Studio Volume 31 Collection

The Whistler Memorial Exhibition, Boston, 1904. The Whistler Memorial Exhibition, Boston opened, 23rd February 1904, in the Copley Hall, Boston. From The Studio Volume 31

The Annunciation, c1901. Artist: Frederick Marriott
The Annunciation, c1901. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Study of the Mermaid, In The Depths of the Sea, 1886. Artist: Sir Edward Coley Burne-Jones
Study of the Mermaid, In The Depths of the Sea, 1886. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

The Fountain, c1904. Artist: Herbert Alexander Collins
The Fountain, c1904. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Lambs, c1904. Artist: Herbert Alexander Collins
Lambs, c1904. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

A Study of Nuns, c1896. Artist: Gaston la Touche
A Study of Nuns, c1896. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Tibetan Tea-Pot with Dragon Spout and Handle Showing Chinese Influence, c1904. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler
A Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Upper Terrace, Villa Imperiale, Genoa, 1900. Artist: George Samuel Elgood
Upper Terrace, Villa Imperiale, Genoa, 1900. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Summer Flowers, c1615. Artist: Sotatsu
Summer Flowers, c1615. Japanese artist of the Tokugawa period (1603?1867). From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Hydrangea, 1838. Artist: Ikeda Eisen
Hydrangea, 1904. Keisai was a japanese Ukiyo-e artist. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

The Vale of Meifod, 1873. Artist: Cecil Gordon Lawson
The Vale of Meifod, 1873. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

The Blue Girl, c1874. Artist: James Abbott McNeill Whistler
The Blue Girl, c1874. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Avant La Tempete, c1855. Artist: Victor Hugo
Avant La Tempete, c1855. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Mere Et Enfant, Interieur Vendeen, 1900. Artist: Charles Milcendeau
Mere Et Enfant, Interieur Vendeen, 1900. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

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Step into Studio Volume 31 and immerse yourself in a world of artistic wonders. The Whistler Memorial Exhibition, held in Boston in 1904, pays tribute to the genius of James Abbott McNeill Whistler, showcasing his timeless masterpiece "A Venetian Canal" from c1880. Frederick Marriott's breathtaking portrayal of "The Annunciation" transports us back to the early 20th century with its ethereal beauty and delicate brushstrokes, while Sir Edward Coley Burne-Jones takes us on a mesmerizing journey beneath the waves with his enchanting "Study of the Mermaid, In The Depths of the Sea" from 1886. Herbert Alexander Collins captivates our senses with two contrasting pieces - "The Fountain" from c1904 exudes tranquility and serenity, while "Lambs, " also from c1904, radiates innocence and playfulness. Gaston la Touche's captivating "A Study of Nuns" offers a glimpse into their mysterious world through intricate details and masterful use of light. Meanwhile, we are transported to exotic lands as we admire a Tibetan Tea-Pot adorned with dragon spouts and handles that showcase Chinese influence. George Samuel Elgood invites us to wander through the Upper Terrace at Villa Imperiale in Genoa during 1900; his painting captures both grandeur and intimacy simultaneously. Sotatsu's vibrant depiction of "Summer Flowers" from c1615 brings nature alive on canvas with its vivid colors and meticulous attention to detail. Ikeda Eisen's delicate brushwork beautifully portrays an exquisite Hydrangea blooming in all its glory during 1838. Lastly, Cecil Gordon Lawson takes us on a picturesque journey through "The Vale of Meifod, " painted in 1873; it is an ode to nature's majesty that leaves us breathless.