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Style Collection (#97)

"Style: A Timeless Fusion of Elegance and Power" From the sleek curves of the Morgan Plus 8 Britain to the iconic presence of the Aston Martin V12 Vanquish James Bond

Background imageStyle Collection: Living room designed by Honor Easton and Alyne Whalen in a house in Los Angeles, 1942

Living room designed by Honor Easton and Alyne Whalen in a house in Los Angeles, 1942
Living room designed by Honor Easton and Alyne Whalen in a house in Los Angeles, USA, 1942. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1942]

Background imageStyle Collection: The Entrance Hall and Staircase, 1942

The Entrance Hall and Staircase, 1942. Severe yet dignified staircase with thick piled carpet from V Soske shops, New York, USA. Architect: Sumner Spaulding, decorator: Donald Deskey

Background imageStyle Collection: Debates studio at Broadcasting House, London, 1933

Debates studio at Broadcasting House, London, 1933. Architect: Serge Chermayeff. Walling of building board with sycamore woodwork. Fire and skirting in copper. Table covered in Beatl

Background imageStyle Collection: Living room in the apartment of Samuel A. Marx, 1942

Living room in the apartment of Samuel A. Marx, 1942
Living room in the apartment of Samuel A. Marx, designed by the owner and his associates - Noel L. Flint and C. N. Schoune, 1942. From Decorative Art 1942 - The Studio Year Book, edited by C. G

Background imageStyle Collection: Four-post bed, 1933

Four-post bed, 1933. Designed by Elwes Ltd, London, for the Yorkshire house of the Viscountess Allendale, (Violet Lucy Emily Seely)

Background imageStyle Collection: All-Purpose Living Room, 1942

All-Purpose Living Room, 1942. One of a series of exhibition rooms designed by William Pahlmann for Lord & Taylor of New York, USA

Background imageStyle Collection: House at Pomona, California - the living room from the other side of the partition, 1942

House at Pomona, California - the living room from the other side of the partition, 1942. Vignette above fireplace is a fresco by Milford Zornes, painted on wet plaster

Background imageStyle Collection: Mr. William Vesteys house at Hampstead, 1933

Mr. William Vesteys house at Hampstead, 1933
Mr. William Vesteys house at Hampstead, London, 1933. Decorations designed by John Hill, made by Green & Abbott Ltd, London. Hand-tufted rug with design of shells, seaweed and coral

Background imageStyle Collection: House at Pomona, California... looking across the living room, 1942

House at Pomona, California... looking across the living room, 1942
House at Pomona, California - View from the entrance, looking across the living room towards the dining room, 1942. Single big living space divided by glass partition covered in light fibrous

Background imageStyle Collection: House in Bucharest by Rudolf Frankel - The dining room, 1942

House in Bucharest by Rudolf Frankel - The dining room, 1942. The sitting room and dining room form a single large living space divided by curtains. Handwoven carpet and mural decoration

Background imageStyle Collection: The big room at Yaffle Hill, Broadstone, Dorset, 1933

The big room at Yaffle Hill, Broadstone, Dorset, 1933. Architect: Edward Maufe, F.R.I.B.A. built in 1929 for Cyril Carter. Walls and ceiling of rough plaster, floor travertine marble

Background imageStyle Collection: House in Bucharest by Rudolf Frankel, 1942

House in Bucharest by Rudolf Frankel, 1942. Front elevation of a house designed for a writer, showing the covered main entrance and the terrace on the first floor overlooking the garden

Background imageStyle Collection: House for two families in Budapest, Romania, 1933

House for two families in Budapest, Romania, 1933. Architect: L. Kozma. Construction of reinforced concrete, pillars of Mannesmann hollow steel tubes

Background imageStyle Collection: Interior of the house at North Foreland, 1933

Interior of the house at North Foreland, 1933. Architect: Oliver Hill, R.I.B.A. The foot of the staircase - balustrade coping of Botticino marble, walls of grained Plastex

