Sleeve Collection (#26)

Removing old compost from around Hippeastrum bulb using metal widger

Man using penknife to cut section of stem, just above a leaf node at base of plant, close-up

Man positioning developed plantlet into plant pot containing compost and potting hormone powder

Woman placing straw around flowering strawberry plants

Man potting Vitis Vinifera cuttings that have rooted individually

Man using secateurs to make two-bud vine stem cuttings

Man using penknife to remove leaf from bud stick during chip budding

Girl placing rocks in wooden box lined with plastic

Girl with five nasturtium seeds in palm of hand, close-up

Hope Insurance Company fireman in uniform
Colour engraving of a Hope Insurance Company fireman in uniform, with a large badge on his sleeve. At one time, firemen worked for different insurance companies and wore different colour uniforms

Midwewinind (One-Called-From-A-Distance), an Ojibwa Native American man on the White Earth Reservation in Minnesota
OJIBWA MAN, 1894. Midwewinind (One-Called-From-A-Distance), an Ojibwa Native American man on the White Earth Reservation in Minnesota

The people of Paris marvel at Gargantua. Wood engraving, 1873, after Gustave Dor
RABELAIS: GARGANTUA, 1873. The people of Paris marvel at Gargantua. Wood engraving, 1873, after Gustave Dor

Catholic priest, Paris, France, Europe

The uncut fingernails of Dr. Ding, a teacher in Foochow, China. Stereograph, c1906
CHINA: FINGERNAILS, c1906. The uncut fingernails of Dr. Ding, a teacher in Foochow, China. Stereograph, c1906

Dolls with (left) wax head, wooden hands and feet, and embroidered muslin dress with full skirt and puffy sleeves;
DOLLS, 1790s. Dolls with (left) wax head, wooden hands and feet, and embroidered muslin dress with full skirt and puffy sleeves; and (right) painted wooden head, hands and feet

Two women seated at a breakfast table, using (left to right) an electric coffee pot, egg boiler, and toaster
ELECTRIC COOKWARE, 1908. Two women seated at a breakfast table, using (left to right) an electric coffee pot, egg boiler, and toaster, all manufactured by General Electric. Photographed in 1908

Presidential Campaign, 1872
PRESIDENTIAL CAMPAIGN, 1872. The Working-Mans Banner. Ulysses S. Grant and Henry Wilson as the Republican candidates for President

Thames Waterman on Massey Shaw fireboat
A Thames Waterman in traditional costume with a fire company badge on his left sleeve, standing on the deck of the LFBs Massey Shaw fireboat

WOMENs FASHION, 1860. Fashionable society women going for a walk in hoop skirt dresses. French color fashion plate from Le Monde El

WOMENs FASHION, 1829. Women wearing a morning dress (left) and a public promenade dress. English color fashion plate from La Belle Assembl

WOMENs FASHION, 1858. Two society women wearing hoop skirt dresses by a Paris designer. French color fashion plate from Petit Courrier des Dames, 1858

JOHN OF LEIDEN (1509-1536). Dutch Anabaptist leader. Copper engraving, 1536, by Heinrich Aldegrever

FARMING: CORN HUSKER. Corn husker on an American farm, early 19th century. Line engraving, American, c1890

WOMENs FASHION, 1860. Ladies street dress. Fashion illustration from an American magazine of 1860

WOMENs FASHION, 1833. American color print of an evening dress from Paris in Godeys Ladys Book, April 1833

WOMENs FASHION, 1833. American color fashion print from Godeys Ladys Book of the latest styles from Paris: a ball dress (left) and an evening dress, January 1833

WOMENs FASHION, 1860. Ladies accessories. Wood engravings from an American magazine of 1860

PETER THE GREAT OF RUSSIA (1672-1725) cutting the sleeves of the Boyars. Wood engraving, 19th century

The floor of the New York Stock Exchange, secretly shot with a camera hidden in the photographers sleeve. Date c1907 Nov

Sewing and repairing Metropolitan Police uniform
A long line of tailors sewing and repairing Metropolitan Police uniforms at a police clothing store in Lambeth Road, south east London

Silhouette of a WaF Corporal
Full-length silhouette of a woman standing with her hands held behind her back. December 1933

Three dresses by Beer, Premet and Martial et Armand
Three fashionable women wearing evening dresses. On the left, a salmon pink narrow strap tubular satin crepe casino dress with embroidered silver pearls and a green fan detail at the hip, by Beer

