Stumping Collection (#4)

French 19th Century, A Landscape with a River, charcoal with stumping on laid paper

Walter Gramatta, Das leere Cafa (The Empty Cafa ), German, 1897-1929, 1917, graphite
Walter Gramatta©, Das leere Cafa© (The Empty Cafa© ), German, 1897-1929, 1917, graphite with touches of stumping on wove paper

Claude Hoin, French (1750-1817), Self-Portrait, c. 1780, red and black chalks, and pastel with stumping on gray-brown laid paper

Jean-Baptiste Greuze, Bust of an Old Man, French, 1725-1805, probably 1763, red, black, and white chalks with stumping and erasure on light brown laid paper, with later framing line in dark brown ink

Jean-Honora Fragonard, Orlando and Angelica Arrive at Charlemagnes Camp, French
Jean-Honora© Fragonard, Orlando and Angelica Arrive at Charlemagnes Camp, French, 1732-1806, black chalk, stumping, with brown wash on laid paper

Fa lix-Hilaire Buhot, Montmartre le 14 Juillet (Bastille Day in Montmartre), French
Fa© lix-Hilaire Buhot, Montmartre le 14 Juillet (Bastille Day in Montmartre), French, 1847-1898, 1892, transfer lithograph with added crayon, ink, scraping

Wilhelm Leibl, German (1844-1900), Two Women in the Kitchen, 1895-1897, graphite and black chalk with stumping on old laid paper

Thomas Shotter Boys, Ile de la Cita from the Institut, Paris, British, 1803-1874, c
Thomas Shotter Boys, Ile de la Cita© from the Institut, Paris, British, 1803-1874, c. 1832, graphite with stumping on wove paper

Gabriel Franazois Doyen (French, 1726 - 1806), Brutus Condemning His Sons to Death, c. 1760, black chalk and white chalk with stumping

Roman 18th Century, An Elderly Man in Classical Drapery, 18th century, black and white chalk with stumping on oatmeal paper, squared for transfer

Joseph Ducreux (French, 1735 - 1802), Head of a Gentleman [recto], 1770-1780, red, black, and white chalks with stumping on brown paper

French 17th Century, The Grieving Virgin Contemplating Instruments of the Passion, 1640s, black chalk with stumping and gray wash on laid paper with a second piece added to the bottom

Gustave Dora (French, 1832 - 1883), A Backstreet in London, 1868, graphite with
Gustave Dora© (French, 1832 - 1883), A Backstreet in London, 1868, graphite with stumping on wove paper

Attributed to Pierre-Antoine Baudouin (French, 1723 - 1769), The Tale of the Cooper s
Attributed to Pierre-Antoine Baudouin (French, 1723 - 1769), The Tale of the Coopers Wife, 1767, black, white, and red chalks with stumping on laid paper

Antoine Watteau, Seated Woman Looking Down, French, 1684 - 1721, c. 1720-1721, red and black chalk with stumping on laid paper, with later framing line in brown ink

Gabriel Jacques de Saint-Aubin, Draftsmen Outdoors, French, 1724 - 1780, c. 1760, black chalk and stumping on laid paper

Charles Michel-Ange Challe, Arches of the Larger Baths at Hadrians Villa, French, 1718 - 1778, c. 1748, black chalk and white chalk with stumping on light brown laid paper

Franazois Boucher, A Nude Woman Reaching to the Right, French, 1703 - 1770, c. 1769, black chalk with stumping, heightened with white chalk on brown laid paper

Alfred R. Waud, The Dalles of St. Louis, American, 1828 - 1891, graphite (stumping in areas) and pen and black ink heightened with white

Reclining Male Nude; Francesco Salviati, Italian, 1510 - 1563; about 1550; Red chalk with stumping, heightened with white; 27 x 39.7 cm (10 5/8 x 15 5/8 in.)

They are Dying; Francisco Jose de Goya y Lucientes (Francisco de Goya), Spanish, 1746 - 1828; about 1825 - 1828; Black chalk with lithographic crayon and/or stumping; 18.9 x 14.4 cm

Study of a Female Nude; Pierre-Paul Prud hon, French, 1758 - 1823; about 1800; Black and white chalk with stumping on blue paper; 60.3 x 31.8 cm (23 3/4 x 12 1/2 in.)

Three Young Artists in a Studio; Louis-Leopold Boilly, French, 1761 - 1845; about 1820; Black chalk with white chalk heightening and stumping on beige paper; 29.8 x 36.5 cm (11 3/4 x 14 3/8 in. )

Portrait of Charles Benjamin de Langes de Montmirail, Baron de Lubieres (recto), Portrait of Charles Benjamin de Langes de Montmirail, Baron de Lubieres (verso); Jean-Etienne Liotard, Swiss

Hows That - A young wicketkeeper whips off the bails
" Hows That?" - A young wicketkeeper whips off the bails and appeals vigorously for a stumping dismissal as the batsman sneaks out of his crease. (see also: 10724035) Date: 1905

H Martyn - Cricketer
H Martyn - Somerset wicketkeeper

Indian / Asian Elephant stamping on tree trunk Corbett National Park, Uttaranchal, India
JR-900 Indian / Asian Elephant stamping on tree trunk Corbett National Park, Uttaranchal, India Elephas maximus Jagdeep Rajput Please note that prints are for personal display purposes only

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"Moin Khan Appeals For Stumping: A Master Behind the Wickets" Stumping, a skill that separates the exceptional from the ordinary in cricket. Just like Mushfiqur Rahim and Mahendra Singh Dhoni, who have perfected this art with finesse. But stumping is not limited to the realm of sports; it has found its way into various aspects of life. Take A F A (Dick) Lilley, a cricketer for Warwickshire and England, whose stumping prowess was legendary on the field. Even beyond cricket, we find suffragettes like warriors "stumping" for their rights to vote. Their relentless efforts paved the way for equality and democracy. In art, stumping takes on different forms. Indian man Georges Seurat's French brushstrokes create mesmerizing scenes where every detail seems perfectly stumped onto canvas. Portraits too can capture this essence of stumping. From Cavaliere Francesco Maria Niccolo Gabburri's dignified pose to Gaetano Sabatini's introspective self-portrait - each stroke brings out their unique personalities as if meticulously stumped by an artist's hand. The concept extends even further into sculptures; Pontormo's seated figure showcases how lines can be delicately carved or etched onto stone while his reclining figure reveals a more relaxed approach to capturing human form through skilled chiseling techniques. Francesco Salviati's Reclining Male Nude demonstrates how even in nudity, there is grace and precision when it comes to sculpting bodies - every muscle carefully defined as if effortlessly "stumped" into existence. Artistic expressions aside, life itself can be seen as a candle burning at both ends. Albert Lebourg's Life Candle reminds us that time passes swiftly just like flames flickering away until they are extinguished completely - leaving behind only memories beautifully "stumped" in our minds forever.