Studio Volume 29 Collection

Glass Vase by E. Galle, c1846-1903, (1903). Artist: Emile Galle
Glass Vase by. Emile Galle (1846-1904) was a French artist who worked in glass and who was influential in the French Art Nouveau movement

A Self Portrait of Phil May, 1896, (1903). Artist: Philip William May
A Self Portrait of Phil May, 1896. After a Self Portrait of Phil May (1864-1903), created as a gift for his friend the artist Sir Frank William Brangwyn (1867-1956)

Spanish Dancers, c1875-1903, (1903). Artist: Allan Osterlind
Spanish Dancers. After a coloured etching by Allan Osterlind (1855-1938). After a coloured etching by Allan Osterlund, 1903. From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Old Hungerford Bridge, 1861, (1903). Artist: James Abbott McNeill Whistler
Old Hungerford Bridge, 1861. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Adam and Eve: Old Chelsea, 1879, (1903). Artist: James Abbott McNeill Whistler
Adam and Eve: Old Chelsea, 1879. After an etching by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler
On a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Portrait Study in Pastel, c19th century, (1903). Artist: James Abbott McNeill Whistler
Portrait Study in Pastel, c19th century. After a pastel study by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Study of a Sleeping Baby, c16th century, (1903). Artist: Federico Barocci
Study of a Sleeping Baby, c16th century. After a drawing in coloured chalks by Federico Barocci (c1526-1612). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Studies of James McNeill Whistler, c1886. (1903). Artist: Mortimer Luddington Menpes
Studies of James McNeill Whistler, c1886. After a dry-point by Mortimer Luddington Menpes (1855-1938). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Saint Martin Healing a Possessed Man, c 17th century, (1903). Artist: Jacob Jordaens
Saint Martin Healing a Possessed Man, c 17th century. After a study in chalk and water colour by Jacob Jordaens (1593-1678). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Charity, 16th century, (1903). Artist: Francesco Primaticcio
Charity, 16th century. After a drawing in Sepia and White by Francesco Primaticcio (1504-1570). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

The Virgin and Child, study for the Madonna di Foligno, c1511. (1903). Artist: Raphael
The Virgin and Child, study for the Madonna di Foligno, c1511. After a chalk study by Raphael (1483-1520). Original housed in the British Museum, London

In The Garden, 1902. (1903). Artist: William Bruce Ellis Ranken
In The Garden, 1902. After a water colour by William Bruce Ellis Ranken (1881-1941). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Portrait of the Artists Daughter, c1879-1903, (1903). Artist: Paul Helleu
Portrait of the Artists Daughter. After a dry-point by Paul Cesar Helleu (1859-1927). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Study for Prospero Summoning Nymphs and Deities, c1902, (1903). Artist: Herbert James Draper
Study for Prospero Summoning Nymphs and Deities, c1902. After a work by Herbert James Draper (1863-1920). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Cardinal Manning, , c1857-1903, (c1903). Artist: Alphonse Legros
Cardinal Manning, c1903. After graduating from Oxford, Henry Edward Manning (1809-1892) was ordained as an Anglican priest and in 1840 was appointed archdeacon of Chichester

The Sorrowing Angel, c1837-1903, (1903). Artist: George Frederick Watts
The Sorrowing Angel. After a work by George Frederic Watts (1817-1904). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Head of a Peasant, 1902, (1903). Artist: Alphonse Legros
Head of a Peasant, 1902. After a work by Alphonse Legros (1837-1911). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

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"Studio Volume 29: A Glimpse into Artistic Brilliance" Step into the world of Studio Volume 29, where a treasure trove of artistic masterpieces awaits. This captivating collection showcases the diverse talents and timeless beauty captured by renowned artists from different eras. E. Galle's "Glass Vase" transports us to the late 19th century with its delicate craftsmanship and intricate design. The self-portrait of Phil May by Philip William May offers a glimpse into the artist's soul, capturing his essence in vibrant strokes. Allan Osterlind's "Spanish Dancers" mesmerizes with its vivacious energy, transporting us to a lively flamenco performance. James Abbott McNeill Whistler takes us on a journey through time with his evocative pieces like "Old Hungerford Bridge, " showcasing his mastery of light and shadow. Whistler continues to captivate our senses with "Adam and Eve: Old Chelsea, " an enchanting depiction that invites contemplation on human nature. On a Venetian canal, we find ourselves immersed in Whistler's ethereal vision, transported to another era. The portrait study in pastel by Whistler reveals his ability to capture emotions effortlessly while Federico Barocci's "Study of a Sleeping Baby" showcases tender innocence frozen in time. Mortimer Luddington Menpes' studies of James McNeill Whistler offer an intimate glimpse into their artistic relationship. Jacob Jordaens' powerful artwork titled "Saint Martin Healing a Possessed Man" reminds us of the enduring battle between good and evil throughout history. Francesco Primaticcio's masterpiece, "Charity, " radiates compassion through every brushstroke. Raphael's study for the Madonna di Foligno enchants viewers as we witness divine love embodied within motherhood itself – The Virgin and Child is truly awe-inspiring.