Background imageStyle Collection: House at Burn Bridge by The Late John Procter, F. R. I. B. A. 1942

House at Burn Bridge by The Late John Procter, F. R. I. B. A. 1942
House at Burn Bridge by The Late John Procter, F.R.I.B.A. - Plan, 1942. Situated above a wooded valley in Yorkshire. Plan of Ground Floor and First Floor

Background imageStyle Collection: Summer cottage... on Gibson Island, Maryland, 1933

Summer cottage... on Gibson Island, Maryland, 1933
Summer cottage for Mr. L. Corrin Strong on Gibson Island, Maryland, USA, 1933. Architect: Alexander B. Trowbridge. The overhangs projecting over the windows act as permanent awnings

Background imageStyle Collection: Interior of the Villa at Poissy, 1933

Interior of the Villa at Poissy, 1933. Architects: Le Corbusier & Jeanneret of Paris. The Villa Savoye on the outskirt of Paris, France, designed by Swiss architects Le Corbusier and his cousin

Background imageStyle Collection: House at Hoghton, Lancs. by Frank Waddington, 1942

House at Hoghton, Lancs. by Frank Waddington, 1942
House at Hoghton, Lancashire, by Frank Waddington, F.R.I.B.A. - East elevation, 1942. Small house near Preston, designed for the architects own use

Background imageStyle Collection: A Notable Interior Decoration at St. Peters Italian Church, 1933

A Notable Interior Decoration at St. Peters Italian Church, 1933
A Notable Interior Decoration at St. Peters Italian Church, Clerkenwell Road, E.C. London, 1933. Advertisement for Holloway Brothers (London) Ltd, Artistic Decorators

Background imageStyle Collection: House at Los Angeles by Richard J Neutra. - Patio and garden view, 1942

House at Los Angeles by Richard J Neutra. - Patio and garden view, 1942
House at Los Angeles by Richard J Neutra. - Patio and garden view, showing the balcony extending from the living quarters, 1942

Background imageStyle Collection: Boudoir Circulaire - Studio Des Trois Quartiers - Athelia, 1933

Boudoir Circulaire - Studio Des Trois Quartiers - Athelia, 1933. Advertisement for the Athelia furniture showroom at Studio Des Trois Quartiers, Boulevard de la Madeleine, Paris

Background imageStyle Collection: Interior - House at Fairfax, California by Francis Ellsworth Lloyd, 1942

Interior - House at Fairfax, California by Francis Ellsworth Lloyd, 1942. Sleepy Hollow Acres, designed for Mr Charles Baker. Wide ledge formed by built-in cupboard

Background imageStyle Collection: Details of Richard J. Neutras Multistory House, 1942

Details of Richard J. Neutras Multistory House, 1942
Details of Richard J. Neutras Multistory House - The living room and deck on the top floor, 1942. Multistory Ocean-view house designed for Mr Sidney P Kahn, on Telegraph Hill, San Francisco

Background imageStyle Collection: Atelje Miln - A group of block-printed fabrics from Sweden, 1940

Atelje Miln - A group of block-printed fabrics from Sweden, 1940. From Decorative Art 1940 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1940]

Background imageStyle Collection: Exterior - House at Fairfax, California by Francis Ellsworth Lloyd, 1942

Exterior - House at Fairfax, California by Francis Ellsworth Lloyd, 1942. Sleepy Hollow Acres, designed for Mr Charles Baker

Background imageStyle Collection: Modern Furniture - Green and Abbott Ltd. 1933

Modern Furniture - Green and Abbott Ltd. 1933. Built-in settee and occasional table in natural polished sycamore. Advertisement for Green and Abbott Ltd, furniture showroom at Wigmore Street

Background imageStyle Collection: Honor Easton - The Kitchen In the house of Dr. Ian Campebell, 1940

