Son Co Collection (#5)

Trinity House, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Aisle of the Tombs, Chester-Le-Street Church, Durham, 1834. Artist: James Sands
Aisle of the Tombs, Chester-Le-Street Church, Durham, 1834. After Thomas Allom (1804-1872). [Fisher, Son & Co. London, 1834.]

Palace of Holyrood, 1831. Artist: William Home Lizars
Palace of Holyrood, 1831. [Fisher Son & Co. London, 1831]

An Intinerant Doctor at Tien-sing, 1843. Artist: P Lightfoot
An Intinerant Doctor at Tien-sing, 1843. After Thomas Allom (1804?1872). From China Illustrated, by Thomas Allom. [Fisher, Son & Co. London & Paris, 1843]

Dinner Party at a Mandarins House, 1843. Artist: G Paterson
Dinner Party at a Mandarins House, 1843. After Thomas Allom (1804?1872). From China Illustrated, by Thomas Allom. [Fisher, Son & Co. London & Paris, 1843]

Gibraltar. From the lower Signal Tower at the foot of the Queen of Spains Chair, 1840. Artist: Edward Francis Finden
Gibraltar. From the lower Signal Tower at the foot of the Queen of Spains Chair, 1840. After Charles Bentley (c1805-1854). [Fisher, Son & Co. London & Paris, 1840]

Custom House 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Victualling, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Ordnance, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Navy Board, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Admiralty, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

St. Georges Jack, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Pilots, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Blue Ensign, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

White Ensign, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

(for Merchants) Red Ensign, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Union Jack, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

British Standard, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]

Mrs Fletcher, c1830s. Artist: J Cochran
Mrs Fletcher, c1830s

Court House - Medical College and Church, at Augusta in Georgia, 19th century

Liverpool from Toxteth Park, 1834. Artist: G Pickering
Liverpool from Toxteth Park, 1834

The Interior of St Johns Market, Liverpool, 1834. Artist: Austin
The Interior of St Johns Market, Liverpool, 1834

The New Custom House, Liverpool, 1836. Artist: W Finden
The New Custom House, Liverpool, 1836

Blue-Coat School, Liverpool, 1834. Artist: P Heath
Blue-Coat School, Liverpool, 1834

The Ancient Wishing-Gate, Liverpool, 1833. Artist: SF Serres
The Ancient Wishing-Gate, Liverpool, 1833

Brunswick Chapel, Moss Street, Liverpool, 1829. Artist: R Winkles
Brunswick Chapel, Moss Street, Liverpool, 1829. To the Wesleyan Methodists this plate is respectfully inscribed

Interior of the Exchange News-Room, Liverpool, 1836. Artist: Harwood
Interior of the Exchange News-Room, Liverpool, 1836

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"Exploring the Enigmatic Son Co: A Journey through Time and Art" Step into the world of Son Co, a captivating journey that takes us back to Tartary in 1838. As we delve into history, we encounter the majestic Emperor of Tartary, whose reign leaves an indelible mark on our imagination. Moving forward to Emden in 1838, we witness a mesmerizing portrait by Samuel Drew. The artist's brushstrokes bring forth a vivid depiction of this enchanting city, capturing its essence for eternity. Next, let us admire the regal figure of Henry Charles Somerset, Duke of Beaufort. Painted in 1829 by Thomas Anthony Dean, this portrait exudes nobility and grace. Our voyage continues as we gaze upon William Kelsall's masterpiece depicting the breathtaking view from Langdale Pikes towards Bowfell in Westmorland. The landscape unfolds before our eyes like a painting come to life. Joseph Wilson Lowry transports us to Devonshire in 1831 with his portrayal of The Valley of Rocks near Linton. Its rugged beauty evokes a sense of awe and wonderment within us. Prepare for an exotic escapade as we venture to Tripoli in 1838. This vibrant city beckons with its rich culture and bustling streets teeming with life. From Algeziras in 1840 comes Joseph Clayton Bentley's stunning rendition of Gibraltar. The iconic rock formation stands proudly against azure skies—a testament to nature's grandeur. We then find ourselves immersed in the Empire of Brazil during its golden era in 1838—an empire brimming with opulence and ambition that captivates all who behold it. Peru awaits our arrival next—its ancient ruins whisper tales from centuries past while showcasing architectural marvels that defy time itself. Our senses are overwhelmed by its mystique and cultural heritage. Lastly, Columbia enchants us with its vibrant landscapes and diverse traditions.