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Stable Collection (#10)

"Stable: A Timeless Connection Between Man and Horse" Step back in time to 1844 with Edwin Henry Landseer's captivating artwork, showcasing the art of shoeing horses

Background imageStable Collection: K: K are the Kittens, that live in the stable; They will catch all the mice as soon as they're able

K: K are the Kittens, that live in the stable; They will catch all the mice as soon as they're able
7309604 K: K are the Kittens, that live in the stable; They will catch all the mice as soon as they're able. 1870 (illustration) by Howard, J. (active c)

Background imageStable Collection: W: W for Wheat, and for Whitey, the Calf, Who Nibbles Away at the Grain and the Chaff

W: W for Wheat, and for Whitey, the Calf, Who Nibbles Away at the Grain and the Chaff. 1870 (illustration)
7309618 W: W for Wheat, and for Whitey, the Calf, Who Nibbles Away at the Grain and the Chaff.1870 (illustration) by Howard, J. (active c)

Background imageStable Collection: The geese on the Capitol of Toulouse give the alert against a Gallic attack, 1926 (Illustration)

The geese on the Capitol of Toulouse give the alert against a Gallic attack, 1926 (Illustration)
7304411 The geese on the Capitol of Toulouse give the alert against a Gallic attack, 1926 (Illustration) by Rabier, Benjamin (1869-1939); Private Collection; (add.info)

Background imageStable Collection: Mothers taking their children to dairy, Paris, France

Mothers taking their children to dairy, Paris, France
864823 Mothers taking their children to dairy, Paris, France by Bonvoisin, Maurice Charles Mathieu (Mars) (1849-1912); (add.info)

Background imageStable Collection: Adoration of the Shepherds, 1501-1700 (pen and brown ink, brush)

Adoration of the Shepherds, 1501-1700 (pen and brown ink, brush and brown wash with red chalk on paper)
7308232 Adoration of the Shepherds, 1501-1700 (pen and brown ink, brush and brown wash with red chalk on paper) by German School, (16th-17th century); 24.2x19.2 cm; Ashmolean Museum

Background imageStable Collection: The Adoration of the Magi, 1588-1611 (pen and brown ink on paper)

The Adoration of the Magi, 1588-1611 (pen and brown ink on paper)
7308194 The Adoration of the Magi, 1588-1611 (pen and brown ink on paper) by Durer or Duerer, Albrecht (1471-1528); 21.5x16.7 cm; Ashmolean Museum, University of Oxford

Background imageStable Collection: Field of Burley tobacco on farm of Russell Spears, drying and curing barn in the background

Field of Burley tobacco on farm of Russell Spears, drying and curing barn in the background, vicinity of Lexington
7301389 Field of Burley tobacco on farm of Russell Spears, drying and curing barn in the background, vicinity of Lexington, 1939 (photo) by Wolcott

Background imageStable Collection: The Virgin Adoring the Child, 1480-90 (tempera on poplar panel)

The Virgin Adoring the Child, 1480-90 (tempera on poplar panel)
7298551 The Virgin Adoring the Child, 1480-90 (tempera on poplar panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); diam: 58.9 cm; National Gallery of Art

Background imageStable Collection: Glory to God in the highest, Nativity, Bethlehem, Biblical Scene

Glory to God in the highest, Nativity, Bethlehem, Biblical Scene
7279205 Glory to God in the highest, Nativity, Bethlehem, Biblical Scene by Unknown Artist, (19th century); Private Collection; (add.info.: Glory to God in the highest, Nativity, Bethlehem)

Background imageStable Collection: Cowshed, vaccinating cows, in Styria, Austria, 1860

Cowshed, vaccinating cows, in Styria, Austria, 1860
7278755 Cowshed, vaccinating cows, in Styria, Austria, 1860 by Unknown Artist, (19th century); Private Collection; (add.info.: Cowshed, vaccinating cows, in Styria, Austria, 1860, Historic)

Background imageStable Collection: People Celebrating the Feast of Pentecost in Alsace, France

People Celebrating the Feast of Pentecost in Alsace, France
7279874 People Celebrating the Feast of Pentecost in Alsace, France by Unknown Artist, (19th century); Private Collection; (add.info.: People Celebrating the Feast of Pentecost in Alsace, France)

