Studio Publications Collection (#8)

Lucy de Laszlo, the artist?s wife, 1919. Artist: Philip A de Laszlo
Lucy de Laszlo, the artist?s wife, 1919. Lucy de Laszlo nee Guinness, member of the banking branch of the Guinness family and a sister of Henry Guinness. From The Studio Volume 80

Oriel College, Oxford, 1919. Artist: Edmund Hort New
Oriel College, Oxford, 1919. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

How Qua, Head of the Hong Merchants in Canton, c1830. Artist: George Chinnery
How Qua, Head of the Hong Merchants in Canton, c1830. Howqua (1769-1843), the most important of the Hong merchants in the Thirteen Factories, head of the E-wo hong and leader of the Canton Cohong

Illuminated Text From The Pilgrims progress, c1920. Artist: Marta Bowerley
Illuminated Text From The Pilgrims progress, c1920. An illuminated page taken from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer

The Red Ship, Barcelona, c1915. Artist: Rafael Forns y Romans
The Red Ship, Barcelona, c1915. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

From Cornhill, c1906. Artist: William Monk
From Cornhill, c1906. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Sackbridge Hall, Near Lowther, c1928. Artist: Peter de Wint
Sackbridge Hall, Near Lowther, c1928. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Coast Scene, c1819. Artist: Peter de Wint
Coast Scene, c1819. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

A Lane With Cottages, c1820. Artist: Peter de Wint
A Lane With Cottages, c1820. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Hay Cart Crossing a Stream, c1824. Artist: Peter de Wint
Hay cart Crossing a Stream, c1824. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Near Lowther Castle, c1818. Artist: Peter de Wint
Near Lowther Castle, c1818. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Nearing The Harbour, c1820. Artist: Peter de Wint
Nearing The Harbour, c1820. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

The Thames from Greenwich Hill, c1820. Artist: Peter de Wint
The Thames from Greenwich Hill, c1820. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

The Woodcutter, 1858. Artist: David Cox the elder
The Woodcutter, 1858. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Flying the Kite, 1852. Artist: David Cox the elder
Flying the Kite, 1852. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

The Cart Shed, 1841. Artist: David Cox the elder
The Cart Shed, 1841. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Tintern Abbey, c1840. Artists: David Cox the elder, Walter de Clare
Tintern Abbey, c1840. Tintern Abbey was founded by Walter de Clare, Lord of Chepstow, on 9 May 1131. It is situated adjacent to the village of Tintern in Monmouthshire

Church of St. Eustache, Paris, c1829. Artist: David Cox the elder
Church of St. Eustache, Paris, c1829. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Classical Landscape, c1832. Artist: John Sell Cotman
Classical Landscape, c1832. Watercolour held at The Norfolk Museums Collections, Norfolk. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Gateway of the Abbey Aumale, Normandy, 1832. Artist: John Sell Cotman
Gateway of the Abbey Aumale, Normandy, 1832. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Yarmouth Beach, c1808. Artist: John Sell Cotman
Yarmouth Beach, c1808. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Trentham Church, c1810. Artist: John Sell Cotman
Trentham Church, c1810. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

Twickenham, c1808. Artist: John Sell Cotman
Twickenham, c1808. From The Studio Volume 79. [London Offices of the Studio, London, 1903]

St. Botolphs Priory, Essex, c1806. Artist: John Sell Cotman
St. Botolphs Priory, Essex, c1806. St. Botolphs Priory was a Medieval Augustinian religious house in Colchester, Essex it was the first

A painting on the core pillar of the Pagoda at the Daigoji Monastery, c13th century. The five-storey pagoda at Daigoji temple was built in 951 and is the oldest building in Kyoto

Kokuzo, Sanboin Temple, c18th century. Kokuzo is important to Japan?s Shingon sect of Esoteric. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Pont Neuf, Paris, c1911. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

A Windy Day, c1906. Artist: Alexander Jamieson
A Windy Day, c1906. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