Honor Easton - The Kitchen In the house of Dr. Ian Campebell, 1940
Honor Easton - The Kitchen In the house of Dr. Ian Campebell, Pasadena, California (Architects, Erle Webster and Adrian Wilson), 1940

Background imageStyle Collection: General Electric Company - The Kitchen, 1940

General Electric Company - The Kitchen, 1940. Designed for a house in the Town of Tomorrow at the New York Worlds Fair, showing porcelain-topped electric sink, range, cabinets and work surfaces

Background imageStyle Collection: In this small London flat use has been made of inexpensive furniture, 1940

In this small London flat use has been made of inexpensive furniture, 1940. Designed by John Trevor. Colour scheme suggests light and sun, the picture provides an exotic window, oil-paper lantern

Background imageStyle Collection: Bournemouth Belle - Southern Railway, 1936

Bournemouth Belle - Southern Railway, 1936. Advertisement for the Daily Pullman service, from London Waterloo to Southampton, (ticket prices: 1st class 20 shillings)

Background imageStyle Collection: Compactom Household Cupboard Units, 1936

Compactom Household Cupboard Units, 1936. Showroom in Regent Street, London W1. From Decorative Art 1936 - Year-Book of The Studio, by C.G. Holme. [The Studio Limited, London, 1936]

Background imageStyle Collection: Hotel bedroom, 1940

Hotel bedroom, 1940
What a change from the dark, stuffy and sordid appearance of the old conventional hotel bedroom, 1940. Designed by Ilmari Tapiovaara and Asko-Tehtaat, Finland. Simplicity, light and airy

Background imageStyle Collection: The bathroom at Gayfere House, London, 1936

The bathroom at Gayfere House, London, 1936
The bathroom at Gayfere House, London, England, by Lady Mount Temple and Oliver Hill, F.R.I.B.A. 1936. Walls and ceiling in mirror-glass by the London Sand Blast Decorative Glass Co

Background imageStyle Collection: Dining-room, 1940

Dining-room, 1940
F. Yorke Smith for Harrods Ltd - The walls of this dining-room are pine papered and distempered, 1940. Furniture, modern walnut showing Regency influence, embroidered chairs, Wedgwood table service

Background imageStyle Collection: A farmhouse kitchen redesigned by Mrs. Darcy Braddell, London, 1936

A farmhouse kitchen redesigned by Mrs. Darcy Braddell, London, 1936. Glazed tiles by Carter & Co, original oak stripped and treated, cork tiles on floor, quarry tiles by cooker

Background imageStyle Collection: De-luxe state room on board the QSTS Queen Mary, 1942

De-luxe state room on board the QSTS Queen Mary, 1942. The RMS Queen Mary was the flagship of the Cunard Line from May 1936 until October 1946

Background imageStyle Collection: Bedroom by Bird Iles Ltd. of London, 1936

Bedroom by Bird Iles Ltd. of London, 1936. From Decorative Art 1936 - Year-Book of The Studio, by C.G. Holme. [The Studio Limited, London, 1936]

Background imageStyle Collection: A British kitchen equipped with a cabinet gas cooker, 1942

A British kitchen equipped with a cabinet gas cooker, 1942
A British kitchen equipped with a cabinet gas cooker designed and manufactured by R. and A. Main Ltd. of London, 1942. No

Background imageStyle Collection: A bedroom in a country house, by Duncan Miller, London, 1936

A bedroom in a country house, by Duncan Miller, London, 1936. Waxed pine floor, bedhead and table tops in rough-cast glass, bed coverings and stool in quilted chintz, with aluminium base to stool

Background imageStyle Collection: Sulgrave Manor, 1940

Sulgrave Manor, 1940. Tudor house in Banbury, Oxfordshire, built of local material, birthplace of George Washington. From Decorative Art 1940 - The Studio Year Book, edited by C. G. Holme

Background imageStyle Collection: A bedroom designed by Miss P. E. Humphries, 1936