Background imageStable Collection: Songbook 5. Drop Cap: Nativity (fol. 139)

Songbook 5. Drop Cap: Nativity (fol. 139)
7294926 Songbook 5. Drop Cap: Nativity (fol. 139) by Master's Burgo Osma (1400-50); Cathedral Museum, Burgo de Osma, Spain; (add.info.: Master's Burgo Osma (1400 - 1450) Songbook 5

Background imageStable Collection: Homecoming from the Christmas Market, Carriage with donkey, Man has bought a Christmas tree

Homecoming from the Christmas Market, Carriage with donkey, Man has bought a Christmas tree
7279508 Homecoming from the Christmas Market, Carriage with donkey, Man has bought a Christmas tree by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageStable Collection: Adoration of the Shepherds, ca. 1543. Creator: Master IQV

Adoration of the Shepherds, ca. 1543. Creator: Master IQV
Adoration of the Shepherds, ca. 1543

Background imageStable Collection: The window

The window
Lorenzo Grifantini

Background imageStable Collection: Barn Interior with Peasants making Music, 1633 (oil on panel)

Barn Interior with Peasants making Music, 1633 (oil on panel)
7262158 Barn Interior with Peasants making Music, 1633 (oil on panel) by Ostade, Adriaen Jansz. van (1610-85); 39x33 cm; Private Collection; (add.info.: Artist)

Background imageStable Collection: A village nightlife: a family of peasants in a barn. Engraving of the 19th century. Paris, B. N

A village nightlife: a family of peasants in a barn. Engraving of the 19th century. Paris, B. N
JLJ4682445 A village nightlife: a family of peasants in a barn. Engraving of the 19th century. Paris, B.N. by Unknown Artist, (19th century); Bibliotheque Nationale, Paris

Background imageStable Collection: Wary mice above a cat pretending to sleep. 1811 (etching)

Wary mice above a cat pretending to sleep. 1811 (etching)
7235859 Wary mice above a cat pretending to sleep. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: Wary mice above a cat pretending to sleep in a barn. Cat and the mice)

Background imageStable Collection: Nativity in an Initial H, 1430-40 (brush, gouache and ink on vellum)

Nativity in an Initial H, 1430-40 (brush, gouache and ink on vellum)
5861872 Nativity in an Initial H, 1430-40 (brush, gouache and ink on vellum) by Zanino di Pietro (active from 1389, d. before 1448); 27.7x22.9 cm; The Art Institute of Chicago, IL

Background imageStable Collection: The Adoration of Shepherds (Miniature, 12th century)

The Adoration of Shepherds (Miniature, 12th century)
LRI4670800 The Adoration of Shepherds (Miniature, 12th century) by Armenian School, (12th century); Armenian Museum, Isfahan

Background imageStable Collection: Notes during the Recent London Cab Strike (engraving)

Notes during the Recent London Cab Strike (engraving)
1060989 Notes during the Recent London Cab Strike (engraving) by English School, (19th century); Private Collection; (add.info.: Notes during the Recent London Cab Strike)

Background imageStable Collection: A Cock Fight (oil on canvas)

A Cock Fight (oil on canvas)
CH401584 A Cock Fight (oil on canvas) by Snyders, Frans (1579-1657) (follower of); Private Collection; Photo © Christies Images

Background imageStable Collection: The Reprimand (engraving) (b / w photo)

The Reprimand (engraving) (b / w photo)
XIR233080 The Reprimand (engraving) (b/w photo) by Baudouin, Pierre Antoine (1723-69); Bibliotheque Nationale, Paris, France

Background imageStable Collection: A young colt tries to stir a mutiny in the stables. 1811 (etching)

A young colt tries to stir a mutiny in the stables. 1811 (etching)
7235871 A young colt tries to stir a mutiny in the stables. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A young colt tries to stir a mutiny in the stables. Council of horses)

Background imageStable Collection: A dog sleeping on hay in a barn snarls at a cow trying to eat. 1811 (etching)

A dog sleeping on hay in a barn snarls at a cow trying to eat. 1811 (etching)
7235841 A dog sleeping on hay in a barn snarls at a cow trying to eat. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A dog sleeping on hay in a barn snarls at a cow trying to eat)

