Studio Volume Twelve Collection

An auto-lithograph by Armand Rassenfosse, c1898. Artist: Armand Rassenfosse
An auto-lithograph by Armand Rassenfosse, c1898. This work is sometimes refered to as Young girl putting on her bonnet. After an auto-lithograph by Armand Rassenfosse (1862-1934)

Mr. and Mrs. Zorn, 1890. (1898). Artist: Anders Leonard Zorn
Mr. and Mrs. Zorn, 1890. A self portrait of the artist Anders Leonard Zorn (1860-1920) and his wife Emma Amalia Zorn (1860-1942). After an etching by Anders Leonard Zorn (1860-1920)

Count Georg von Rosen (1843-1923), Swedish painter, 1893, (1898). Artist: Anders Leonard Zorn
Count Georg von Rosen (1843-1923), Swedish painter, 1893. After an etching by Anders Leonard Zorn (1860?1920).From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Joseph Ernest Renan (1823-1892), 1892, (1898). Artist: Anders Leonard Zorn
Joseph Ernest Renan (1823-1892), French expert in Middle East ancient languages and civilizations, philosopher and writer, 1892. (1898). After an engraving by Anders Leonard Zorn (1860-1920)

David, c1898. Artist: George Heywood Maunoir Sumner
David, c1898. An illustration of the biblical tale. After a cartoon for Sgraffito Decoration by Heywood Sumner, 1898. After a cartoon by George Heywood Maunoir Sumner (1853-1940)

Study of Trees, c1839-1898, (1898). Artist: Henri-Joseph Harpignies
Study of Trees. After a water-colour by Henri-Joseph Harpignies (1819-1916). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

From The Watercolour by Henri Harpignies, c1839-1898, (1898). Artist: Henri-Joseph Harpignies
From The Watercolour by Henri Harpignies, 1898. After a water-colour by Henri-Joseph Harpignies (1819-1916). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Silhouette for Ombres Chinoisses from L Epopee, 1898. Artist: Caran d Ache
Silhouette for Ombres Chinoisses from L Epopee, 1898. Transperency for Ombres Chnoises from L EPOPEE BY Caran D ache. From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Une tete de face, 1898. Artist: Fernand Khnopff
Une tete de face, 1898. Auto-Lithograph by Fernand Edmond Jean Marie Khnopff (1858-1921). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Study in Indian Ink by Forain, c1898. Artist: Jean Louis Forain
Study in Indian Ink by Forain, c1898. After a study in Indian ink by Jean-Louis Forain (1852-1931). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Les Femmes De France from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen
Les Femmes De France from Chansons De Femmes, 1897. An illustration from Chansons De Femmes by Paul Delmet (1862-1904). After a Lithograph by Theophile Alexandre Steinlen (1859-1923)

Quand Nous Serons Vieux from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen
Quand Nous Serons Vieux from Chansons De Femmes, 1897. An illustration from Chansons De Femmes by Paul Delmet (1862-1904). After a Lithograph by Theophile Alexandre Steinlen (1859-1923)

L ile Des Baisers from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen
L ile Des Baisers from Chansons De Femmes, 1897. An illustration from Chansons De Femmes by Paul Delmet (1862-1904). After a Lithograph by Theophile Alexandre Steinlen (1859-1923)

Inside A Tramcar, 1896, (1898). Artist: Theophile Alexandre Steinlen
Inside A Tramcar, 1896. After a Lithograph by Theophile Alexandre Steinlen (1859-1923). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Dammerung, c1887-1898, (1898). Artist: Robert Hermann Sterl
Dammerung, c1898. After an Auto-Lithograph by Robert Hermann Sterl (1867-1932). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

A Study In Crayon, c1872-1898, (1898). Artist: Jean Louis Forain
A Study In Crayon. After a crayon sketch by Jean-Louis Forain (1852-1931). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Marble Hall at No 1 Holland Park, 1898. Artist: Philip Webb
Marble Hall at No 1 Holland Park, 1898. Alexander Ionides (1810-1890), the Greek Consul-General in London commissioned Phillip Webb (1831-1915) and William Morris (1834-1896) to transform, No

Les Jardins D Armide, c1888-1898, (1898). Artist: Georges Joseph van Sluijters
Les Jardins D Armide. After a work by Georges Joseph van Sluijters (1868-1943). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Folkestone Harbour, 1896, (1898). Artist: Edward William Charlton
Folkestone Harbour, 1896. After a drawing by Edward William Charlton (1859-1935). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

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"Studio Volume Twelve: A Captivating Collection of Artistic Masterpieces" Step into the enchanting world of Studio Volume Twelve, where a diverse range of captivating artworks awaits. This collection showcases the talent and creativity of renowned artists from different eras. One striking piece is "An auto-lithograph" by Armand Rassenfosse, created around 1898. Rassenfosse's intricate detailing and skillful technique are evident in this mesmerizing artwork. Another notable artwork is "Mr. And Mrs. Zorn" by Anders Leonard Zorn, painted in 1890 but featured in this volume from 1898. Zorn's ability to capture human emotions with such realism is truly remarkable. Count Georg von Rosen, a Swedish painter, comes to life through Zorn's brushstrokes in his portrait from 1893. The attention to detail and the play of light and shadow make this painting a true masterpiece. Joseph Ernest Renan, depicted by Zorn in 1892, exudes an air of wisdom and intellect that reflects both the artist's skill and Renan's character as a prominent figure during his time. George Heywood Maunoir Sumner presents us with "David, " a thought-provoking piece created around 1898. Sumner's use of color and texture adds depth to this intriguing composition. Henri-Joseph Harpignies takes us on an artistic journey through his study of trees from c1839-1898. His meticulous observation captures nature's beauty with every stroke. From Harpignies' watercolor series comes another gem - "From The Watercolour. " This ethereal depiction transports viewers into a dreamlike landscape filled with delicate hues and serene tranquility. Caran d'Ache enchants us with "Silhouette for Ombres Chinoisses, " showcasing their mastery over creating captivating shadows using silhouette artistry techniques—a true testament to their artistic prowess.