A bedroom designed by Miss P. E. Humphries, 1936
A bedroom designed by Miss P. E. Humphries for Messrs. William Whiteley, Ltd. London, England, 1936. Chinese carpet, lamps of hand-wrought iron

Background imageStyle Collection: Corner of a room designed by Hayes Marshall for Fortnum & Mason Ltd. London, 1936

Corner of a room designed by Hayes Marshall for Fortnum & Mason Ltd. London, 1936. Floor of natural polished birch squares, hand-tufted rug by Marion Dorn

Background imageStyle Collection: The vibrant qualities of Plexiglas are used to advantage in this bedroom, 1942

The vibrant qualities of Plexiglas are used to advantage in this bedroom, 1942
The vibrant qualities of Plexiglas are used to advantage in this bedroom, designed and fabricated by Grosfeld House, 1942. Headboard of quilted Plexiglas, chest of drawers made of mirrored glass

Background imageStyle Collection: View in the living-dining room designed by Gilbert Rohde, 1936

View in the living-dining room designed by Gilbert Rohde, 1936
View in the living-dining room designed by Gilbert Rohde for the Herman Miller Furniture Co. Grand Rapids, Michigan, U.S.A. 1936. Furniture veneered in mansonia, expandable dining table

Background imageStyle Collection: Bedroom designed by James F. Eppenstein, Chicago, 1942

Bedroom designed by James F. Eppenstein, Chicago, 1942
Bedroom designed by James F. Eppenstein, Chicago, USA, 1942. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1942]

Background imageStyle Collection: Dining-room for a house in Highgate Village, London, 1936

Dining-room for a house in Highgate Village, London, 1936
Dining-room for a house in Highgate Village, London. Architect: C. H. James, F.R.I.B.A. 1936. Salubra wallpaper, linoleum floor with hand-tufted carpet designed by Marian Pepler

Background imageStyle Collection: Dressing table in American walnut with swivel dressing chair to match, 1942

Dressing table in American walnut with swivel dressing chair to match, 1942. Designed by Edward Wormley and made by the Dunbar Furniture Manufacturing Co of Berne, Indiana

Background imageStyle Collection: The living-room in a London flat, redesigned by Serge Chermayeff, F. R. I. B. A. 1936

The living-room in a London flat, redesigned by Serge Chermayeff, F. R. I. B. A. 1936
The living-room in a London flat, redesigned by Serge Chermayeff, F.R.I.B.A. 1936. Partition of walnut ply, electric fire flush with the wall, painting above it is by Christopher Wood




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"Style: A Timeless Fusion of Elegance and Power" From the sleek curves of the Morgan Plus 8 Britain to the iconic presence of the Aston Martin V12 Vanquish James Bond, style knows no bounds. It transcends time and geography, as seen in an antique map showcasing Scotland's enchanting islands - Jura, Mull, Argyll, and Islay from the 19th century. Even motorcycles exude their own unique style; take for instance the Triton Triumph-Norton hybrid 1962 Silver that effortlessly combines vintage charm with modern engineering. And who can resist the grace captured in a ballerina's back? Style is not limited to machines alone but extends to every form of artistry. The Mercedes-Benz SL55 AMG roars down streets with sophistication while Ducati motorcycles like the 1098s and 998R embody Italy's passion for design and speed. Meanwhile, a black Vincent Rapide HRD Series C from the 1940s stands as a testament to timeless elegance on two wheels. Traveling further afield brings us to Saint Lucia through a captivating map from centuries past. And even nature has its own sense - just look at Red-billed chough birds soaring gracefully across landscapes depicted in Natural History illustrations. Finally, we find ourselves transported back in time by witnessing a stunning Dodge Coronet 1959 Green 2-tone cruising along roads with nostalgic flair. Style truly encompasses all aspects of life - it is an expression that speaks volumes without uttering words.