Stephanoff Collection

The Queen's State Bedchamber at Windsor Castle, 1818. Creator: Stephanoff, James (1789-1874)
The Queen's State Bedchamber at Windsor Castle, 1818. Private Collection

The staircase at Buckingham House, 1818. Creator: Stephanoff, James (1789-1874)
The staircase at Buckingham House, 1818. Private Collection

Mary Queen of Scots with her baby son James
Mary Queen of Scots presenting her baby son, later King James VI of Scotland and I of England

The Kings Library, Buckingham House, 1818 (colour aquatint engraving)
985732 The Kings Library, Buckingham House, 1818 (colour aquatint engraving) by Stephanoff, Francis Phillip (1790-1860) (after); 40.7x31.8 cm; Private Collection; (add.info.: The Kings Library)

Interior view of the green closet in Buckingham House, Westminster, London, 1819. Buckingham House was reconstructed as Buckingham Palace in the 1820s

Interior view of the drawing room in Buckingham House, Westminster, London, 1817. Buckingham House was reconstructed as Buckingham Palace in the 1820s

View of the saloon in Buckingham House, Westminster, London, 1819. Buckingham House was reconstructed as Buckingham Palace in the 1820s

View of a staircase in Buckingham House, Westminster, London, 1819. Buckingham House was reconstructed as Buckingham Palace in the 1820s

The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. Artist
The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. In the foreground the Archbishop of Canterbury is crowning the king, who sits in St Edwards chair

Heaving, 1816. Six young women in a room are lifting a chair in which a young man is seated, whilst two other girls peer round a door which a man is coming through

Knight of the Garter in ceremonial costume, 1824. Artist: William Bond
Knight of the Garter in ceremonial costume, 1824. Charles William Stewart, Marquis of Londonderry, is in ceremonial costume for the coronation of King George IV, 19 July 1821

Treasurer in ceremonial costume, 1826. Artist: Edward Scriven
Treasurer in ceremonial costume, 1826. The Treasurer of the Kings household, the Right Honourable Lord Charles Bentinck, is in full ceremonial costume

Gentleman in ceremonial costume, 1824. Artist: Edward Scriven
Gentleman in ceremonial costume, 1824. The gentleman, a member of the Kings Privy Council, is in full ceremonial costume for the coronation of King George IV, 19 July 1821

Frederick Augustus, Duke of York in the coronation dress and robes of estate, 1824. He is being attended by his trainbearer, Lieutenant Henry Frederick Cookes for the coronation of King George IV

Gentleman in cerimonial costume, 1826. Artist: Henry Meyer
Gentleman in cerimonial costume, 1826. The gentleman of the Kings Privy Chamber is in full ceremonial costume for the coronation of King George IV, 19 July 1821

Children collecting pennies for the Guy, 1816

King George IV in his royal robes wearing a cap of estate, 1826. Artist: Edward Scriven
King George IV in his royal robes wearing a cap of estate. His train is being held by eight eldest sons of peers assisted by the Master of the Robes, Lord Francis Conyngham

Kitchen, St Jamess Palace, London, 1819. Artist: William James Bennett
Kitchen, St Jamess Palace, London, 1819. From The History of the Royal Residences by William Henry Pyne (1769-1843)

The Banquet of Henry VIII in York Place. Artist: Stephanoff, James (1789-1874)
The Banquet of Henry VIII in York Place. Found in the collection of Royal Collection, London

Drawings Prints, Print, Keys, Prints, Coronation, Portraits, House, Lords, Publisher
Drawings and Prints, Print, Keys to Prints of the Coronation and Portraits in the House of Lords, Publisher, Artist, After, Robert Bowyer, James Stephanoff, British, Portsmouth 1758-1834 Byfleet

Falstaff at Hernes Oak, from The Merry Wives of Windsor, Act V
Falstaff at Hernes Oak, from " The Merry Wives of Windsor, " Act V, Scene v Falstaff at Hernes Oak, from The Merry Wives of Windsor, V, v Signed and dated in brown paint

CHACUN À SON GOUT. Everyone to his taste. Steel engraving, English, 19th century, after James Stephanoff (1788-1874)

The trial of the honourable Colonel Algernon Sidney, 1683. painted by F.P. Stephanoff, Esq. London 1835. Two line dedication to William Spence Cavendish. Date 1835

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Stephanoff: A Glimpse into Royal Splendor Stephanoff, a renowned artist of the 19th century, captured the essence of regal opulence through his exquisite artworks. In one captivating piece, he immortalized Mary Queen of Scots cradling her baby son James, symbolizing a mother's love and the weight of royal responsibilities. The Kings Library at Buckingham House comes alive in Stephanoff's color aquatint engraving from 1818. The grandeur and richness of this space are evident as shelves overflow with precious tomes that have witnessed centuries unfold. Moving further inside Buckingham House, we step into the green closet depicted in Stephanoff's 1819 artwork. This intimate interior view reveals an enchanting sanctuary adorned with lush fabrics and delicate furnishings—a hidden retreat for moments of solitude amidst bustling court life. In another masterpiece from 1817, Stephanoff invites us into the drawing room at Buckingham House. Here, elegance reigns supreme as gilded furniture reflects soft candlelight while distinguished guests engage in lively conversation—an embodiment of refined social gatherings during that era. Venturing deeper within Buckingham House is a sight to behold—the saloon showcased by Stephanoff in his 1819 creation. With its soaring ceilings and ornate decorations adorning every corner, this majestic space served as a backdrop for extravagant festivities hosted by royalty throughout history. A magnificent staircase takes center stage in yet another remarkable work by Stephanoff dating back to 1819. Its sweeping curves and intricate details speak volumes about architectural prowess—each step echoing with whispers from countless dignitaries who ascended it on their way to significant events held within these hallowed walls. One cannot discuss Stephanoff without mentioning his portrayal of King George IV's coronation at Westminster Abbey on July 19th, 1821. Through his artistry, he captures not only the pomp and circumstance but also the weighty responsibility borne by a monarch during such a momentous occasion.