St John The Evangelist Collection (page 9)

Triptych of St John the Baptist and St John the Evangelist, 1479. Artist: Hans Memling
Triptych of St John the Baptist and St John the Evangelist, 1479. Located in the collection at, Hospital Saint Jean, Bruges

The Crucifixion, 1465. Artist: Giovanni Bellini
The Crucifixion, 1465. Christ is on the cross with the spear wound in his side. The Virgin Mary and St John the Apostle stand at the foot of the cross. From the collection of the Louvre, Paris

The Deposition from the Cross, c1268. Artist: T oros Roslin
The Deposition from the Cross, c1268. Two figures hold the body of Christ as a third removes the nails from the feet to free it fully from he cross

Mond Crucifixion, c1530. Artist: Raphael
Mond Crucifixion (Altarpiece: The Crucified Christ with the Virgin Mary, Saints and Angels ), c1530. The Virgin Mary and St John the Apostle stand on either side of the cross

The Entombment, late 15th century. Russian icon showing Christs body, wrapped in a shroud, lying in the tomb. The Virgin Mary, Mary Magdalene and St John the Apostle lean over the body

The Lamentation, c1479. Artist: Hugo van der Goes
The Lamentation, c1479. Right hand panel of a diptych of The Fall of Man and The Redemption. Mary, supported gently by John the Evangelist, Christs favourite pupil

St John the Evangelist with the Poisoned Cup, 1636. Artist: Alonso Cano
St John the Evangelist with the Poisoned Cup, 1636. According to the Bible (Matthew Ch20 v23), a cup of poisoned wine was passed to St John and, as he blessed it

The Four Evangelists, mid 15th century. Artist: Fra Angelico
The Four Evangelists, mid 15th century. The Evangelists are shown with their symbols: the Angel with St Matthew, the Lion with St Mark, the Eagle with St John, and the Ox with St Luke

Detail of a coptic wall painting showing two apostles, 6th Century
Detail of a Coptic wallpainting form Baouit, Egypt, depicting John and Jacob/James, 6th Century. In the collection of the Coptic Museum in Cairo

St John in the Isle of Patmos, 1826. St John the Evangelist in exile on the isle of Patmos, having been accused of being a magician. Whilst there he wrote the Book of Revelations

St John the Evangelist, c1808. St John the Evangelist with his symbol, an eagle, reading from his Gospel; In the beginning was the word

Apocalypse of St-Sever (Latin), c1050. Adoration of 24 elders. Christ in Majesty, surrounded by the symbols of the Evangelists, Matthew, Mark, Luke and John

St John on Patmos, 1865-1866. John the Evangelist on the island of Patmos, in the Aegean, where he wrote the Book of Revelations whilst in exile imposed by the Roman emeror Domitian

St John the Evangelist from the Lindisfarne (Durham) Gospel Book, c720. Produced at Lindisfarne, England, it is St Jeromes Latin version of the four Gospels made in the 4th century

St John the Evangelist shown with his symbol, an eagle, 15th century. Artist: Giovanni di Paolo
St John the Evangelist shown with his symbol, an eagle, 15th century

St. John on Patmos, ca. 1508-1532. Creator: Ludwig Krug
St. John on Patmos, ca. 1508-1532

Madonna and Child with St. John. Creator: Aegidius Sadeler II
Madonna and Child with St. John

St John the Evangelist, c. 1633-39 (oil on canvas)
XIR899094 St John the Evangelist, c.1633-39 (oil on canvas) by Stomer, (Stom) Matthias (c.1600-p.1650); Musee des Beaux-Arts, Rennes

Crucifixion (oil on canvas)
XIR444238 Crucifixion (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); Museo Civico, Padua, Italy; Italian, out of copyright

Crucifix (tempera on panel)
XIR444233 Crucifix (tempera on panel) by Giotto di Bondone (c.1266-1337); Museo Civico, Padua, Italy; (add.info.: Croix peinte; ); Italian, out of copyright

Christ on the cross between the Virgin and St. John (oil on panel)
XIR438831 Christ on the cross between the Virgin and St. John (oil on panel) by Italian School, (14th century); Museo Horne, Florence

Last Supper (w / c on paper) (for detail see 231477)
XBP231479 Last Supper (w/c on paper) (for detail see 231477) by Chinese School, (19th century); Private Collection; Photo eBoltin Picture Library; Chinese, out of copyright

Head and hands of St. John, 1806 (chalk and charcoal on paper)
XKH157641 Head and hands of St. John, 1806 (chalk and charcoal on paper) by Runge, Philipp Otto (1777-1810); 39.2x27.9 cm; Hamburger Kunsthalle, Hamburg

Italy, Florence, painting of Immaculate conception, oil on panel
Piero di Cosimo (1462-1521), The Incarnation, The Immaculate Conception, Saint John the Evangelist, Saint Philip, Saint Catherine of Alexandria, Margareth of Antioch (Margaret the Virgin)

Church of St. John the Evangelist, a 12th century church built on Saxon site, after light snow, Bury, West Sussex, England, United Kingdom, Europe

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"St. John the Evangelist: A Journey through Art and Devotion" Step into the world of St. John the Evangelist, a figure revered for his profound spiritual insights and unwavering faith. From ancient tapestries to intricate engravings, artists throughout history have sought to capture his essence and convey his message to generations. In Peter Paul Rubens' masterpiece "Le Coup de Lance, " we witness St. John's presence at the crucifixion, as he witnesses Christ's sacrifice with deep sorrow and compassion. The painting serves as a poignant reminder of St. John's role in spreading the teachings of Jesus. Pietro Lorenzetti's "Madonna and Child between St Francis and St John the Evangelist" transports us back to the 14th century, where we find solace in Mary’s embrace while St. John stands by her side, symbolizing his close relationship with both mother and son. The Apocalypse Tapestry or Apocalypse of Angers takes us on an epic journey through biblical prophecy, where amidst chaos and destruction, St. John emerges as a guiding light leading humanity towards salvation. Hendrick ter Brugghen captures a moment frozen in time in "The Crucifixion with the Virgin and Saint John. " Here, we witness their grief-stricken faces as they stand beneath Christ on the cross – a testament to their unyielding love for Him. A bronze sculpture from 1583-84 immortalizes St. John himself - dignified yet approachable - reminding us that he was not only an evangelist but also a human being who walked among us. Engravings such as "The Adoration of the Lamb" by Dürer transport us into realms beyond our imagination while Frontispiece from Apocalupsis cum figuris offers glimpses into divine revelations that inspired countless souls over centuries. "The vision of seven candlesticks" engraving depicts St.