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Sores Collection

In the dimly lit Chapel of The Savior, a haunting scene unfolds. The Savior himself stands before his followers, revealing his sores to them in all their grotesque glory

Background imageSores Collection: Senna

Senna
5311736 Senna; (add.info.: Senna: a decoction of dried leaves used as a cathartic and an emetic: decoction of pods also used for purging; applied externally for sores and ulcers)

Background imageSores Collection: Lazarus and the Rich Man, 1544-1700. Creator: Jacopo Bassano (copy after)

Lazarus and the Rich Man, 1544-1700. Creator: Jacopo Bassano (copy after)
Lazarus and the Rich Man, 1544-1700

Background imageSores Collection: Palace Gardens with Poor Lazarus in the foreground, 1550-1606. Creator: Hans Vredeman de Vries

Palace Gardens with Poor Lazarus in the foreground, 1550-1606. Creator: Hans Vredeman de Vries
Palace Gardens with Poor Lazarus in the foreground, 1550-1606

Background imageSores Collection: Lazarus and the Rich Man, 1661. Creator: Barent Fabritius

Lazarus and the Rich Man, 1661. Creator: Barent Fabritius
Lazarus and the Rich Man, 1661

Background imageSores Collection: Parable of the Rich Man and Poor Lazarus, c.1550-c.1575. Creator: Anon

Parable of the Rich Man and Poor Lazarus, c.1550-c.1575. Creator: Anon
Parable of the Rich Man and Poor Lazarus, c.1550-c.1575

Background imageSores Collection: The Savior showing his sores. Gothic. Chapel of The Savior

The Savior showing his sores. Gothic. Chapel of The Savior
Gothic image of the Savior showing his sores. It dates from the 14th century and was Integrated in the 1532 polychrome stone altarpiece, work of Juan de Alava

Background imageSores Collection: Lazarus and the Rich Man, c. 1400 (oil on panel)

Lazarus and the Rich Man, c. 1400 (oil on panel)
BRN196634 Lazarus and the Rich Man, c.1400 (oil on panel) by German School, (15th century); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; German, out of copyright

Background imageSores Collection: Leg ulcers or sores (engraving)

Leg ulcers or sores (engraving)
3646414 Leg ulcers or sores (engraving) by Burgkmair, Hans (c.1473-1531) (after); Private Collection; (add.info.: Leg ulcers or sores. Woodcut from a series depicting physical infirmities)

Background imageSores Collection: The Parables of Christ: The Rich Man and Lazarus (chromolitho)

The Parables of Christ: The Rich Man and Lazarus (chromolitho)
6001776 The Parables of Christ: The Rich Man and Lazarus (chromolitho) by English School, (19th century); Private Collection; (add.info.: The Parables of Christ: The Rich Man and Lazarus)

Background imageSores Collection: Dante, Virgil and the Plague-stricken, from The Divine Comedy

Dante, Virgil and the Plague-stricken, from The Divine Comedy
XIR159052 Dante, Virgil and the Plague-stricken, from The Divine Comedy by Dante Alighieri (1265-1321) (vellum) by Italian School, (14th century); Biblioteca Nazionale Marciana, Venice

Background imageSores Collection: Appliances for the sick-room (engraving)

Appliances for the sick-room (engraving)
6005628 Appliances for the sick-room (engraving) by English School, (19th century); Private Collection; (add.info.: Appliances for the sick-room)

Background imageSores Collection: Saint Roch, c. 1490 / 1500. Creator: Israhel van Meckenem

Saint Roch, c. 1490 / 1500. Creator: Israhel van Meckenem
Saint Roch, c. 1490/1500

Background imageSores Collection: Venereal Disease, 1496 (1906). Artist: Albrecht Durer

Venereal Disease, 1496 (1906). Artist: Albrecht Durer
Venereal Disease, 1496 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Background imageSores Collection: Parable of Lazarus and the Rich Man (oil on copper)

Parable of Lazarus and the Rich Man (oil on copper)
XIR418362 Parable of Lazarus and the Rich Man (oil on copper) by Teniers, David the Younger (1610-90); 39x51 cm; Musee des Beaux-Arts, Dunkirk

Background imageSores Collection: The Parable of the Rich Man and Lazarus (oil on canvas)

The Parable of the Rich Man and Lazarus (oil on canvas)
XIR238797 The Parable of the Rich Man and Lazarus (oil on canvas) by Francken, Frans II the Younger (1581-1642); Musee Municipal, Cambrai

Background imageSores Collection: Lazarus begging at the banquet of the rich man, Jan Luyken, Pieter Mortier, 1703 - 1762

Lazarus begging at the banquet of the rich man, Jan Luyken, Pieter Mortier, 1703 - 1762

Background imageSores Collection: Eight New Testament scenes on a sheet, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys

Eight New Testament scenes on a sheet, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1712

Background imageSores Collection: Picture No. 10862688

Picture No. 10862688
Kakadu (Billy goat) plum (Terminalia ferdinandiana) has more vitamin C than oranges; gum also edible; bark preparation used for sores, boils, backache, ringworm

Background imageSores Collection: One of the last climbing chimney sweeps carrying a mattock for scraping the inside of chimneys

One of the last climbing chimney sweeps carrying a mattock for scraping the inside of chimneys, a brush to sweep the loose soot, and sacks for bagging up soot

Background imageSores Collection: Smallpox infection

Smallpox infection
MODEL RELEASED. Smallpox infection. Simulation of a doctor writing on a slide that has pus infected with the smallpox virus on it. Smallpox is a contagious viral disease unique to humans

Background imageSores Collection: The Demon Afflicts Job

The Demon Afflicts Job
The demon afflicts Job with sores all over his body



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In the dimly lit Chapel of The Savior, a haunting scene unfolds. The Savior himself stands before his followers, revealing his sores to them in all their grotesque glory. This Gothic depiction, captured in c. 1400 oil on panel artwork titled "Lazarus and the Rich Man, " serves as a powerful reminder of human suffering. Leg ulcers or sores take center stage in an engraving that portrays the agony endured by those afflicted with this ailment. The image is part of a collection called "The Parables of Christ: The Rich Man and Lazarus, " rendered beautifully through chromolithography. Dante's epic journey through hell, depicted in "The Divine Comedy, " includes a chilling encounter with plague-stricken souls. Virgil guides Dante through this macabre landscape where sufferers bear visible sores as symbols of their torment. Amidst these dark depictions, glimpses of hope emerge. Engravings showcasing appliances for the sick-room highlight humanity's efforts to alleviate pain and provide comfort during times of illness. Saint Roch emerges as a beacon amidst despair; he is portrayed around 1490/1500 by Israhel van Meckenem. Known for his miraculous healing powers against plagues and epidemics, Saint Roch displays his own wounds while offering solace to those plagued by disease. Albrecht Durer's striking piece from 1496 explores venereal disease, shedding light on another form of affliction that leaves painful marks both physically and emotionally. Stained glass windows tell stories too; one such window depicts the parable of Lazarus and Dives - capturing the stark contrast between opulence and destitution while reminding us that earthly wealth cannot save us from our mortal wounds. Oil paintings further bring this biblical tale to life - rich colors depicting Lazarus begging at the banquet table or languishing outside its doors evoke empathy for those burdened with physical ailments while surrounded by abundance.