Sir Walter Collection (#3)

The Lady of the Lake... 1810. A rough, muscular woman, with a clay pipe and bottle in her pocket, stands in a dinghy, holding an oar on the boom of which is inscribed Moll Muggins, Billingsgate

Fitz-James and the dying Blanche of Devan, 19th century. Artist: Henry Corbould
Fitz-James and the dying Blanche of Devan, 19th century. An illustration from Sir Walter Scotts poem The Lady of the Lake

Cedrics Toast, 1859. Artist: Sir John Gilbert
Cedrics Toast, 1859. A scene from Ivanhoe by Sir Walter Scott

Sir Walter Raleigh smoking a pipe, (c1900). Artist: Trelleek
Sir Walter Raleigh smoking a pipe, (c1900). Raleigh (1554-1618) was an English adventurer, explorer and writer, a favourite of Queen Elizabeth I, who knighted him in 1585

Raleigh Spreads His Cloak Before Elizabeth, c1907. From My Book of True Stories. [Blackie and Son Limited, London]

Dryburgh Abbey Tomb Sir Walter Scott William Henry
Dryburgh Abbey, Tomb of Sir Walter Scott; William Henry Fox Talbot (English, 1800 - 1877); Berwickshire, Scotland; October 1844; Salted paper print from a paper negative; 16.8 × 17.9 cm (6 5)

Capitain Gifford travelling canoe river Lagartos witnessing
Capitain Gifford travelling in a canoe on the river of Lagartos witnessing a man being devoured by a serpen, Americae pars VIII

Sir Walter Raleigh taking Antonio de la Hoz Berrio and Alvaro Jorge as prisoners on the Island of Trinidad, Americae pars VIII. Bry, Johann Theodor de, 1561-1623?, Engraving, M.DC.XXV, 1625

Sir Walter Scott Statue Monument Hill & Adamson
Sir Walter Scott, Statue for Monument; Hill & Adamson (Scottish, active 1843 - 1848); France; 1843 - 1848; Salted paper print from a Calotype negative; 15.2 x 20.6 cm (6 x 8 1, 8 in.)

The Library at Abbotsford, 1882. Creator: Unknown
The Library at Abbotsford, 1882. From " St. Nicholas: Volume IX. Part I. November 1881, to May 1882". [Scribner & Co. New York, 1882]

The Entrance-Hall. - Along the Wall are Many Suits of Old Armor. 1882
The Entrance-Hall. -" Along the Wall are Many Suits of Old Armor". 1882. From " St. Nicholas: Volume IX. Part I. November 1881, to May 1882". [Scribner & Co. New York, 1882]

The Ark Royal, 1588. The Ark Royal was an English galleon originally ordered by Sir Walter Raleigh and later purchased for the Tudor navy

Skin Market, Leadenhall, City of London, 1825 (1911). Artist: Thomas Dale
Skin Market, Leadenhall, City of London, 1825 (1911). From London - The City, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

A map of Fulham in 1813 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

The Causeway, Wandsworth, Showing the Pound, c1895, (1912). The causeway, connected the village square at the end of Wandsworth plain to the Thameside warehouses and strip fields

Ivanhoe: Sir Brian de Bois Guilbert & Rebecca, 19th century. Artists: JL Marks, Ralph Nevill
Ivanhoe, 19th century. Ivanhoe is a historical novel by Sir Walter Scott (1771-1832), first published in 1820 in three volumes and subtitled, A Romance. From The Studio Volume 110 by Ralph Nevill

Sir Walter Scotts Study, Abbotsford, 1904. Artist: George Washington Wilson
Sir Walter Scotts Study, Abbotsford, 1904. Sir Walter Scott, (1771-1832) was a Scottish historical novelist, playwright and poet

Dr Johnsons House, City of London, c1900 (1911). Artist: Pictorial Agency
Dr Johnsons House, City of London, c1900 (1911). Dr Johnsons House is a house museum in London, in the former home of the 18th century English writer Samuel Johnson (1709-1784)

London Bridge, City of London, 1911. Artist: Pictorial Agency
London Bridge, City of London, 1911. In 1799, a competition for designs to replace the existing London Bridge was held. John Rennie (1761-1821)

Sir Walter Scott, Scottish novelist and poet, c1826 (1894). Artist: William Walker
Sir Walter Scott (1771-1832), Scottish novelist and poet, c1826 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Sir Walter Raleigh, 1588, (1904). Raleigh (1554-1618) was a favourite of Queen Elizabeth I, who knighted him in 1585. In 1584-1589 he was involved in an unsuccessful attempt to establish a colony in

Raleighs House, Youghal, 1903. Artist: Gay & Co
Raleighs House, Youghal, 1903. Myrtle Grove is an Elizabethan gabled house in Youghal, County Cork, Ireland. The house is notable as a rare example in Ireland of a 16th-century unfortified house

Sir W. Raleigh, c1880. Sir Walter Raleigh (1554-1618), English landed gentleman. From British Battles on Land and Sea, Vol. III, by James Grant

