Stage Set Collection (#6)

Academie Nationale. - Othello - Iago - M. Delmas, 1904. Creator: Unknown
Academie Nationale. - Othello - Iago - M. Delmas, 1904. Jean-Francois Delmas, (1861-1933) as Iago in Othello - an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito

Theatre Des Varietes. La Chauve-Souris - Le Prince Orlofsky. - Mlle. Eve Lavalliere, 1904. Eve Lavalliere, (1866-1929) as Prince Orlofsky in La Chauve-Souris or Die Fledermaus a Vienese operetta by

Theatre Des Varietes. - Paris Aux Varietes - La Commere. - Mlle. Saulier, 1904. Jeanne Saulier as la Commere in Paris Aux Varietes by Paul Gavault. From " Le Theatre - Jan-June 1904"

Miss Isabel Jay, (1879-1927), as Christine in Dear Little Denmark"
Miss Isabel Jay, (1879-1927), as " Christine" in " Dear Little Denmark". c1909. was an English opera singer in Edwardian musical comedies. [Foulsham & Banfield, London]

The theatre proscenium, Normansfield Hospital, Richmond upon Thames, 1976

Interior view of the Kings Theatre, Haymarket, London, 1795

Interior view of the Haymarket Theatre, Westminster, London, 1821. The theatre opened in 1821

Noel Coward and Gertrude Lawrence in a scene from Private Lives, New York, USA, 1931. English actors Sir Noe l Peirce Coward (1899-1973), Gertrude Lawrence (1898-1952) starred in the play

Design stage set front porch prison internship design
Design for a stage set of a front porch of a prison (?), internship design, prison, jail, Pieter Barbiers (I), 1779, paper, watercolor (paint), ink, graphite (mineral), brush, h 175 mm × w 276 mm

Stage Set Opera Fedra Raccolta di varie decorazioni
Stage Set for the Opera Fedra, Raccolta di varie decorazioni sceniche: inventate ed eseguite per il R. Teatro alla Scala di Milano, Castellini, Giuseppe, Sanquirico, Alessandro, 1777-1849, Aquatint

Compendium of Architectural Books by Sebastiano Serlio (Books I-V), 1544, 1545, 1547

The temple of Isis and Osiris, The Magic Flute, 1816. Artist: Karl Friedrich Schinkel
The temple of Isis and Osiris, The Magic Flute, 1816. Stage design by Karl Freidrich Schinkel for The Magic Flute (Die Zauberflote)

Italy, Venice, Sketch for the scenic design by Francesco Bagnara (1784-1866), scene two of The Marriage of Figaro or the Day of Madness (Le nozze di Figaro, ossia la folle giornata)

Italy, Milan, Opera at Teatro La Scala, early 1800s
Italy, 19th century. An opera at the Teatro La Scala in Milan, early 1800s

Germany, Bayreuth, Scenic design for Parsifal by Richard Wagner
Hermann Hendrich (1854-1931), scenic design for Parsifal (1882) by Richard Wagner (1813-1883)

Design for Stage Setting, c1927. Artist: Alexander Baranowsky
Design for Stage Setting, c1927. From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks
Stage Setting for The Faithful Shepherdess, c1927. The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher (1579-1625)

Scene painting, London, c1900 (1901). From Living London, Vol. 1, edited by George R. Sims. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1901]

Scenery for As You Like It (Act I, Scene I) and Costumes of Amiens and Lebeau, 1919. Artist: Claud Lovat Fraser
Scenery for As You Like It (Act I, Scene I) and Costumes of Amiens and Lebeau, 1919. In 1919 Claud Lovat Fraser produced the designs for Nigel Playfairs ground-breaking production of As You Like It

Isaacs Lodgings, 1924 (1925). Artist: George Sherringham
Isaacs Lodgings, 1924. Stage setting for Richard Brinsley Butler Sheridans (1751-1816) The Duenna. After original artwork by George Sheringham (1884-1937)

The Lottery, 1721. Artist: William Hogarth
The Lottery, 1721. A theatre stage upon which the allegorical figures of virtue and vice perform a production. This was Hogarths way of criticising the government for raising money by lottery

A Variety Of Amusements, French Theatre, 1789, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

The Glorious Comedy Of Destouches, (1885). Artist: Lancret
The Glorious Comedy Of Destouches, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Scene from a play, (1885). Artist: Charpentier
Scene from a play, (1885). Theatrical scene. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Stage design for a theatre play, early 19th century. Artist: Domenico Corsini
Stage design for a theatre play, early 19th century. Found in the collection of the Russian State Archive of Literature and Art, Moscow

Old cemetery. Stage design for a theatre play, 1790. Artist: Henry Hudfield
Old cemetery. Stage design for a theatre play, 1790. Found in the collection of the Museum Palace Theatre Ostankino, Moscow

Stage design for the opera Uriel Acosta, by Valentina Serova, 1885. Artist: Vasilij Dmitrievic Polenov
Stage design for the opera Uriel Acosta, by Valentina Serova, 1885. The opera, Serovas first, premiered at Moscows Bolshoi Theatre in 1885