End of a Barrel-Ceilinged Dining Room, c1910. The room was designed by William Ernest Reynolds-Stephens (1862-1943). From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Guineveres Redeeming, c1897. Artist: Sir William Reynolds-Stephens
Guineveres Redeeming, c1897. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Runton Old Hall, Norfolk, View from North-West, c1909. The architect overseeing the rennovation, Mackay Hugh Baillie Scott (1865-1945). From The Studio Volume 51

Landscape, c1904. Artist: Albert Henry Fullwood
Landscape, c1904. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

On The Heath Lytchett Minster, c1904. Artist: Frederick William Newton Whitehead
On The Heath Lytchett Minster, c1904. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

Le Jardin D Acclimatation, c1895. Artist: Felix Bracquemond
Le Jardin D Acclimatation, c1895. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

The Old Marble Hall, Venice, c1904. Artist: Thomas Robert Way
The Old Marble Hall, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]

Bead Stringers, Venice, c1904. Artist: Thomas Robert Way
Bead Stringers, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]

A Sussex Common, c1889. Artist: Thomas Collier
A Sussex Common, c1889. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

C. Cazin in his Studio, c1897. French landscape painter and ceramicist Jean Charles Cazin (1840-1901) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Dagnan in his Studio, c1897. French painter Pascal-Adolphe-Jean Dagnan-Bouveret (1852-1929) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

P. Roll in his Studio, c1897. French painter Alfred Philippe Roll (1846-1919) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

A. Besnard in his Studio, c1897. French painter Paul-Albert Besnard (1849-1934) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Henri Gervex in his Studio, c1897. French painter Henri Gervex (1852-1929) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Carolus Duran in his Studio, c1897. French painter Charles Auguste Emile Durand (CarolusDuran) (1837-1917) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Puvis De Chavannes in his Studio, c1897
Puvis De Chavannes in his Studio, 1897. French painter Pierre Puvis de Chavannes (1824-1898) in his studio. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Salle D Ethnographie at the Brussels Exhibition, 1897. The Brussels Exhibition ran from May 10th, 1897 through to November 8, 1897. From The Studio Volume 10

Saints House and Field, Tangier, 1885. Artist: Norman Garstin
Saints House and Field, Tangier, 1885. Painting held at Plymouth City Council Museum and Art Gallery, Plymouth. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

A Corner in the studio of Mr. Louis C. Tiffany, 1897. The studio of American artist and designer Louis Comfort Tiffany (1848-1933). From The Studio Volume 10

Fire-place in the library of Mr. Louis C. Tiffany, 1897. A fireplace in the library of American artist and designer Louis Comfort Tiffany (1848-1933). From The Studio Volume 10

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"Exploring the Timeless Beauty: Studio Publications Unveil Artistic Gems" Step into a world of artistic marvels as Studio Publications takes you on a captivating journey through time. Delve into the enchanting Vale of Aylesbury, brought to life in 1933 by the talented brushstrokes of Rex Whistler. Lose yourself in the mesmerizing strokes of JMW Turner's A First Rate Taking in Stores, an exquisite masterpiece from 1818. Immerse yourself in Joseph Edward Southall's The Old Fisherman, a poignant portrayal from 1903 that captures both the serenity and hardships of a noble profession. Surrender to Harry Clarke's spellbinding creation, The Song of the Mad Prince, crafted around 1917 with intricate details that transport you to another realm. Witness Edmund Hort New's breathtaking depiction of Christchurch, Oxford, painted with love and precision back in 1916. Marvel at Charles Rennie Mackintosh's Port Vendres, La Ville - a stunning composition dating back to approximately 1925 that showcases his unparalleled talent. Journey alongside JMW Turner once more as he immortalizes Shoeburyness Fisherman Hailing a Whitstable Hoy - an evocative piece capturing maritime life circa 1809. Allow Harry Clarke's Morella (c1920) to captivate your imagination with its ethereal beauty and haunting allure. Indulge your senses with John William Waterhouse's The Charmer (1911), where every brushstroke tells a tale woven within layers of mystery and fascination. Step further back in time as Hans Holbein the Younger presents us with his timeless Portrait of Jane Seymour from 1536 (1936), offering an intimate glimpse into history. Feel George Clausen’s Reading by Lamplight (Twilight: Interior) embrace you warmly; let it transport you to moments filled with tranquility and introspection.