Background imageStable Collection: Another view of E. Houstons farm, Washington, Yakima County, west of Toppenish, 1939

Another view of E. Houstons farm, Washington, Yakima County, west of Toppenish, 1939. Creator: Dorothea Lange
On tenant purchase program (Farm Security Administration). Another view of E. Houstons farm. Washington, Yakima County, west of Toppenish

Background imageStable Collection: Grey Horse B. Creator: Tom Artin

Grey Horse B. Creator: Tom Artin
Grey Horse B

Background imageStable Collection: Grey Horse A. Creator: Tom Artin

Grey Horse A. Creator: Tom Artin
Grey Horse A

Background imageStable Collection: Buildings, 1810-65 (Pencil)

Buildings, 1810-65 (Pencil)
7261639 Buildings, 1810-65 (Pencil) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Buildings)

Background imageStable Collection: The Seasons - Autumn (oil on canvas)

The Seasons - Autumn (oil on canvas)
XOT362344 The Seasons - Autumn (oil on canvas) by Diziani, Antonio (1737-97); Museo Civico degli Eremitani, Padua, Italy; (add.info.: by Antonio Diziani (1737-97))

Background imageStable Collection: View of Broad Street, New York City c. 1740 (litho)

View of Broad Street, New York City c. 1740 (litho)
PNP377489 View of Broad Street, New York City c.1740 (litho) by American School; Private Collection; Peter Newark American Pictures

Background imageStable Collection: Winchester, Hampshire, 1800-65 (Watercolour)

Winchester, Hampshire, 1800-65 (Watercolour)
7261586 Winchester, Hampshire, 1800-65 (Watercolour) by Pretty, Edward (1792-1865); 21.2x23.8 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Winchester, Hampshire)

Background imageStable Collection: Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)

Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)
XAM66732 Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas) by Teniers, David the Younger (1610-90); 104x74 cm; Kunsthistorisches Museum, Vienna, Austria

Background imageStable Collection: Selling Rabbits, 1796 (coloured mezzotint)

Selling Rabbits, 1796 (coloured mezzotint)
XYC223181 Selling Rabbits, 1796 (coloured mezzotint) by Ward, James (1769-1859) (after); 47.9x60.3 cm; Yale Center for British Art, Paul Mellon Collection

Background imageStable Collection: The Farm Friends (oil on canvas)

The Farm Friends (oil on canvas)
XOU212543 The Farm Friends (oil on canvas) by Lepoittevin, Eugene Modeste Edmond (1806-70); 35x42.5 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: by Eugene Modeste Edmond Lepoittevin (1806-70))

Background imageStable Collection: The Sheep Shearer (pencil on paper)

The Sheep Shearer (pencil on paper)
XOU16855 The Sheep Shearer (pencil on paper) by Segantini, Giovanni (1858-99); Musee des Beaux-Arts, Rouen, France; (add.info.: by Giovanni Segantini (1858-99))

Background imageStable Collection: La Nativite. Painting by Jean Boucher (1568-1632). Oil on wood, sd. Cathedrale de Bourges

La Nativite. Painting by Jean Boucher (1568-1632). Oil on wood, sd. Cathedrale de Bourges
JEB4962370 La Nativite. Painting by Jean Boucher (1568-1632). Oil on wood, sd. Cathedrale de Bourges. by French School, (16th-17th century); (add.info.: La Nativite)

Background imageStable Collection: The nativity. Painting by Benedetto Ghirlandaio (1458-1497). Oil on wood. Dim: 147x144cm

The nativity. Painting by Benedetto Ghirlandaio (1458-1497). Oil on wood. Dim: 147x144cm. Church of Aigueperse
JEB4887368 The nativity. Painting by Benedetto Ghirlandaio (1458-1497). Oil on wood. Dim: 147x144cm. Church of Aigueperse by Ghirlandaio, Benedetto (1458-97); (add.info.: The nativity)

Background imageStable Collection: The mare of Compere Pierre. (engraving and watercolour, 1800)

The mare of Compere Pierre. (engraving and watercolour, 1800)
FIA5379832 The mare of Compere Pierre. (engraving and watercolour, 1800) by Ramberg, Johann Heinrich (1763-1840); Private Collection; (add.info.: The mare of Compere Pierre)

