopia. Illustration for a German edition of Sir Thomas Mores Utopia)

Background imageSir Thomas More Collection: The Lady Barkley (coloured engraving)

The Lady Barkley (coloured engraving)
3646386 The Lady Barkley (coloured engraving) by English School, (19th century); Private Collection; (add.info.: The Lady Barkley)

Background imageSir Thomas More Collection: Here is one who knows what is implied by the Word 'Trust'(colour litho)

Here is one who knows what is implied by the Word "Trust"(colour litho)
2794865 Here is one who knows what is implied by the Word " Trust" (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageSir Thomas More Collection: 'Soe what I want now is to be made a Fool'(colour litho)

"Soe what I want now is to be made a Fool"(colour litho)
2794854 " Soe what I want now is to be made a Fool" (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Background imageSir Thomas More Collection: Statesmen (engraving)

Statesmen (engraving)
727066 Statesmen (engraving) by English School, (19th century); Private Collection; (add.info.: Statesmen. Illustration for David Humes 1806 edition of The History of England, published by R Bowyer)

Background imageSir Thomas More Collection: Sir John More, father of Sir Thomas More (aquatint)

Sir John More, father of Sir Thomas More (aquatint)
726828 Sir John More, father of Sir Thomas More (aquatint) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir John More, father of Sir Thomas More)

Background imageSir Thomas More Collection: Utopia, pub. 1933 (colour litho)

Utopia, pub. 1933 (colour litho)
STC415930 Utopia, pub. 1933 (colour litho) by Wearne, Harry (1852-1929); Private Collection; (add.info.: 88 blocks; 16th century map; ); The Stapleton Collection; English, out of copyright




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"Sir Thomas More: A Renaissance Man and Visionary" Step into the world of Sir Thomas More, a man whose legacy continues to inspire generations. This woodcut from the 1518 third edition of his renowned work, Utopia, captures the essence of his visionary ideas. Created by the talented artist Hans Holbein the Younger, it brings to life More's utopian society. More was not only a writer but also a prominent figure in English history. As Lord Chancellor to King Henry VIII, he held great influence and power. In this captivating engraving from 1812, we see him portrayed as a distinguished statesman. However, it is through personal moments that we truly glimpse into More's character. The tender scene depicted in "Sir Thomas More saying goodbye to his daughter before his execution" showcases his unwavering devotion to family amidst adversity. In another poignant lithograph titled "Sir Thomas More's Farewell to His Daughter, " we witness their emotional parting. These images remind us of More's courage and integrity as he stood up for what he believed in – even at the cost of his own life. The Tower of London stands as an enduring symbol of both imprisonment and defiance during this tumultuous period. Its walls witnessed Sir Thomas' final days before execution for refusing allegiance to King Henry VIII's break with Rome. Through these various artistic interpretations spanning centuries, we gain insight into Sir Thomas More's multifaceted persona – scholar, politician, devoted father – all intertwined within one extraordinary individual. As we reflect on Sir Thomas More's contributions during the Renaissance era known as "The New Learning, " let us remember him not only for Utopia but also for his unwavering commitment to justice and humanistic values that continue to resonate today.