Stage design for the play The Storm, by Alexander Ostrovsky, 1916. Artist: Aleksandr Golovin
Stage design for the play The Storm, by Alexander Ostrovsky, 1916.Found in the collection of the State Central A Bakhrushin Theatre Museum, Moscow

Stage design for the opera Sadko, by Nikolai Rimsky-Korsakov, Novgorod, Russia, 1917. Artist: Konstantin Korovin
Stage design for the opera Sadko, by Nikolai Rimsky-Korsakov, Novgorod, Russia, 1917. Found in the collection of the State Open-air Museum of the Trinity Lavra of St Sergius, Sergyev Possad

Scene from Alexander Ostrovskys play False Dmitriy, Maly Theatre, Moscow, Russia, 1870s. Found in the collection of the The State Central A Bakhrushin Theatre Museum, Moscow

The Grand Ballet, Theatre du Chatelet, Paris, 1904. An illustration from Le Petit Journal, 27th November 1904

Mezzetin, 1718-1720. Artist: Jean-Antoine Watteau
Mezzetin (half-measure), 1718-1720. Mezzetin, a stock character of the commedia dell arte, the improvisational theater form of Italian origin

Set design for Mozarts The Magic Flute, 1863. The Magic Flute ( Die Zauberflote ), the opera by Wolfgang Amadeus Mozart (1756-1791) with libretto by Emanuel Schikaneder (1751-1812)

Set design for Mozarts Don Giovanni, 1875
Design for Mozarts Don Giovanni, 1875. Don Giovannis Banqueting Hall from a design of 1875 for the opera by Wolfgang Amadeus Mozart (1756-1791), Austrian composer, first performed in Prague in 1787

Fire and Water, The Magic Flute, 1816. Artist: Karl Friedrich Schinkel
Fire and Water, The Magic Flute, 1816. Stage design by Karl Freidrich Schinkel for The Magic Flute (Die Zauberflote), showing fire and water, two of the ordeals that Tamino, the hero

George Alexander (1858-1918), English theatrical actor-manager. Alexander as Orlando in Shakespeares As You Like It. Considered an avant-garde performer

Savoy Theatre, London, 1881. View of the interior of the Savoy Theatre with the house (not the stage) lit by Swan incandescent lamps

Ada Rehan, Irish-born American actress, c1890. Artist: W&D Downey
Ada Rehan, Irish-born American actress, c1890. Ada Rehan (1860-1916) in the breeches role of Rosalind in As You Like Itby William Shakespeare. From The Cabinet Portrait Gallery. (London, 1890-1894)

Design Stage Set Semi-Circular Architectural Ruins
Artokoloro

Design Stage Set 1810-38 Pen black ink additional piece
Artokoloro

Design Stage Set Palace Hall Columns Statues
Artokoloro

Design Stage Set Pen black ink brush black gray
Artokoloro

Design Stage Set Opera Paris Greenhouse 1828-90
Artokoloro

Design Stage Set Opera Paris 1828-90 Graphite
Artokoloro

Design Stage Set Opera Paris 1840-90 Graphite
Artokoloro

Design Stage Set 19th century Graphite watercolor
Artokoloro

Sketch Stage Set Foreshortened View Palace Figure
Artokoloro

Design Stage Set Double Storey Torqued Columns
Artokoloro

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Step into the enchanting world of stage sets, where imagination and creativity collide to bring stories to life. From Italy to Germany, these captivating illustrations transport us to a realm of theatrical wonder. In Italy, we find ourselves amidst the tragic tale of Desdemona and Othello, as well as the cunning Iago. Giuseppe Verdi's opera Otello (1887) comes alive through an exquisite oleograph that captures the essence of this timeless masterpiece. Moving on to Germany, we are transported to Berlin for a performance of The Magic Flute. Set design unveils the majestic presence of the Queen of the Night, her ethereal beauty casting a spell over all who witness her magnificence. Bayreuth beckons us next with Richard Wagner's epic The Ring of the Nibelungs. A sketch for scenic design reveals the mesmerizing Rhine-daughters in all their aquatic splendor while another set design showcases the awe-inspiring Temple of the Holy Grail from Parsifal's first act. Stepping away from classical works, we delve into Tennessee Williams' evocative plays. His words come alive on stage as vibrant backdrops create an atmospheric backdrop for his characters' emotional journeys. Music takes center stage at Capital Radio Jazz Festival in London (1979), where legendary B. B. King captivates audiences with his soulful melodies. The grandeur of Alexandra Palace serves as a fitting backdrop for this unforgettable performance. Returning to Germany once more, Karl Friedrich Schinkel's illustration transports us deep into The Magic Flute's mystical world. We find ourselves standing before The Temple of Isis and Osiris - an architectural marvel that embodies both mystery and enchantment. The historical allure continues with Mathaus Küsel’s set designs from Il Pomo D'Oro (1668). As we peer into Il Fuoco Eterno (1674), our gaze falls upon Rome's Roman curia, guarded and regal.