Background imageStable Collection: Horses and Trains, 1944

Horses and Trains, 1944
RAV66493 Horses and Trains, 1944 by Ravilious, Tirzah (nee Garwood) (1908-51); Private Collection

Background imageStable Collection: The fairy-teller, Grandmothers story, 1854

The fairy-teller, Grandmothers story, 1854
7215880 The fairy-teller, Grandmothers story, 1854 by Tidemand, Adolph (1814-76); Private Collection; Photo © O. Vaering

Background imageStable Collection: Farm Yard, Essex, 1940 (oil on canvas)

Farm Yard, Essex, 1940 (oil on canvas)
657680 Farm Yard, Essex, 1940 (oil on canvas) by Hodgkins, Frances (1869-1947); 70x82.5 cm; Private Collection; (add.info.: Farm Yard, Essex. Frances Hodgkins (1869-1947). Oil on canvas. Dated 1940

Background imageStable Collection: Shepherd boy with goats, 1853

Shepherd boy with goats, 1853
6352504 Shepherd boy with goats, 1853 by Helland, Henrik August (1827-55) ; 13x13 cm; Private Collection; Photo © O. Vaering

Background imageStable Collection: The Farm, (oil on board)

The Farm, (oil on board)
1195797 The Farm, (oil on board) by Sudeikin, Sergei Yurevich (1882-1946); 29.8x32.4 cm; Private Collection; Photo © Christies Images

Background imageStable Collection: Silver Altar of Saint James the Major. Detail of the antependium with stories of new testament

Silver Altar of Saint James the Major. Detail of the antependium with stories of new testament, nativity, 1287-1456
LRI4585158 Silver Altar of Saint James the Major. Detail of the antependium with stories of new testament, nativity, 1287-1456 by Ognabene, Andrea di Jacopo d (14th century); Duomo, Pistoia, Tuscany

Background imageStable Collection: Oxenbridge Pond, 1927-28 (oil on canvas)

Oxenbridge Pond, 1927-28 (oil on canvas)
BIR189249 Oxenbridge Pond, 1927-28 (oil on canvas) by Nash, Paul (1889-1946); 99.7x87.6 cm; Birmingham Museums and Art Gallery

Background imageStable Collection: Barn, Lake George, 1922 (gelatin silver print)

Barn, Lake George, 1922 (gelatin silver print)
2970975 Barn, Lake George, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.3x19.2 cm; The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

Background imageStable Collection: The Mill Stream (oil on masonite)

The Mill Stream (oil on masonite)
985194 The Mill Stream (oil on masonite) by Albert, Ernest (1857-1946); 90.8x101.4 cm; Private Collection; Photo © Christies Images




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"Stable: A Timeless Connection Between Man and Horse" Step back in time to 1844 with Edwin Henry Landseer's captivating artwork, showcasing the art of shoeing horses. The intricate details bring this historical practice to life. Fast forward to 1938, where three Jowett Models from the automotive industry stand proudly outside a stable. A perfect blend of modernity and tradition. A palomino horse grazes peacefully in a picturesque meadow, embodying the tranquility found within a stable environment. Nature's beauty meets equine elegance. Transport yourself to the 19th century through a colored engraving capturing the essence of a horseshoer at work. Witness their skillful hands shaping metal into protective footwear for these majestic creatures. Two horses share an endearing bond with their dachshund family, reminding us that they are not just about horses but also about companionship and unity among all creatures great and small. Carriages, horses, and dogs come together harmoniously in one frame—a testament to the bustling activity surrounding stables throughout history. Each element plays its part in creating an enchanting scene. The Nativity scene painted around 1380 depicts more than just religious significance; it showcases how even during ancient times, stables were places of refuge and warmth for both man and beast alike. George Beaumont stands tall beside his manual fire engine in Pinner—an image that exemplifies how stables have served as centers for community service beyond their equestrian function. Christmas brings joyous celebrations worldwide, often depicted by nativity scenes set inside cozy stables—reminding us that even amidst festivities, we honor the humble origins of this season. Within a stable's walls lie stories waiting to be told; two horses stand alongside a small terrier as if sharing secrets only known within those sacred confines—a glimpse into their world behind closed doors.