Sir Walter Raleighs Pipe Put Out, c1884. Artist: Thomas Strong Seccombe
Sir Walter Raleighs Pipe Put Out, c1884. Sir Walter Raleigh (1554-1618) was an English adventurer, explorer and writer, a favourite of Queen Elizabeth I, who knighted him in 1585

The Interior of Warkworth Hermitage, Northumberland, 1814. Artist: John Greig
The Interior of Warkworth Hermitage, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Dunbar Castle, Haddingtonshire, 1814. Artist: John Greig
Dunbar Castle, Haddingtonshire. Pl. 2, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Entrance Gateway - Hexham Abbey, Northumberland, 1814. Artist: John Greig
Entrance Gateway - Hexham Abbey, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Thirlwall Castle, Northumberland, 1814. Artist: John Greig
Thirlwall Castle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Hexham Abbey, Church, Northumberland, 1814. Artist: John Greig
Hexham Abbey, Church, Northumberland. Pl. 2, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Scaleby Castle. Cumberland, 1814. Artist: John Greig
Scaleby Castle. Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Bywell Castle, Northumberland, 1814. Artist: John Greig
Bywell Castle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Entrance to Aspatria Church, Cumberland, 1814. Artist: John Greig
Entrance to Aspatria Church, Cumberland, 1814. 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Wark Castle, Northumberland, 1814. Artist: John Greig
Wark Castle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Interior of Aspatria Church, Cumberland, 1814. Artist: John Greig
Interior of Aspatria Church, Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Monument at Bewcastle. Northumberland, 1814. Artist: John Greig
Monument at Bewcastle. Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Hawthornden, Edinburghshire, 1814. Artist: John Greig
Hawthornden, Edinburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Gillknocky Tower, Dumfrieshire, 1814. Artist: John Greig
Gillknocky Tower, Dumfrieshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Canonbie, Dumfriesshire, 1814. Artist: John Greig
Canonbie, Dumfriesshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

The Chapel in the Castle at Newcastle, Northumberland, 1814. Artist: John Greig
The Chapel in the Castle at Newcastle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

An Ornamented Door Way in the Castle, at Newcastle; Northumberland, 1814. Artist: John Greig
An Ornamented Door Way in the Castle, at Newcastle; Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Langholm, Dumfrieshire, 1814. Artist: John Greig
Langholm, Dumfrieshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Remains of Morpeth Castle, Northumberland, 1814. Artist: John Greig
Remains of Morpeth Castle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

The Castle, at Newcastle; Northumberland, 1814. Artist: John Greig
The Castle, at Newcastle; Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Hales Castle, Haddingtonshire, 1814. Artist: John Greig
Hales Castle, Haddingtonshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Yanwath Hall, Westmoreland, 1814. Artist: John Greig
Yanwath Hall, Westmoreland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Branxholm Castle, Roxburghshire, 1814. Artist: John Greig
Branxholm Castle, Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Remains of Kelso Abbey Church, 1814. Artist: John Greig
Remains of Kelso Abbey Church, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Jedburgh, (General View. ) Roxburghshire, 1814. Artist: John Greig
Jedburgh, (General View.) Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

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"Sir Walter: A Journey Through Time and Art" Step into the enchanting world as we explore various artworks and historical landmarks that pay homage to this legendary figure. At Holy Trinity Church in Clapham, a stunning painting from 1812 captures the essence of Sir Walter's era. The scene depicts Quentin Durward and the Disguised Louis XI, showcasing the intrigue and drama surrounding his time. Travel back further with William Hogarth's masterpieces. "Beer Street, " painted in 1751 but rediscovered in 1925, transports us to a lively tavern where Sir Walter might have enjoyed a pint or two. Similarly, "A Country Inn Yard" takes us on a journey through bustling streets filled with characters straight out of one of his adventures. Delve into the world of high stakes at Whites Club with William Radclyffe's depiction of gambling in 1734. This glimpse into aristocratic pastimes reveals another facet of Sir Walter's society. Venturing beyond England, we discover King Edward the Confessor's Palace at Borstal (Brill) from 1908. This architectural marvel showcases the grandeur that surrounded royalty during Sir Walter's time. The Ark Royal, an iconic ship from 1588, reminds us Raleigh’s naval exploits and contributions to English history. It serves as a testament to his adventurous spirit and exploration endeavors. Uncover tales of rebellion depicted in "Incidents in Venners Rising. " This artwork from 1661 allows us to witness historic events tied closely to Sir Walter’s era while reflecting on themes such as loyalty and sacrifice. Thomas Dale brings Skin Market, Leadenhall vividly to life through his brushstrokes capturing London’s vibrant atmosphere circa 1825—a place where merchants would gather for trade just as they did during Sir Walter’s time. Journey along The Causeway in Wandsworth captured around c1895, showcasing the picturesque scenery that Sir Walter might have encountered during his travels.