Stage Costume Collection (#18)

Austria, Vienna, Costume sketch for Adina for opera L elisir d amore (Elixir of Love) performed by Erminia Tadolini
Gaetano Donizetti (1797-1848), L elisir d amore (The Elixir of Love), 1832. Costume sketch for Adina, performed by Erminia Tadolini, in Vienna, 1833

France, Paris, costume sketch for Mathilde performed by soprano Laure Cinthie Damoreau
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for Mathilde (performed by soprano Laure Cinthie Damoreau), for the premiere in Paris, ThA

France, Paris, costume sketch for ballet roles of Simon and Madame Elie, for William Tell at Theatre de l Academie
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for ballet roles of Simon and Madame Elie, for the premiere in Paris, ThA

France, Paris, costume sketch for Figaro performed by Vincenzo Felice Santini for The Barber of Seville
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816

France, Paris, costume sketch for Arnold performed by Adolphe Nourrit, for William Tell at Theatre de l Academie Royale
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for Arnold (performed by Adolphe Nourrit), at the premiere in Paris, ThA

France, Paris, costume sketch for Don Basilio performed by Giuseppe de Begnis for The Barber of Seville
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816

France, Paris, costume sketch for Rosina performed by soprano Sontaga for The Barber of Seville
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816

France, Paris, costume sketch for Commissioner for performance The Barber of Seville, or The Useless Precaution
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816. Costume sketch for Commissioner by C

France, Paris, costume sketch for Ambrogio for performance The Barber of Seville, or The Useless Precaution
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816. Costume sketch for Ambrogio by C

France, Paris, costume sketch for peasants for performance William Tell at Theatre de l Academie Royale de Musique
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for peasants by H. Lecomte, for the premiere in Paris, ThA

France, Paris, costume sketch for Gessler for performance William Tell at Theatre de l Academie Royale de Musique
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for Gessler (performed by Prevost) by H. Lecomte, for the premiere in Paris, ThA

France, Paris, costume sketch for Arnold for performance William Tell at Theatre de l Academie Royale de Musique
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for Arnold (performed by Adolphe Nourrit), at the premiere in Paris, ThA

France, Paris, set design of Normas house for performance Norma, Act II, at Paris Opera
Vincenzo Bellini (1801-1835), Norma, 1831. Act II, Normas house: set design by Franco Zeffirelli for a performance at Paris OpA

France, Paris, costume sketch for Guillame for performance William Tell, at Paris Opera Garnier
Gioacchino Rossini (1792-1868), Guillaume Tell (William Tell), 1828. Costume sketch for Guillame by Lepic, for the performance at Paris OpA

France, Paris, poster for performance Norma at Chateau d Eau Theatre
Vincenzo Bellini (1801-1835), Norma, 1831. Poster by A. Chatiniere for a performance at Chateau d Eau Theatre, 1883

Frane, Paris, costume sketch for Rosina for performance The Barber of Seville, or The Useless Precaution
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816. Costume sketch for Rosina by C

France, Paris, costume sketch for Rosina for performance The Barber of Seville, or The Useless Precaution
Gioacchino Rossini (1792-1868), Il barbiere di Siviglia, ossia L inutile precauzione (The Barber of Seville, or The Useless Precaution), 1816. Costume sketch for Rosina by C

France, Paris, costume sketch for Oroverso for performance Norma, at Paris Opera
Vincenzo Bellini (1801-1835), Norma, 1831. Costume sketch for Oroverso by M. Escofier for the performance at Paris OpA

Costume sketch for Marguerite for performance Faust, by Carlton Smith
Charles Gounod (1818-1896), Faust, 1859. Costume sketch for Marguerite by Carlton Smith, for a performance in 1911

Italy, Milan, Portrait of Italian soprano Giuditta Pasta (1707 - 1865)
Italy - 19th century. Portrait of Giuditta Pasta (Saronno, 1707 - Blevio, 1865), Italian soprano

France, Lyon, The ballet of Faust
Jean Seignemartin (1848-1875), The Ballet of Faust, 1871

France, Rheims, Desdemona at the feet of her father (Othello scene)
Eugene Delacroix (1798-1863), Desdemona at the Feet of her Father, 1852 (Othello, Act 1, Scene 3)

France, A dressing room at the Opera of Paris, 1873 19th century, Bibliotheque des Arts Decoratifs (Library)

France, Rheims Hamlet before the body of Polonius
Eugene Delacroix (1798-1863), Hamlet before the Body of Polonius, 1855

France, Paris, scene from La Princesse de Navarre by Jean-Philippe Rameau, libretto by Voltaire, performed on the occasion of the Dauphins wedding, watercolor, 1745 18th century

Italy, milan, Portrait of Italian opera singer Carlo Galeffi (Venice, 1882 - Rome, 1961)
Italy - 20th century. Portrait of Carlo Galeffi (Venice, 1882 - Rome, 1961), Italian opera singer, playing Figaro in The Barber of Seville (Il barbiere di Siviglia)

France, Paris, Concert in Rome on Occasion of Birth of Son of Louis XV, close-up
Giovanni Paolo Pannini (1691-1765), Concert in Rome on the Occasion of the Birth of Louis (1729-1765), Dauphin of France, Son of Louis XV

Austria, Vienna, Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Costume for Tamino designed by Philipp von Stubenrauch

France, Paris, Feodor Ivanovich Chaliapin (Kazan, 1873 - Paris, 1938), bass opera singer
Feodor Ivanovich Chaliapin (Kazan, 1873 - Paris, 1938), bass opera singer, in the title role of Boris Godunov by Modest Mussorgsky, June 1913

Samba Parade at the Carnival in Rio de Janeiro, Brazil, South America

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"Captivating Stage Costumes: A Journey through Time and Culture" Step into the enchanting world of stage costumes as we explore a captivating array of designs from various countries and eras. In Italy, we are transported to the tragic tale of Desdemona in Shakespeare's Othello, where her stunning attire reflects both elegance and vulnerability. Giuseppe Verdi's opera Otello comes alive with an exquisite illustration capturing the essence of this timeless masterpiece. Moving to Germany, Berlin mesmerizes us with a set design for The Magic Flute, showcasing the ethereal beauty of the Queen of the Night. Her costume exudes power and mystery, perfectly complementing Mozart's enchanting music. Next stop is France, where Vaslav Nijinsky captivates audiences in Claude Debussy's L'Apres Midi d'un Faune. His striking outfit embodies sensuality and grace, leaving spectators spellbound. The Carnival of Basel takes center stage in Switzerland as vibrant costumes fill the streets during this joyous celebration. Basler Fasnacht showcases intricate designs that reflect tradition and creativity. Traveling back in time to 18th century Europe, we encounter Queen Anne of Cleves adorned in regal attire fit for royalty. Every detail speaks volumes about her status and influence. An acrobat hanging from a swing captures our attention with their daring performance illustrated on paper. Their costume symbolizes strength and agility while defying gravity itself. Returning to France once more, Carmen by Georges Bizet enchants us with flamenco dancers dressed in vibrant outfits that embody passion and intensity. Racine's Phaedra brings forth another French masterpiece with its elegant costume design reflecting tragedy intertwined with beauty. Giacomo Puccini's Tosca takes us to Paris Opera on June 10th, 1960 - a night filled with anticipation as we witness Tosca herself donning an iconic costume that epitomizes drama and emotion.