Fashion for the evening 1895
Three women wearing enormous leg-of-mutton sleeved blouse with bulging bodice, gored skirt and tiny waist. Date: 1895

Cheating with Cards
A man tucks a card up his sleeve in an attempt to cheat. Date: late 1960s

Two young ladies in outfits by Drecoll and Jenny
Two fashionable young ladies in the latest winter outfits. On the left, a dress in black velvet and white crepe with white fur trimming, by Drecoll

Two ladies in summer outfits by Premet and Doeuillet
Two young ladies in summer outfits, standing on either side of a red rose. On the left, a pink crepe de chine dress, decorated with matching buttons, on Premet

Two ladies in outfits by Philippe et Gaston and Drecoll
Two fashionable ladies wearing fashionable summer outfits, probably for a day at the races. On the left, a white cap-sleeve crepe dress with black floral pattern and yellow border trim

Two ladies in summer outfits by Doucet and Jenny
Two ladies in fashionable summer outfits, standing near a tennis court. On the left, a 3/4 length light yellow and black patterned crepe de chine dress with black rosette at the hip

Two ladies in outfits by Lucien Lelong and Jean Patou
Two fashionable ladies in summer outfits, watching a cycle race. On the left, a long sleeved white and navy blue crepe de chine patterned 3/4 length dress, with white collar and cuffs

Two ladies in evening dresses by Drecoll

Joseph Chamberlain - Coat of Many Colours
In a picture postcard, Radical politicial Joseph Chamberlain (1836-1914) is pictured wearing a coat of many colours. Each segment reflects the different stages in his political career: socialist

Dutch poster, main British ranks and insignia
Dutch poster showing the main British ranks and insignia in the various wartime services. 20th century

Fur Trimmed Frock 1923
Low-waisted dress with a gathered skirt trimmed with rows of fur, a high stand fall fur collar, tight full length under-sleeves & fur trimmed bell sleeve. Date: 1923

Newly planted hedge, saplings protected with plastic sleeves, Beeston Castle, Tarporley, Cheshire, England, april

New Millenium woodland, young trees with plastic sleeves, planted on former meadowland, Vicarage Plantation, Mendlesham, Suffolk, England, november

Newly planted tree saplings protected with plastic sleeves, planted on riverbank habitat, River Hodder, Whitewell, Lancashire, England, january

Young trees protected with plastic sleeves, with Wild Daffodil (Narcissus pseudonarcissus) flowering, Micklemere Nature Reserve, Pakenham, Suffolk, England, march

New Millenium woodland, saplings protected with plastic sleeves, planted on former meadowland, Vicarage Plantation, Mendlesham, Suffolk, England, october

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"Sleeve: A Fashion Statement Through the Ages" From the regal portraits of Elizabeth I to the vibrant laughter captured in Frans Hals' "The Laughing Cavalier, " sleeves have long been a symbol of style and status. In George Gower's depiction of Queen Elizabeth I, her elaborate sleeve showcases her power and authority as she ruled over England and Ireland in the late 16th century. Moving forward to the 17th century, Frans Hals immortalized his subjects with their fashionable attire, including intricately designed sleeves that added flair to their outfits. Whether it was for royalty or commoners, sleeves became an essential element in defining one's rank and identity. Not limited to clothing alone, sleeves also found their place in other realms. The Royal Navy used specific sleeve designs as a means to recognize different ranks among its officers. This system allowed sailors at sea to identify those in command swiftly. Beyond fashion and military insignia, sleeves have even made political statements throughout history. An anti-American capitalism poster depicted a clenched fist bursting through a torn sleeve—a powerful image representing resistance against economic oppression. Sleeves were not only reserved for humans but also adorned artwork from various cultures worldwide. Hans Holbein's portrait of Jane Seymour showcased her elegant dress with voluminous puffed-up sleeves—an iconic fashion trend during the Tudor era. In more recent times, United States Border Patrol agents proudly wear patches on their uniformed sleeves while guarding borders—a symbol of duty and protection. Looking back further into art history reveals Giovanni Antonio Boltraffio's "Portrait of a Youth" where delicate lace cuffs peek out from beneath his garment—showcasing how even subtle details like these could enhance an individual's appearance centuries ago. Traveling eastward brings us to Bihzad's depiction of dancing dervishes wearing flowing robes with wide-sleeved garments—a visual representation of spiritual devotion expressed through their graceful movements. Even in the realm of advertising, sleeves played a role.